Laurence Sterne’s most famous novel is a biting satire of literary conventions and contemporary 18th-century values. Renowned for its parody of established narrative techniques, Tristram Shandyis commonly regarded as the forerunner of avant-garde fiction. Tristram’s characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain’s greatest comic achievements.

A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma. Terrifying and enlightening, Clarissa weaves a tapestry of narrative experimentation into a gripping morality tale of good versus evil.

Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

In one of the first novels in the English language, we follow the picaresque adventures of Joseph Andrews, a virtuous young man who is keen to maintain his innocence despite being coerced by nearly every woman he encounters.

Charming, vibrant, witty and edifying, The Life of Samuel Johnson is a work of great obsession and boundless reverence. The literary critic Samuel Johnson was 54 when he first encountered Boswell; the friendship that developed spawned one of the greatest biographies in the history of world literature. The book is full of humorous anecdote and rich characterization, and paints a vivid picture of 18th-century London, peopled by prominent personalities of the time.

Napoleon has England on edge. For the cunning and conniving Becky Sharp, it’s an opportunity to take advantage of the chaos and improve her lowly station. Her friend Amelia Sedley, a blue-blood pawn, affords Becky entrée into the moneyed class. As the guileless Amelia pines for a rakish soldier, the ruthless Becky climbs upward, setting the stage for a domestic battlefield of greed, ambition, deception, and dizzying reversals of love and fortune.

Sixteenth-century Spanish gentleman Don Quixote, fed by his own delusional fantasies, takes to the road in search of chivalrous adventures. But his quest leads to more trouble than triumph. At once humorous, romantic, and sad, Don Quixote is a literary landmark. This fresh edition, by award-winning translator Edith Grossman, brings the tale to life as never before.

Here is a grotesque and carnivalesque collection of exuberant, fantastical stories that takes us from the ancient world through to the European Renaissance. At the heart of these tall tales are the giant Gargantua and his equally seismic son, Pantagruel. Containing magical adventures, maniacal punning, slapstick humor, erudite allusions, and just about any bodily function one can think of, here is quite possibly the zaniest, most risqué book ever written.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

Waverley by Sir Walter Scott is an enthralling tale of love, war and divided loyalties. Taking place during the Jacobite Rebellion of 1745, the novel tells the story of proud English officer Edward Waverley. After being posted to Dundee, Edward eventually befriends chieftain of the Highland Clan Mac-Ivor and falls in love with his beautiful sister Flora. He then renounces his former loyalties in order actively to support Scotland in open rebellion against the Union with England. The book depicts stunning, romantic panoramas of the Highlands.

Handsome, wealthy, and a veteran of service in India, Captain Edward Ashburnham appears to be the ideal "good soldier" and the embodiment of English upper-class virtues. But for his creator, Ford Madox Ford, he also represents the corruption at society's core. Beneath Ashburnham's charming, polished exterior lurks a soul well-versed in the arts of deception, hypocrisy, and betrayal.

Dombey and Son is vintage Dickens and explores the classic themes of betrayal, cruelty and deceit. Dombey's dysfunctional relationships are painted against a backdrop of social unrest in industrialized London, which is populated by a host of fascinating and memorable secondary characters. The complete and unabridged novel is brought spectacularly to life by veteran reader David Timson.

In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car.

Like Tom Jones before him, Barry Lyndon is one of the most lively and roguish characters in English literature. He may now be best known through the colorful Stanley Kubrick film released in 1975, but it is Thackeray who, in true 19th-century style, shows him best.

In 1922, Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, and is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him entry into a much larger world of emotional discovery.

Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

A foundling of mysterious parentage, Tom Jones is brought up by the benevolent and wealthy Squire Allworthy as his own son. Tom falls in love with the beautiful and unattainable Sophia Western, a neighbor’s daughter, whose marriage has already been arranged. When Tom’s sexual misadventures around the countryside get him banished, he sets out to make his fortune and find his true identity.

Leaves of Grass is the written expression of Whitman's view of life and humanity in the form of poetry. The author masterfully connects each poem in some way, while infusing his prose with his own philosophy. This collection is unique for its time due to the emphasis the author puts on pleasures of the flesh, without resorting to symbolism to any great extent.

Though we have properly enough entitled this our work, a history, and not a life; nor an apology for a life, as is more in fashion; yet we intend in it rather to pursue the method of those writers, who profess to disclose the revolutions of countries, than to imitate the painful and voluminous historian, who, to preserve the regularity of his series, thinks himself obliged to fill up as much paper with the detail of months and years in which nothing remarkable happened, as he employs upon those notable aeras when the greatest scenes have been transacted on the human stage.

First published in 1719 in London, the first edition of Robinson Crusoe gave credit to the work's fictional protagonist, Robinson Crusoe, as its actual author instead of Daniel Defoe. This led many readers to believe Robinson Crusoe was a real person and the book a true account.