Tremor
A Novel
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Narrated by:
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Atta Otigba
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Yetide Badaki
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By:
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Teju Cole
About this listen
An “extraordinary, ambitious” (The Times UK) novel that masterfully explores what constitutes a meaningful life in a violent world—from the award-winning author of Open City
New York Times Book Review Editors’ Choice • “Cole’s mind is so agile that it’s easy to follow him anywhere.”—The New Yorker
WINNER OF THE ANISFIELD-WOLF BOOK AWARD • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • A BEST BOOK OF THE YEAR: Time, The Washington Post, Financial Times, Vulture, Chicago Public Library, Publishers Weekly, Library Journal
Life is hopeless but it is not serious. We have to have danced while we could and, later, to have danced again in the telling.
A weekend spent antiquing is shadowed by the colonial atrocities that occurred on that land. A walk at dusk is interrupted by casual racism. A loving marriage is riven by mysterious tensions. And a remarkable cascade of voices speaks out from a pulsing metropolis.
We’re invited to experience these events and others through the eyes and ears of Tunde, a West African man working as a teacher of photography on a renowned New England campus. He is a reader, a listener, a traveler, drawn to many different kinds of stories: stories from history and epic; stories of friends, family, and strangers; stories found in books and films. Together these stories make up his days. In aggregate these days comprise a life.
Tremor is a startling work of realism and invention that engages brilliantly with literature, music, race, and history as it examines the passage of time and how we mark it. It is a reckoning with human survival amidst “history’s own brutality, which refuses symmetries and seldom consoles,” but it is also a testament to the possibility of joy. As he did in his magnificent debut Open City, Teju Cole once again offers narration with all its senses alert, a surprising and deeply essential work from a beacon of contemporary literature.
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Critic reviews
"Atta Otigba and Yetide Badaki give outstanding performances of this imagistic, nonlinear novel. They are grand guides to a world of art, history, and criticism. Badaki has precise diction and a lovely artistic tone with a slight Nigerian lilt. Otigba, also Nigerian, delivers his parts in a powerful and authoritative voice. The narrative switches from one to the other seamlessly." (AudioFile)
“A master class in the morality of art . . . a novel of ideas but also of voices, of different perspectives claiming the first-person narrative I. The precision of detail stresses the importance of seeing, but identity, perspective, and context determine who is seeing what. . . . A provocative and profound meditation on art and life in a world of terror.” —Kirkus Reviews (starred review)
“[Tremor] is a high-wire act, beating its own, defiant path through the weightless air.” —The Nation
“This extraordinary, ambitious novel . . . breaks new ground.” —The Times
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First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.
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Christmas Classic Given New Life
- By E-Hank3 on 12-26-20
By: Charles Dickens
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A Christmas Carol: A Signature Performance by Tim Curry
- By: Charles Dickens
- Narrated by: Tim Curry
- Length: 3 hrs and 31 mins
- Unabridged
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A Signature Performance: Tim Curry rescues Charles Dickens from the jaws of Disney with his one-of-a-kind performance of the treasured classic. Our listeners loved this version so much that it inspired our whole line of Signature Classics.
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Wonderful!!!
- By Alia on 12-11-09
By: Charles Dickens
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George Orwell’s 1984
- An Audible Original adaptation
- By: George Orwell, Joe White - adaptation
- Narrated by: Andrew Garfield, Cynthia Erivo, Andrew Scott, and others
- Length: 3 hrs and 27 mins
- Original Recording
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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The Plight Before Christmas
- By: Kate Stewart
- Narrated by: Joe Arden, Maxine Mitchell
- Length: 10 hrs and 53 mins
- Unabridged
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Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.
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Gaslighting and games
- By FMC on 12-22-22
By: Kate Stewart
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He's Gone
- By: Rebecca Collomosse
- Narrated by: Victoria Blunt, Cicely Whitehead, Joe Eyre
- Length: 10 hrs and 21 mins
- Unabridged
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My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.
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Disappointing plot
- By TerriSweeta on 12-04-24
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The Answer Is No
- A Short Story
- By: Fredrik Backman, Elizabeth DeNoma - translator
- Narrated by: Stacy Gonzalez
- Length: 1 hr and 49 mins
- Unabridged
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Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
- By joey1603 on 12-01-24
By: Fredrik Backman, and others
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Starship Troopers
- By: Robert A. Heinlein
- Narrated by: R.C. Bray
- Length: 8 hrs and 15 mins
- Unabridged
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Overall
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Story
Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Dead Med
- By: Freida McFadden
- Narrated by: Patricia Santomasso, Scott Merriman
- Length: 10 hrs and 3 mins
- Unabridged
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Overall
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Performance
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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Good book
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Cairo, 2011. After decades under a repressive regime, tensions are rising in the city streets. No one is out of reach of the revolution. There is General Alwany, a high-ranking member of the government's security agency, a pious man who loves his family yet won't hesitate to torture enemies of the state; Asma, a young teacher who chafes against the brazen corruption at her school; Ashraf, an out-of-work actor who is having an affair with his maid and gets pulled into Tahrir Square through a chance encounter; Nourhan, a television personality who defends those in power; and many more.
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Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture. These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian, written by a lifelong resident of New Orleans and one of our finest new writers.
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Samuel has lived alone on an island off the coast of an unnamed African country for more than two decades. He tends to his garden, his lighthouse, and his chickens, content with a solitary life. Routinely, the nameless bodies of refugees wash ashore, but Samuel—who understands that the government only values certain lives, certain deaths—always buries them himself. One day, though, he finds that one of these bodies is still breathing.
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The middle daughter of struggling California fruit farmers, Alice Bush is accustomed to feeling inferior and destitute. But when her elder sister’s husband strikes a vein of gold in the Yukon Territory, Alice finally seizes control of her destiny by joining a wave of white settlers making the dangerous trek to the Klondike. What follows is an awakening of ambition for the quietly opportunistic Alice.
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Review
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We Play Ourselves
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Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity.
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Brilliant Satire
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What listeners say about Tremor
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Kirsten Scheid
- 03-14-24
Fractured narrative line but little gained from splicing of stories
The narrators performed well. It’s the book’s content that lacked. Experimental structure can be great, where story lines entangle and add to each other, or narrative flow pauses and allows the author’s insights to crystallize. None of that materialized here. Just a bunch of descriptions with a few fine phrases achieved.
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Overall
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Performance
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- JP
- 10-21-23
love the narrators!
nonlinear narrative and packed wi/h references to music, art and literature. the section in Lagos composed of vignettes is surprising and unforgettable. the ending is something I will return to for inspiration and a reminder of excellent writing
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Overall
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- Stacy
- 12-30-23
Totally loved this book
Very meditative and thought provoking. Opened me up to so many new perspectives and left me feeling more untuned with my heritage.
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- Tom
- 12-01-23
An expression of the Genuine Feelings of a Young African Man encountering a Confusing World.
While Tremor did not resonate with me personally, Teju’s writing convinced me that he was telling his Truth. Sometimes it’s interesting to see the World through a character far different from oneself. Come to think of it: That’s what Fiction is about, huh?!
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