Ed Fletcher is a real estate agent with a normal life, until one day he leaves the house for work a few minutes later than he should have. He arrives at a terrifying, grey, ash world. Ed rushes home and tells his wife, Ruth, who goes back to the office with him. When they return, everything is normal. But he soon realizes people and objects have subtly changed.

Moth was a beautiful planet, the only one with wings - two great golden clouds suspended in space around it. Here was a wide-open world for any venture a man might scheme. The planet attracted unwary travelers, hardened space-sailors, and merchant buccaneers - a teeming, constantly shifting horde that provided a comfortable income for certain quick-witted fellows like Flinx and his pet flying snake Pip.

Earth is trapped in the crossfire of an unwinnable war between two alien civilizations. Its leader is perpetually on the verge of death. And on top of that, a new drug has just entered circulation - a drug that haphazardly sends its users traveling through time. In an attempt to escape his doomed marriage, Dr. Eric Sweetscent becomes caught up in all of it. But he has questions: Is Earth on the right side of the war? Is he supposed to heal Earth’s leader or keep him sick? And can he change the harrowing future that the drug has shown him?

They mustn't harm a human being, they must obey human orders, and they must protect their own existence...but only so long as that doesn't violate rules one and two. With these Three Laws of Robotics, humanity embarked on a bold new era of evolution that would open up enormous possibilities, and unforeseen risks.

The Spandau Diary -- what was in it? Why did the secret intelligence agencies of every major power want it? Why was a brave and beautiful woman kidnapped to get it? Why did a chain of deception and violent death lash out across the globe, from survivors of the Nazi past to warriors in this new conflict about to explode? Why did the world's entire history of World War II have to be rewritten as the future hung over a nightmare abyss?

They are the Voltarians of Voltar - an empire 110 planets strong. They are already among us. And the invasion is about to begin...in a hundred years or so. Or is it? The truth is far more sinister. Undercover, underground, and out of sight, the invaders plan what may in fact be a massive diversion. In the darkest recesses of Voltar’s Coordinated Information Apparatus (otherwise known as the CIA), a tyrant of terror sets out to exploit the invasion in order to seize power. All that stands in his way is a planet that doesn’t exist.

Jan Kulozik was one of Earth's privileged elite. A brilliant young electronics engineer, he enjoyed all the blessings of a twenty-third-century civilization that survived global collapse and conquered the starts, unaware of the millions who slaved or starved to maintain his way of life. Then Jan met Sara, a beautiful agent of the rebel underground dedicated to smashing Earth's rigid caste system. Through her he discovered the truth behind the lies he'd been taught.

Niblock House is a rising executive at General Technics, one of a few all-powerful corporations. His work is leading General Technics to the forefront of global domination, both in the marketplace and politically - it's about to take over a country in Africa. Donald Hogan is his roommate, a seemingly sheepish bookworm. But Hogan is a spy, and he's about to discover a breakthrough in genetic engineering that will change the world...and kill him. Society is squeezed into hive-living madness by god-like mega computers and mass-marketed psychedelic drugs.

The music of Rush, one of the most successful bands in music history, is filled with fantastic stories, evocative images, thought-provoking futures and pasts. In this anthology, notable, best-selling, and award-winning writers each chose a Rush song as the spark for a new story, drawing inspiration from the visionary trio Geddy Lee, Alex Lifeson, and Neil Peart.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

They first appear as a series of dots on astronomical plates, heading from Saturn directly toward Earth. Since the ringed planet carries no life, scientists deduce the mysterious ship to be a visitor from another star. The world's frantic efforts to signal the aliens go unanswered. The first contact is hostile: the invaders blast a Soviet space station, seize the survivors, and then destroy every dam and installation on Earth with a hail of asteriods.

Sinister forces are at work, striking within the very heart of the city's elite with powers that seem otherwordly. Are the attacks random? Simply for profit? Or is an unknown predator hunting our masked heroes themselves? If the mysterious Ajay Shah really does have powers that rival those of the Red Panda, will even the Terrific Twosome of Toronto be able to resist the might of... The Mind Master?

They said his uncle Ian died in a car accident. Alex Rider knows that's a lie, and the bullet holes in his uncle's car confirm the truth. But nothing can prepare him for the news that the uncle he always thought he knew was really a spy for Britain's top-secret intelligence agency. Enlisted to find his uncle's killers and complete Ian's final mission, Alex suddenly finds himself caught in a deadly game of cat and mouse, with no way out.

Cobras are technologically-enhanced warriors bred to fight an alien menace no ordinary human can withstand. At the center of action, on the Cobra world of Aventine, is the legendary Moreau clan. While the Cobras are necessary in times of war, in times of peace, they are often reviled by those they have saved. Now, the Cobras have resisted a second invasion of the alien Troft forces, forcing the Troft to a stalemate - even converting some thoughtful Troft into uneasy allies against their kin.

In AD 2600, the human race is finally beginning to realize its full potential. Hundreds of colonized planets scattered across the galaxy host a multitude of prosperous and wildly diverse cultures. Genetic engineering has pushed evolution far beyond nature's boundaries, defeating disease and producing extraordinary spaceborn creatures. Huge fleets of sentient trader starships thrive on the wealth created by the industrialization of entire star systems, and throughout inhabited space the Confederation Navy keeps the peace.

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy. Philip K. Dick was aggressively individualistic, and no worldview is safe from his acerbic and hilarious takedowns.

In Counter-Clock World, time has begun moving backward. People greet each other with "goodbye", blow smoke into cigarettes, and rise from the dead. When one of those rising dead is the famous and powerful prophet Anarch Peak, a number of groups start a mad scramble to find him first - but their motives are not exactly benevolent, because Anarch Peak may just be worth more dead than alive, and these groups will do whatever they must to send him back to the grave.

Floyd Jones has always been able to see exactly one year into his future, a gift and curse that began one year before he was even born. As a fortuneteller at a post-apocalyptic carnival, Jones is a powerful force, and may be able to free society from its paralyzing Relativism. If, that is, he can avoid the radioactively unstable government hit man on his tail.

In the future, most of humanity lives in massive underground bunkers, producing weapons for the nuclear war they’ve fled. Constantly bombarded by patriotic propaganda, the citizens of these industrial anthills believe they are waiting for the day when the war will be over and they can return above ground. But when Nick St. James, president of one anthill, makes an unauthorized trip to the surface, what he finds is more shocking than anything he could imagine.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite.

When Dr. Jim Parsons awakens after a car accident, he finds himself in a future populated almost entirely by the young. But for the young to keep running the world, death is fetishized, and those who survive to old age are put down. In such a world, Parsons - with his innate desire to save lives - is a criminal and an outcast. For one revolutionary group, however, he may be just the savior they need to heal and revive their cryogenically frozen leader.

For years, the third moon in the Alphane system was used as a psychiatric hospital. But when war broke out between Earth and the Alphanes, the hospital was left unguarded and the inmates set up their own society, made up of competing factions based on their particular mental illnesses. When Earth sends a delegation to take back the colony, they find enclaves of depressives, schizophrenics, paranoiacs, and others uniting to repel what they see as a foreign invasion.

Years ago, Earth and Titan fought a war and Earth lost. The planet was irradiated and most of the surviving population is sterile. The few survivors play an intricate and unending game called Bluff at the behest of the sluglike aliens who rule the planet. At stake in the game are two very important commodities: land and spouses. Pete Garden just lost his wife and Berkeley, California, but he has a plan to win them back. That is, if he isn’t derailed by aliens, psychic traitors, or his new wife.

In Our Friends from Frolix 8, the world is run by an elite few. And what determines whether one is part of the elite isn’t wealth or privilege, but brains. As children, every citizen of Earth is tested; some are found to be super-smart New Men and some are Unusuals with various psychic powers. The vast majority are Undermen, performing menial jobs in an overpopulated world.

Jack Isidore doesn’t see the world like most people. According to his brother-in-law, Charley, he’s a crap artist, obsessed with his own bizarre theories and ideas, which he fanatically records in his many notebooks. He is so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But while Fay and Charley Hume put on a happy face for the world, they prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s but a great deal uglier.

When a repairman accidentally discovers a parallel universe, everyone sees it as an opportunity, whether as a way to ease Earth’s overcrowding, set up a personal kingdom, or hide an inconvenient mistress. But when a civilization is found already living there, the people on this side of the crack are sent scrambling to discover their motives. Will these parallel humans come in peace? Or are they just as corrupt and ill-intentioned as the people of this world?

In the future, most of humanity lives in massive underground bunkers, producing weapons for the nuclear war they’ve fled. Constantly bombarded by patriotic propaganda, the citizens of these industrial anthills believe they are waiting for the day when the war will be over and they can return aboveground. But when Nick St. James, president of one anthill, makes an unauthorized trip to the surface, what he finds is more shocking than anything he could imagine.

On an arid Mars, local bigwigs compete with Earth-bound interlopers to buy up land before the Un develops it and its value skyrockets. Martian Union leader Arnie Kott has an ace up his sleeve, though: an autistic boy named Manfred who seems to have the ability to see the future. In the hopes of gaining an advantage on a Martian real estate deal, powerful people force Manfred to send them into the future, where they can learn about development plans.

In Radio Free Albemuth, his last novel, Philip K. Dick morphed and recombined themes that had informed his fiction from A Scanner Darkly to VALIS and produced a wild, impassioned work that sounds like a visionary alternate history of the United States. Agonizingly suspenseful, darkly hilarious, and filled with enough conspiracy theories to thrill the most hardened paranoid, Radio Free Albemuth is proof of Dick's stature as our century's greatest science fiction writer.

Earth is trapped in the crossfire of an unwinnable war between two alien civilizations. Its leader is perpetually on the verge of death. And on top of that, a new drug has just entered circulation - a drug that haphazardly sends its users traveling through time. In an attempt to escape his doomed marriage, Dr. Eric Sweetscent becomes caught up in all of it. But he has questions: Is Earth on the right side of the war? Is he supposed to heal Earth’s leader or keep him sick? And can he change the harrowing future that the drug has shown him?