Wayfaring Audiobook By John Fraser cover art

Wayfaring

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Wayfaring

By: John Fraser
Narrated by: Virtual Voice
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About this listen

 Wayfaring, the latest of John Fraser's tour de forces in experimental fiction, consists of three novellas, with the common theme of travelling in difficult places. '‘Coming in to Land on Saturn’ is the (fictionalised) account of the extreme physical and psychological experiences of a trainee Intelligence operative. In ‘Sometimes the Watchman Is Drunk’ four people travel round the ethnically fragmented regions of Southern Yugoslavia before the wars of the 1990s. Faced with the imminence of communist breakup, the four turn to self-inquiry, as the future becomes more troubled and unreadable. ‘Coney Island’ is the story of a godlike narrator who follows the fortunes of Stark and Pippa, unemployed but enterprising young friends. Many past and future scenarios of human destinies are explored. About the author: John Fraser is the author of 18 works of literary and speculative fiction. He has lived in Rome since 1980. Previously he worked in England and Canada. The distinguished poet, novelist and Booker Prize nominee John Fuller has written of Fraser’s fiction: ‘One of the most extraordinary publishing events of the past few years has been the rapid, indeed insistent, appearance of the novels of John Fraser. There are few parallels in literary history to this almost simultaneous and largely belated appearance of a mature œuvre, sprung like Athena from Zeus’s forehead; and the novels in themselves are extraordinary. I can think of nothing much like them in fiction. Fraser maintains a masterfully ironic distance from the extreme conditions in which his characters find themselves. There are strikingly beautiful descriptions, veiled allusions to rooted traditions, unlikely events half-glimpsed, abrupted narratives, surreal but somehow apposite social customs. ‘Fraser’s work is conceived on a heroic scale in terms both of its ideas and its situational metaphors. If he were to be filmed, it would need the combined talents of a Bunuel, a Gilliam, a Cameron. Like Thomas Pynchon, whom in some ways he resembles, Fraser is a deep and serious fantasist, wildly inventive. The reader rides as on a switchback or luge of impetuous attention, with effects flashing by at virtuoso speeds. The characters seem to be unwitting agents of chaos, however much wise reflection the author bestows upon them. They move with shrugging self-assurance through circumstances as richly-detailed and as without reliable compass-points as a Chinese scroll.’
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