Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Dr. Laurel Harlow can’t believe she’s agreed to do a reality TV show. But her years as a chemical dependency counselor and personal history with the show’s director make her the obvious choice. Treating a mansion full of former child stars on the road to recovery is the tallest order of her career—especially when one of them turns up dead while the cameras are still rolling.

Working with your ex isn’t that bad an idea—not with artistic integrity on the line. Jaime Croft is determined to prove his directorial range, and Scarlett Arbuthnot’s biography is the perfect project. He once thought Scarlett was his perfect match too, but it’s been seventeen years. Surely he’s over it by now. Or maybe not. Scarlett is a grand master taking the chess world by storm. If she can handle that pressure, she can handle Jaime Croft. Even if that means working together in close quarters…and constant reminders of how she broke his heart.

In May 2005, authorities discovered the Groene family murdered in their Idaho home. The family’s youngest members—eight-year-old Shasta and her brother, nine-year-old Dylan—were nowhere to be found. As a community prayed for their return, Shasta and Dylan were already miles away in the woods of Montana at the hands of serial killer Joseph Edward Duncan. After a harrowing forty-eight day ordeal, Shasta was rescued. In many ways, her survival story was only beginning.

Since Bailey Rae Rigby’s adoptive aunt Winnie passed, Bent Oak, South Carolina, doesn’t have much of a hold on her anymore. So it seems. Bailey Rae aims to settle the small estate and, armed with her aunt’s inspiring personal cookbook, buy a food truck with an ocean view in Myrtle Beach. Everything goes awry when a distraught young mother arrives in town clutching a copy of that same cookbook. Embedded inside is a code that promises a safe place in Bent Oak for desperate women on the run. For Bailey Rae it opens up a world of questions.

Sloane Thompson has a daughter named Daisy, attends school activities with other parents, and even has an amicable relationship with her ex-husband. But after ten years in bucolic Sycamore Glen, Sloane has yet to find someone to call a true friend. Until Harper and Ben Wilson move in next door. Harper is open, charismatic, and restless. She and Sloane quickly become confidantes and fall into a deep and intoxicating friendship. Then one afternoon, Daisy’s dependable babysitter, Margaret, fails to show.