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White Jazz
- A Novel
- Narrated by: Scott Brick
- Length: 15 hrs and 33 mins
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Publisher's summary
Klein's been hung out as bait, "a bad cop to draw the heat", and the heat's coming from all sides: from local politicians, from LAPD brass, and from racketeers and drug kingpins, all of them hell-bent on keeping their own secrets hidden. For Klein, "42 and going on dead", it's dues time.
Klein tells his own story, his voice clipped, sharp, often as brutal as the events he's describing, taking us with him on a journey through a world shaped by monstrous ambition, avarice, and perversion. It's a world he created, but now he'll do anything to get out of it alive.
Fierce, riveting, and honed to a razor edge, White Jazz is crime fiction at its most shattering.
Critic reviews
"One of the great American writers of our time." ( Los Angeles Times Book Review)
" White Jazz makes previous detective fiction read like Dr. Seuss." ( San Francisco Examiner)
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Partners in the Los Angeles Police Department, they’re haunted by terrifying dark secrets of the nightwatch - shared predawn drink and sex sessions they call choir practice. Each wears his cynicism like a bulletproof jockstrap - each has his horror story, his bad dream, his night shriek. He is afraid of his friends–he is afraid of himself.
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Definitely Funny, Probably Offensive
- By John Strange on 12-18-14
By: Joseph Wambaugh
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Cash Landing
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- By: James Grippando
- Narrated by: Jonathan Davis
- Length: 12 hrs and 2 mins
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Every week a hundred million dollars in cash arrives at Miami International Airport, shipped by German banks to the Federal Reserve. A select group of trusted workers moves the bags through customs and loads them into armored trucks.
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Good Start To The Series
- By Lia on 10-21-18
By: James Grippando
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The Blue Hour
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- By: T. Jefferson Parker
- Narrated by: Tavia Gilbert
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Tim Hess is a semiretired veteran cop staring at a death sentence - his own. Detective Merci Rayborn, young enough to be his daughter, is brash, impatient, and not someone from whom Hess wants to be taking orders. He certainly isn't planning on falling in love with her. Together, they must track down a psychopathic killer who's been abducting beautiful young women from the malls of Orange County.
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Outstanding book, exceptional reader
- By Jan on 03-24-10
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Forty Words for Sorrow
- By: Giles Blunt
- Narrated by: James Daniels
- Length: 10 hrs and 9 mins
- Unabridged
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When the badly decomposed body of 13-year-old Katie Pine is found, John Cardinal is vindicated. It was Cardinal who'd kept the Pine case open and Cardinal had been demoted to the burglary squad for his excessive zeal. But Katie Pine isn't the only youngster to have gone missing and Cardinal is now given the go-ahead to reopen the files on three other lost kids. When another youth is reported missing, he begins to see a pattern that screams "serial killer."
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even better than the TV show
- By Allison Payne on 04-21-20
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Crash and Burn
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Three years ago LAPD Detective Scarlet Moreno and rookie cop Krista Hart were nearly killed during a botched sting operation. Now, they're best friends and partners in the Orange County private investigation firm of Moreno & Hart. But their routine assignments are anything but safe…
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Great storytelling
- By KP on 11-13-22
By: Allison Brennan, and others
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Tilt-a-Whirl
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- By: Chris Grabenstein
- Narrated by: Jeff Woodman
- Length: 8 hrs and 18 mins
- Unabridged
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There isn't much fun in the sun when a billionaire real estate tycoon is found murdered on the Tilt-a-Whirl at a seedy seaside amusement park in the otherwise quiet summer tourist town of Sea Haven. John Ceepak, a former MP just back from Iraq, has just joined the Sea Haven police department. The job offer came from an old Army buddy who hoped to give Ceepak at least a summer's worth of rest and relaxation to help him forget the horrors of war. Instead, Ceepak will head up the murder investigation.
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All I can say is WOW!
- By Catherine J. Pondozzi on 08-06-13
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Every Crooked Nanny
- A Callahan Garrity Mystery, Book 1
- By: Mary Kay Andrews
- Narrated by: Hillary Huber
- Length: 9 hrs and 59 mins
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After 10 years of cleaning up the dirt on Atlanta's streets, Callahan Garrity is trading in her badge for a broom and a staff of house cleaners. But, though the uniform is a little different, Callahan soon finds herself right back in the middle of a mystery when a client's pretty, pious 19-year-old nanny is gone...along with the jewelry, silver, and a few rather sensitive real estate documents. Before she knows it, the meticulous Callahan is up to her elbows in a case involving illicit love triangles, crooked business deals, long-distance scams, and a dead body.
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For light entertainment - Also reviews explained
- By Chicago Laura on 07-05-13
By: Mary Kay Andrews
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No Lesser Plea
- Butch Karp and Marlene Ciampi, Book 1
- By: Robert K. Tanenbaum
- Narrated by: Traber Burns
- Length: 11 hrs and 2 mins
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Manhattan Assistant District Attorney Roger "Butch" Karp has been around New York long enough to realize that the judicial system can be dirty and cynical. But he still believes in justice. So when a vicious sociopath tries to dodge a brutal murder charge by convincing the court he is incompetent to stand trial, Karp teams up with firecracker Assistant DA Marlene Ciampi to unleash the full force of their relentless energy, hardboiled wit, and passion for the truth to put the killer away for good. They will accept no lesser plea.
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A Decent LIsten
- By Ted on 08-31-14
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Heat Wave
- By: Richard Castle
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The title character from ABC's hit television series Castle kicks off his new series of books featuring tough and sexy New York police detective Nikki Heat with a bang.
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Good book terrible narrator
- By Patti on 12-29-09
By: Richard Castle
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Pulp. Mucho Pulp. Too much pulp.
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In disgrace after a badly handled arrest in New Orleans, Sergeant Lloyd Hopkins is assigned as a liaison officer to an FBI investigation of a series of diabolical and clever bank robberies. Three men have done their homework: they choose bank managers who are having affairs, kidnap their girlfriends, and force the managers to open the banks early.
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Try this title for a change of pace
- By Robert on 04-19-16
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Hollywood Nocturnes
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Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.
By: James Ellroy
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In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.
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Narrator's Monotonous Tone Ruined Book
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Spade & Archer
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When Sam Spade gets drawn into the Maltese Falcon case, we know what to expect: straight talk, hard questions, no favors, and no way for anyone to get underneath the protective shell he wears like a second skin. We know that his late partner, Miles Archer, was a son of a bitch; that Spade is sleeping with Archer's wife, Iva; that his tomboyish secretary, Effie Perine, is the only innocent in his life. What we don't know is how Spade became who he is. Spade & Archer completes the picture.
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"A Real Joy"
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What listeners say about White Jazz
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- T. Brieaddy
- 12-26-22
Scott Brick hits a home run!
Great book. Scott Brick always came across to me as a somewhat boring narrator, but this time he nailed it!
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- Jaime Branam
- 06-11-24
Time period
Attention to detail. How things have changed from the 50's till today. Love stories from the old days
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- Charles
- 05-08-08
What a great book!
I've always loved this book and hearing it read by Scott Brick is a real treat. I don't get all the 1 star reviews. This is a really good book.
I wish Audible would get some more Ellroy books. An unabridged version of "LA Confidential" would be a great start. Followed by "The Big Nowhere".
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7 people found this helpful
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- Mr Dangerous
- 07-16-24
Enjoyable...
There are better Ellroy books, but this was pretty good. The real downfall was Scott Brick. Normally I like him, but he's wrong for Ellroy. He can't do gritty pulp.
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- Anonymous User
- 01-25-19
Someone's always watching
Scott Brick is a fantastic narrator and
Ellroy is still king of noire prose atmosphere
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- Justin G
- 02-06-24
Raw, Challenging Final Act Needed Better Narrator
I’ve been a fan of James Ellroy for 25 years now but I only started listening to the audiobook versions of his work. It took me about 2 years to get around to all of them but I recently finished listening to his entire body of work, and White Jazz was the only one that featured a narrator that either just isn’t very good ior was at least wrong for this. Personally I’m leaning toward the former but this is the only thing I’ve heard him read so maybe he does a better job elsewhere, but he nearly ruins this. It’s too bad because White Jazz is a really great novel that features some of the best and boldest writing stylistically that Ellroy has ever done, and features a pretty insane plot that’s a worthy conclusion to the famed LA Quartet.
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- Darwin8u
- 12-06-15
Love me fierce in danger.
"in the end I possess my birthplace and I am possessed by its language."
-- Ross MacDonald."
"Tell me anything
Tell me everything.
Revoke our time apart.
Love me fierce in danger."
-- James Ellroy, White Jazz
4.5 stars. Sure, you could read this as just the final book in Ellory's masterpiece LA Quartet, but Ellory is playing for bigger stakes. He isn't just writing crime. He is writing the human condition. He isn't just giving you straight dope. He is playing you with pairs. He gives you E. Exley v D. Smith. He gives you Noonan vs. Gallaudet. He gives you J.C. Kafesjian v.P. Herrick, Richie V. Tommy, Sad mom vs Crazy mom.
Think of all of these pairs as fugues that swirl around the narrator, dirty Lieutenant David Klein, reflecting, stream of consciousness, talking, screaming, building, dropping. The narration is like jazz playing two themes together into one. The themes finally coalesce and you see that black and white, criminal and the cop, these are all just linked brothers and sister trapped in a long and fatal incestuous battle for survival, for love, for understanding.
Coda:
In the end everybody dies, but you hope before then someone tells you the truth and tells you they love you. If you are lucky, perhaps, those two will be the same.
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16 people found this helpful
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Overall
- psykoace
- 04-23-08
Did I read the same book...
I am shocked at the 3 negative reviews. I loved this book as I do all of James Ellroy's work.
Ellroy searches into his character's souls and the results are not pretty. He has a great understanding of what he is writing about.
The writing style is different. sort of 1 word sentences, but it is not hard to follow at all.
White Jazz is sort of a snap shot of urban life at a specific time in our history. The reality is real. The reality is disturbing.
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4 people found this helpful
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- 12-23-22
Amazing end to an incredible quartet.
Firstly, let me say I LOVED this final chapter of the LA Quartet. It is sublime and without doubt a classic.
I think many of the negative reviews on this platform are silly. James Ellroy is a masterful writer and deserves to be credited as one of crime writings greatest auteurs. Perhaps the reviews I speak of were written by people who had not listened in chronological order or, perhaps, they were written by people who want the same recipe played out in every book. This one is different in that it returns us to the first person, like Black Dahlia, but changes things into a semi stream of conscious. I love that. I love that Ellroy chose to become more lyrical, perhaps even whimsical, and put the narrative structure of the classic whodunnit into a bullet pointed, hard nosed, song of fictional genius.
To begin with the story seems chaotic - lots of names and lots of things to follow, but if you have read/listened to the other books then it won’t take long to find your feet. Part of the choice I believe Ellroy made was to throw us into this one - as if we are a fly on the wall in the madness of the LAPD circa 1950’s. It doesn’t matter if you don’t grasp everything to begin with. You will. However, as the story unfolds it completes this saga with brutal, poetic, perfection. You wanna know what happens to everyone and how the bigger picture plays out…? This is the book to end the journey and I couldn’t imagine it any better.
It’s a shame I guess that there are different readers for all the books because that means some characters get changed quite fundamentally just by the voice the actor chooses to adopt. That said - none of the readers are perfect. The narrator of this book is useless at Irish accents.. but then the reader of Black Dahlia sucked at Scottish. Nevertheless they all manage to get a lot right and I very much recommend a back to back listening. That way you really feel like this quartet is one long and brilliant tale of corruption, greed, murder and the often fleeting hopes of various characters to get to the bottom of it all. The trouble is the bottom is so so far down and dark.
I think Dave Klein is an incredible character. Perhaps Ellroy’s best. He has a bit of everyone in him and he is every bit the hard nail in the cannon of badass.
Please ignore the dumb reviews saying this book sucks. It’s creative and it’s brave and, if nothing else, it’s the end to everyone’s story. But it’s so much more than that. Switch up. Knuckle down. Prepare to get toasty.
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- PH003Y
- 04-16-23
n/a
one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen.
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