At 22, Adam Wheeler learns that he has come into property, a mill house and vineyard in southern France. Leaving old friends behind, Adam moves across the Channel. His new life is a lonely one, until new neighbour Stéphane turns out to be offering more than just a helping hand with his vines. But when the love of Adam’s teen years, Sylvain, appears on the scene, Adam must decide exactly what, and who, he really wants.

Adam, in his early 20s, has to balance the need to develop his career as a pro musician with the demands of home life - he runs a vineyard in France - and partner Sylvain. The arrival in his life of Josh - they meet on a concert tour - adds extra pressure. Though Sylvain, left at home to manage the vineyard, has his own ideas for self-advancement. This third and final volume in the Adam trilogy stands alone also: A self-contained story of life, partnership, and, inevitably, music.

A chance encounter on a country bus. A brush of thigh against thigh and a sideways, then a downward, glance. Nineteen-year-olds Tom and Mick could hardly have guessed the epic nature of the journey they were setting out on. A journey that would take them into business partnership together. A journey that would bring them little by little to the deepest reaches of the human heart. An adventure that would catapult them into the sweet and sometimes painful mysteries of life and sex and love.

The tragic-comic story of two young men, aged 21 and 18, who fall in love in the summer of 1962, but who have the misfortune to be working as teachers in a Catholic preparatory school at the time. Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O'Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition. To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

England 1881. Being gay is both a sin and a crime. Parents disowning their children is considered honourable. Consensual sex risks life in prison. Sodomy scandals ruin careers and reputations. Homosexuals have to choose between safety and happiness. After an unspeakable incident gets him exiled from his idyllic Irish hometown, twenty-four-year-old Jack Branson rebuilds his life in fog-and-mould London as a house call prostitute for closeted members of the British aristocracy.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

It is 1903 in the English countryside when Robbie, a shy young art student, meets the twenty-nine-year-old Anton who is running from memories of his brutal childhood and failed marriage. Within months, they begin a love affair that will never let them go. Robbie grows into an accomplished portraitist in the vivid London art world with the help of Anton's enchanting former wife, while Anton turns from his inherited wealth and connections to improve the conditions of the poor.

Abandoned by his father, Gareth Inglis grew up lonely, prickly, and used to disappointment. Still, he longs for a connection. When he meets a charming stranger, he falls head over heels—until everything goes wrong and he's left alone again. Then Gareth's father dies, turning the shabby London clerk into Sir Gareth, with a grand house on the remote Romney Marsh and a family he doesn't know. The Marsh is another world, a strange, empty place notorious for its ruthless gangs of smugglers. And one of them is dangerously familiar…

It's the number one rule in this beach town: don't fall for a tourist. But Jonah Lachlan isn't like any tourist I've ever met. He's not here for a good time, that much is obvious. In fact, the brooding, boy-next-door cutie is clearly hell-bent on being miserable. Though he's here with his best friend, he doesn't seem interested in hook-ups. Or fun. The guy brought a book to this beach full of gorgeous single gay men, for crying out loud. Who does that?? And as if he couldn't be any more confusing, he seems superhumanly immune to anyone who flirts with him. Myself included.

1333. Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing a feral, half-starved boy within and putting the other inhabitants to the sword. But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules.

Every day, Albert Entwistle makes his way through the streets of his small English town, delivering letters and parcels and returning greetings with a quick wave and a “how do?” Everyone on his route knows Albert, or thinks they do—a man of quiet routines, content to live alone with his cat, Gracie.

D.I. Duncan McAdam is dispatched home to the Misty Isle. A body has been found buried in a remote location on the Waternish peninsula. Well-preserved in the peat, Isla Matheson—missing for the better part of two decades—is revealed to a shocked island community. A teenage runaway is dead...and no one is talking.

Nat, a 47 year-old veteran of Britain’s Secret Intelligence Service, believes his years as an agent runner are over. He is back in London with his wife, the long-suffering Prue. But with the growing threat from Moscow Centre, the office has one more job for him. Nat is to take over The Haven, a defunct substation of London General with a rag-tag band of spies. The only bright light on the team is young Florence, who has her eye on Russia Department and a Ukrainian oligarch with a finger in the Russia pie.

FBI Agent Noah Downing had questions about his sexuality that a single night in Vegas should have answered. But dawn finds him on a plane back to Iowa, back on the trail of a vicious serial killer who disappeared six years ago and has suddenly resurfaced. There's nothing like a murder investigation to escape an existential crisis.

The brilliant Alexander McCall Smith became an international sensation with his New York Times best-selling No. 1 Ladies' Detective Agency novels. His award-winning wit, made famous through that series, is fully on display in 44 Scotland Street.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

An unbearably tense novel of revenge, murder, bereavement and the destructive force of passion. The single-mother families of the isolated community under the shadow of the Pyderhorn, Bergen's greatest mountain, are being terrorised by a teenage gang. But teenage violence is nothing compared to what awaits detective Varg Veum when he gets to know the blue-eyed Wenche Andersen.

For six dreadful months, David Corstorphine has tried to come to terms with his young wife's death while caring for his three motherless children. Try as he may, David is unable to return to work, and his only form of solace comes from working in the garden of his parents' estate in the Scottish countryside. Dispatched unexpectedly to New York, David's family hopes that the impromptu business trip will help him get back on his feet. But the journey proves both disastrous and heartening.

Charged with gross incompetence, Satan is fired from his job as prince of Hell and exiled to that most terrible of places: English suburbia. Forced to live as a human under the name of Jeremy Clovenhoof, the dark lord not only has to contend with the fact that no one recognizes him or gives him the credit he deserves but also has to put up with the bookish war-gamer next door and the voracious man-eater upstairs.

Angus and Hugh MacNaughton are brothers. They dislike each other...a lot. They have loathed each other since Hugh bit Angus at a family picnic many years ago. In a last-ditch attempt to forge a brotherly bond between the two, Mr. and Mrs. MacNaughton secure them jobs at an exclusive five-star game lodge. They manage to convince (bribe in the case of Angus) the siblings to work at Sasekile Private Game Lodge for a year.

After an eventful first few months in Provence, it seems Penelope is finally settling into her delightful new life, complete with a gorgeous love interest in the mayor of St. Merlot. When Penelope and the mayor attend a glamorous gallery opening, Penelope’s biggest worry is embarrassing herself in front of her date. But the evening takes a horrifying turn when a controversial expat painter, Roland Doncaster, chokes to death.

Sophie Duguet is losing her grip. Haunted by visions from her past of her loving husband, who committed suicide after a car accident. One morning she wakes to find Leo, the child in her care, strangled in his bed by Sophie's own shoelaces. She can remember nothing of the night before. Could she really have killed him? She flees in panic, but this only cements her guilt in the eyes of the law. Not long afterwards it happens again - she wakes with blood on her hands, with no memory of the murder committed.

Brodmaw Bay seems to be the perfect refuge for James Greer and his family. When his son is the victim of a brutal mugging, Greer wants to leave London - the sooner the better - for the charming old-fashioned fishing port he has just discovered. But was finding Brodmaw Bay more than a happy accident? What is the connection between the village and his beautiful wife? When his friendly new neighbours say they'd welcome some new blood - in a village where the same families seem to have lived for generations - are they telling the whole truth?

Here is the exciting culmination of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.