The quartercentenary of John Milton (1608-1674) is celebrated next year. This selection of his finest poetry includes sections from "Paradise Lost", "Samson Agonistes", the masque "Comus", as well as sonnets and other poems. They are read by two of Britain's leading classical actors.

Xenophon was a friend of Socrates, and yet his concise memories of the iconic philosopher have lived under the shadow of the more voluminous accounts by Plato. Yet Xenophon’s two works are, in many ways, more entertaining and more accessible, and they present a different view of the man who embodies a clear mind, temperate, ethical living, sharp intellect and humour.

Translated by W. E. D. Rouse, The March of the Ten Thousand is one of the most admired and widely read pieces of ancient literature to come down to us. Xenophon employs a very simple, straightforward style to describe what is probably the most exciting military adventure ever undertaken. It is an epic of courage, faith and democratic principle.

The Hellenica is Xenophon’s continuation of Thucydides’ history of the Peloponnesian War, literally resuming from where the previous author’s history was abruptly left unfinished and narrating the events of the final seven years of the conflict and the war’s aftermath. Some historians consider the Hellenica to be a personal work, written by Xenophon in retirement on his Spartan estate, and intended primarily for circulation among his friends, who would have known the main protagonists and events, having most likely participated in them.

On Horsemanship, also sometimes titled The Art of Horsemanship, is a treatise written about 350 BCE by the Athenian historian, soldier, and student of Socrates, Xenophon (c. 430-354 BC). The treatise is a "hands-on" manual which deals with the selection, care, and training of horses in general.