Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Bechet Kaya’s book four in the Jack Ludefance series, Murder in Buckhead, follows PI Jack's all-action mysteries proceedings, resonates with the author's knotty narrative, sparkling characters, and the ever-still place of realism as to the basic human aspirations. Buckhead, a district within Atlanta that boasts many high-end residences and businesses, is the scene of the discovery of a body. As the meticulous detective Shamir Turner assesses the circumstances of the alleged suicide of Casey Ray Olmsted, the son of the influential US Senator Bartholomew Jeremie Olmsted, he is certain of ...

Jane Whitefield is a Native American guide who leads solitary outcasts through hostile territory to escape the vengeance of their enemies. But the shaded forest paths her Seneca ancestors might have followed on such missions have all been converted to superhighways, and now the safest way stations are crowded urban buildings that offer the camouflage of anonymity. Still, the supply of runaways - and the need for a woman who will take great risks to save them - have never been greater.

From Hawaii at the turn of the twentieth century to the post - Civil War frontier, from smoggy Los Angeles to the woods of Idaho, these gripping stories trace the perils and occasional triumphs of lawmen and women who put themselves in harm's way to face down the bad guys.

One September morning, Doug accidentally runs right into another surfer on the beach. There are rules about these things. The other guy should call Doug a jerk, Doug should say, "my bad", and they should both paddle back out and move on. Problem is, the other surfer doesn't want to move on. He wants to fight. And for once in his life, Doug wants to fight back.

Out in the far reaches of Los Angeles County, where the glamor of Hollywood fades into the long empty of the desert, two unlicensed private detectives are about to face a case that is larger and more complicated than any they’ve faced before. A ghost-hunting influencer disappears in the middle of a live stream. A beekeeper is murdered after telling his friends that he has come across a dangerous secret.