Billy Strings has become one of the biggest drawing guitar players out on the road these days. His music brings bluegrass fans and jam band scenes together, landing him on some of the biggest stages around. Your 100 Guitarists hosts have brought in guitarist Jon Stickley to help them work out their differences—one of us is a jammer and the other … is not.

Stickley goes way back with Billy, spotting his talent early in the young guitarist’s career. The two have worked together since, and recently, when Billy had to dip out of his own festival as his wife headed to the hospital to deliver their baby, it was Stickley who was called to jump on stage and fill in at last minute notice. Stickley recounts the story of not only getting on stage, but strapping on Strings’ guitar, plugging into his space station, and taking off with Billy’s band.

We called the right guitarist to guide us through, navigating Strings’ work, the way he brings together influences from genres outside bluegrass, and what makes him a guitarist you need to know.

Episode sponsored by Grace Design: https://gracedesign.com/

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Your esteemed hosts of the 100 Guitarists podcast have been listening to Randy Rhoads’s body of work since they learned the word “pentatonic.” His short discography with Ozzy Osbourne has been emblazoned on both of our fingertips, and we’ve each put in our hours working out everything from the “Crazy Train” riff to the fingerpicked intro to “Diary of a Madman.” But in our extended Premier Guitar fam, we have an expert who’s been studying Randy’s licks since longer than either of us have been alive.

On this episode, we’re thrilled to be joined by Chris Shiflett—best known to you as the host of Shred with Shifty or as the Foo Fighters’s foremost expert on Randy Rhoads. Since growing up with these riffs in his ears, Shifty’s been making tokens of tribute to the later guitar slinger, from bespoke t-shirts to stuffed guitars.

Join us for Shiflett’s Randy Rhoads primer, learn why you should crank the outro to “S.A.T.O.” as loud as you can, and what Ozzy song makes this Foo cry.

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Steve Lukather is one of the most documented guitarists in the hit-making biz. He grew up as an L.A. teen with a crew of fellow musicians who would go on to make their livings at the top of the session scene. By the time Lukather and his pals formed Toto, they were already experienced chart-toppers. The band went on to success with hits including the rockin’ “Hold the Line,” breezy, bouncing “Rosanna,” and the timeless “Africa.”

As a session player, Lukather’s reign in the ’70s and ‘80s extended from Olivia Newton-John to Herbie Hancock to Michael Jackson. And alongside Michael McDonald—whose “I Keep Forgettin’ (Every Time You’re Near)” included Lukather’s distinctive rhythm riffage—Daryl Hall and John Oates, Kenny Loggins, Peter Cetera, and Christopher Cross (among many others) he may have earned the title of yacht rock’s number one guitar player.

On this episode of the 100 Guitarists podcast, we’re talking about our favorite Lukather tracks, from his best rhythm parts to his most rippin’ solos. And even though he spends most of his playing time with the biggest names, we’ve managed to call up a few deep cuts.

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Kevin Shields of My Bloody Valentine is one of the loudest guitarists around. And he puts his volume to work creating mythical tones that have captured so many of our imaginations, including our special shoegaze correspondent, guitarist and pedal-maestro Andy Pitcher, who is our guest today.

My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.

We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.

But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.

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Stevie Ray Vaughan was a force of nature. With his “Number One” Strat, he drove a veritable trove of amps—including vintage Fenders, a rotating Vibratone cab, and a Dumble—to create one of the most compelling tones of all, capable of buttery warmth, percussive pick articulation, and cathartic, screaming excess. As he drew upon an endless well of deeply informed blues guitar vocabulary, his creativity on the instrument seemingly knew no bounds.

Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound. So, we’d like to spend some time imagining: How did it feel when it hit you? How did he command his band, Double Trouble? The audience?

SRV was mythical. His heavy-gauge strings tore up his fingers and made a generation of blues guitarists work a lot harder. And his wall of amps seems finely curated to push as much air in all directions as possible. How far did he take it? Was he fine-tuning his amps to extreme degrees? Or could he get his sound out of anything he plugged into?

Episode sponsored by Divided by 13: https://dividedby13.com/

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There has never been a list of greatest guitar players without the mighty Jeff Beck. From his work with the Yardbirds in the ’60s to his solo work starting with 1968’s Truth, Beck changed the game, constantly redefining the vocabulary and sound of guitar music.

On this episode, we’ve brought in Jennifer Batten, who grew up as a massive Beck fan, met him while on Michael Jackson’s Dangerous tour, and ended up in his band! Batten, not only as master of the guitar but an insightful educator, delivers loads of insight straight from the studio and stage. We get the full scoop on how she got the gig with Beck and her experience recording and touring as musical director for 1999’s Who Else! and 2001’s You Had It Coming. “He was just like a 6-year-old in a sandbox and just wanted to play,” says Batten.

Plus, what are her favorite Jeff Beck jams?

Join us as we get all the inside stories on one of the highest-level masters of our instrument.

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In this episode, we’re celebrating the thrill of guitarmony, sick riffs, and driving 8th-note rhythms by talking about Judas Priest. Before getting ready for this episode, neither of your esteemed hosts had ever delved into the Priest discography beyond the rock-radio hits and Beavis and Butthead—though we’d both spent our time with Heavy Metal Parking Lot. Since so many of the GOATs hold the band in the highest of regard, we knew that K.K. Downing and Glenn Tipton belonged on this list, so we embarked on a journey to find out why.

After hours of listening and watching, we’re happy to report that we get it. From their debut, 1974’s Rocka Rolla, through 1980’s British Steel, deep into the ’80s-production era with 1986’s Turbo, and through the speed-metal bravado of 1990’s Painkiller, plus live videos and records—the super-loud Us Festival performance and the crushing Unleashed in the East record—we found a lot that we love.

If you’re new to Priest’s music or are trying to find your own starting point, we’ve got some great tips for guitar jammers. And if you’re a hardcore fan, maybe you’ve got some tips you can share for our next steps.

This episode is sponsored by https://www.emgpickups.com/

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Best known as the lead guitarist in Wilco, Nels Cline has an exceedingly wide range. The intrepid Jazzmaster-master has tackled everything from the deepest out-jazz and extreme noise to sensitive balladry and all brands of rock. Fittingly, any one person’s list of favorite Nels Cline records are like fingerprints: no two are the same. You’ll be leaving this one with homework!

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