Shred-meister and Eric Johnson expert Andy Wood joins us to talk about EJ’s best tracks, albums, and more. Whether you’re a fellow expert or don’t know where to start, Andy’s got you covered, from studio albums to live tracks. Come with questions, leave with homework!

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Once the news of the Oasis reunion got out, Sadler Vaden hit YouTube hard on the tour bus, driving his bandmates crazy. The Jason Isbell and the 400 Unit guitarist has been a Noel Gallagher mega-fan since he was a teenager, so he joined us to wax poetic about Oasis’ hooks, Noel’s guitar sound, and the band’s symphonic melodies. What are Sadler’s favorite Oasis jams? And if he ever shares a bill with Oasis and they ask him onstage, what song does he want to join in on?

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Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.

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There is no more solid, more rockin’ guitar duo than AC/DC’s Angus and Malcolm Young. Whether they make you want to brawl or crank up your amp, if you’re listening to this podcast, you know what we’re talking about. The band’s catalog is so famously consistent, do they have a best song? A worst song? (No.) And what’s the real secret to the brothers’ 6-string chemistry?

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We can agree that Jerry Garcia’s playing pulled from all directions of the American musical experience to create an unparalleled playing vocabulary that persisted not only at the forefront of the Grateful Dead’s music, where he was most prominent, but also in his solo work with Jerry Garcia Band and in his bluegrass collaborations. Throughout the Dead’s rambling career, the band shapeshifted through various eras, often with very different musical values, giving fan lots to disagree about. What’s the essential stuff? Where should new listeners go to get acquainted before going into live-tape-land? And just how influential were the Dead on modern music?

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Tom Petty’s righthand man proved time and again that he could get to the heart of the matter and find the perfect guitar part for a song. But he’s also cooked up plenty of hits as a player and writer for artists such as Don Henley—with whom he co-wrote two of his biggest hits—Stevie Nicks, Roy Orbison, Matthew Sweet, Brian Setzer, and so many others. Plus, his Blue Stingrays and Dirty Knobs are like candy for the deepest of guitar-tone nerds.

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It’s a long journey from Kill ’Em All to 72 Seasons, but we made the trip and there’s a lot to talk about. We cover our favorite tracks on every studio album, with the band’s best riffs and solos along the way. There’s plenty we can all agree on—Master of Puppets sits high on the hard-rock altar—and just us much that’s up to debate—is it time for a critical reevaluation of the Load/Reload double-header? And 13 years on, we’re still talking about Lulu.

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Dan Wilson is a bandleader, teacher, and a Grammy-nominated guitarist who’s played alongside organ-jazz master Joey DeFrancesco and bassist Christian McBride. He’s on the short list of players who are experts of Grant Green’s singular swinging sound. We called Dan to talk about our favorite entries in the Green’s long discography. From trio dates to cowboy jazz to his funk period, we cover it all.

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