Summary:

In this episode, I welcome Michaëlle Sergile, an artist and independent curator completing an artist residency with McCord Stewart Museum. Michaëlle joins us to speak about her artistic practice of capturing and rewriting historical memory through textiles.

Episode Resources:

Artworks. Michaëlle Sergile. Retrieved May 10, 2024, from https://en.michaellesergile.com/oeuvres

Michaëlle Sergile. [@michaellesergile]. Instagram profile. Retrieved from, https://www.instagram.com/michaellesergile/

Archival Alchemy. Joyce LeeAnn Joseph. Retrieved May 10, 2024, from https://archivalalchemy.com/

Cheryl Thompson (2019). Black Canada and Why The Archival Logic of Memory Needs Reform. https://www.erudit.org/en/journals/ateliers/2019-v14-n2-ateliers05462/1071133ar.pdf

Saidiya Hartman (2008). Venus in two acts. https://muse.jhu.edu/article/241115

Fantz Fanon (1952). Black Skin, White Masks. https://groveatlantic.com/book/black-skin-white-masks/

McCord Steward Museum (2019). The Notman Photographic Archives on Unesco’s Canada Memory of The World Register. https://www.musee-mccord-stewart.ca/en/blog/notman-archives-unesco/

Black Memory Collective [@black.memory.co]. Instagram post. What is a memory worker? Retrieved from, https://www.instagram.com/p/C5QiZnJg4qm/?img_index=1

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To learn more about my work, visit my blog at ⁠https://melissajnelson.com⁠. You can connect with me on ⁠LinkedIn⁠, ⁠Instagram⁠, and ⁠Twitter⁠ or contact me at melissa.j.nelson@outlook.com.