• 238 - Diana Matar
    Aug 28 2024
    Using photography, testimony and archive, Diana Matar's in-depth bodies of work investigate themes of history, memory and state sponsored violence. Grounded in heavy research and often spending years on a project, Diana attempts to capture the invisible traces of human history and produces installations and books that query what role aesthetics might playin the depiction of power. A graduate of the Royal College of Art, Diana has received the Deutsche Bank Pyramid Award for Fine Art; the International Fund for Documentary Photography; a Ford Foundation Grant for artists making work on history and memory; and twice been awarded an Arts Council of England Individual Artist Grant. Her work is held in public and private collections and has been exhibited in numerous institutions including Tate Modern, London; The National Museum of Singapore; Museum Folkswang, Essen, Germany; The Institut du Monde Arabe, Paris; The Museum of Contemporary Photography, Chicago; and Musee de la Photographie a Charleroi. Her monograph Evidencewas published in 2014 by Schilt Publishing Amsterdam to critical acclaim and chosen by New York Times Photography critic Teju Cole as one of two best photography books of the year. In 2019 Matar was appointed Distinguished Artist at Barnard College Columbia University, New York. In April 2024 Diana’s most recent book, My America, was published by GOST Books. In episode 238, Diana discusses, among other things:Early experiences in Panama and Latin America.How an errand to buy a lightbulb changed everything.A brush with Manuel Noriega.How she met her Libyan husband, the writer Hisham Matar.Why she found doing her M.A. ‘really, really challenging’.Her first book project, Evidence.The inclusion of her own writing in the book.Her latest book, My America.Some of the key factors around the issue of police shootings.The complexities of the subject.How she has “intermalised a European sense of America.”Why she shot the project on her iPhone and the rules she imposed on herself.Whether photographs can ‘bear the burden of history.’What she is currently working on.Her reaction to the bonus questions. Website | Instagram“I think I internalised a European sense of America in several different ways. When I was out on the road a lot of things seemed exotic to me, things that I’d grown up with and were just part of being: the long distances; these buildings that just pop up in the middle of nowhere; the emptiness; the scale… the kind of watching of movies of what is the American west. The internalisation I think has something to do with scale. I live in London - the small streets, you’re around people all the time, and then being in this openness, which i miss and i love, but I did find it unnerving and it effected how I made the work actually.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 6 mins
  • 237 - Abdul Kircher
    Aug 14 2024

    Abdulhamid Kircher is an artist from Queens, New York. He was born in 1996 in Berlin to German and Turkish parents, and immigrated with his mother to the United States at the age of eight. His work is a living archive of place and people, as it is also a dedication to the language of photography, the mechanics and aesthetic possibilities of the form. Through his devotion to classical forms of image making and the radical experimentation required for each of his subjects, his process bridges the idea between document and narrative. He received his BA in Culture and Media from The New School in 2018 and his MFA in Visual Arts from the University of California San Diego in 2022. Abdul currently lives and works between Berlin and Los Angeles.

    Abdul’s debut photobook, Rotting From Within, was recently published by Loose Joints in June this year (2024). In it Abdul explores identity, patriarchy, generational trauma and the possibility of reconciliation in a diaristic project between Berlin and Turkey. A solo exhibition of the work is currently on show at the Carlier Gebauer gallery in Berlin until the 31st August. The 53 minute documentary film, Noch ein Kind (Still a Kid), 2024, by Abdul’s childhood friend Maxi Hachem, a Lebanese-German filmmaker based in Berlin, is also being screened as part of the exhibition. His documentary investigates the complex relationships and wounded history of Rotting from Within spanning the past three years between Berlin and Turkey.

    In episode 237, Abdul discusses, among other things:

    • His early life “dragging bags of weed around the house”
    • The history of paternal abuse in his family
    • How he ended up moving from Berlin to New York
    • How he got into photography through Tumblr
    • How his interest in photography drove the reconnection with his father
    • Where the books title stems from
    • Parallels between his mum and grandmother
    • Keeping a diary since highschool
    • His obsessive nature and tendency for self-flagellation
    • His partner, Zoe, who contributed text to the book
    • How the documentary his friend Maxi Hachem shot, Noch Ein Kind (Still A Kid)
    • How the work has been received as an exhibition
    • How the process of making the work may or may not have helped him

    Website | Instagram

    “I love it, but it’s beyond love because it feels like something that I just need to do. That’s why I was talking about photography being such an intuitive thing in my head, it’s because I don’t really have an option. I need to take these photographs, I need to make these photographs, and it’s not really something I have power over. And I think that’s the scary bit, it’s that yes I love it for what it’s allowed me to explore and allowed me to sort of open up to the world, but in that way it’s also become a burden.”

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    1 hr and 10 mins
  • 236 - Louis Quail
    Jul 31 2024

    Louis Quail is a documentary photographer who increasingly devotes his time to personal, long-term projects. His most recent work ‘Big Brother’ (published with Dewi Lewis, 2018), has received significant critical acclaim. The book and the work in it has been shortlisted for the Arles Book and Text award 2018, Wellcome Trust photography prize 2019 and is winner of the Renaissance Series Prize 2017. His Arts Council funded, Solo show, ‘Before They Were Fallen’ also received significant exposure. It toured the UK and reflects an interest in aftermath that has taken him, previously to Libya, Afghanistan, Haiti and Kosovo. He has worked extensively for some of the UK’s best known magazines and has been published internationally over a period of many years. He has twice been a finalist at the National Portrait Gallery portraiture award and is held in their permanent collection. He lectures, exhibits internationally and makes short films.

    In episode 236, Louis discusses, among other things:

    • How the subject of his book, his big brother Justin, is doing
    • Childhood with his schizophrenic mum
    • Why he believes firmly in the importance of tolerance
    • The way that he approached telling his brother’s story
    • Some of the structural and political issues that impact people with mental health issues
    • The importance of not over-focussing on some of the un-pc language that some of us use in daily life (including me, in this example)
    • How he found his way into photography
    • His portrait series ‘Aftermath’ which began in Kosovo
    • His career as a jobbing editorial photographer
    • HIs latest project about air pollution

    Website | Instagram

    “I’m not judgemental, I’m quite tolerant, and I do think that’s an important quaility that’s very much overlooked, especially these days on Twitter when everyone’s reacting to stuff all the time. I don’t like that. I’m really just into giving people a bit of space an allowing people to make some mistakes.”

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    1 hr and 15 mins
  • 235 - Debi Cornwall
    Jul 17 2024
    Debi Cornwall is a multimedia documentary artist who returned to visual expression after a 12-year career as a civil-rights lawyer. Her work explores the performance of power, citizenship and identity through still and moving images, sound, testimony, and archival material.While completing a degree in Modern Culture and Media at Brown University, Debi studied photography at RISD. After working for photographers Mary Ellen Mark and Sylvia Plachy, as an AP stringer, and as an investigator for the federal public defender's office, she attended Harvard Law School and practiced as a wrongful conviction attorney for more than a decade, also training as a mediator. Exhaustive research and negotiation were critical to her advocacy and remain integral to her visual practice.Debi was awarded the 2023 Prix Elysée, a biennial juried contemporary photography prize created by the Photo Elysée Museum in Lausanne, Switzerland with the support of Parmigiani Fleurier. The award enabled her to complete Model Citizens, now a book in English and French editions (Radius/Textuel) and an exhibition at the 2024 Rencontres d'Arles festival. She is also a 2024 New York State Council on the Arts (NYSCA) Individual Artist Grantee in film, a 2019 NYSCA/NYFA Artist Fellow in photography, and inaugural Leica Women Foto Project Award winner. Debi’s work has been profiled in publications including Art in America, European Photography Magazine, British Journal of Photography, the New York Times Magazine, and Hyperallergic, and is held in public and private collections around the world.Debi has published two previous books, Welcome to Camp America: Inside Guantánamo Bay and Necessary Fictions. She is also an ICP faculty member, teaching students how to plumb deeper layers in their work, and consults independently with artists developing long-term projects. In episode 235, Debi discusses, among other things:Winning the Prix ElyséeHer path into a legal career in civil rightsThe ightbulb moment that took her to Guantanamo BayWorking around restrictions imposed“The performance of American power”Her secoond book Necessary FictionsHer films Pineland/Hollywood and Jade HelmHer latest book Model Citizens Website | Instagram“I don’t think it’s a thread in the work so much as something that I’m really sitting with personally and creatively, but I have this advocate self who is outraged and frustrated at what is happening in our societies. And I have a trained mediator in me, which is more consistent with my creative approach, who thinks none of this changes unless we can really talk to each other across these divides; unless we can accept each other’s humanity and hear each other. Because that isn’t happening.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 11 mins
  • 234 - Photomeet 2024 Special
    Jul 3 2024

    Featuring:

    • Mimi Mollica website/Instagram
    • Keerthana Kunnath website/Instagram
    • Mikael Buck website/Instagram
    • Chris Dorley Brown website/Instagram
    • Shaw & Shaw website/Instagram
    • Mal Woolford website/Instagram
    • Imogen Forte website/Instagram
    • Quetzal Maucci website/Instagram
    • Richard Eyers website/Instagram

    Website | Instagram

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    52 mins
  • 233 - Chloé Jafé
    Jun 19 2024

    Born in Lyon in 1984 represented by Ibasho and galerie écho 119, Chloé Jafé is an artist and a photographer trained at the École de Condé in Lyon and at the UAL Central Saint Martins School in London.

    She has been able to create a unique personal voice in the world of documentary photography. Those close to her say bluntly that she photographs with her gut, using the camera as a key to understanding the strange and the foreign. Her obsession and intuition has enabled her to access secret worlds. Her ability to connect to her subjects has meant her work really is exceptionally personal – the world through Chloe Jafes eyes.

    She worked and immersed herself in Japan and Japanese culture from 2013-2019 creating a trilogy of work. The images are raw, black and white, tender and ferocious. She reveals an unprecedented vision of hidden parts of Japanese society. Her trilogy, composed of the chapters “I give you my life", "Okinawa mon amour" and "How I met Jiro", highlights the little-known and subversive sides of a place where modesty is paramount.

    Critically acclaimed, her work on the women of the Yakuza was rewarded by the Bourse du Talent in 2017 and exhibited at the Bibliotèque nationale de France.

    Attracted by sensitive and difficult subjects, often marginal, Chloé Jafé does not hesitate in her practice to push the limits of the photographic medium by working directly on prints, in acrylic and brush. Each of her series has resulted in a limited edition book, bound and handcrafted by the artist.

    In episode 233, Chloé discusses, among other things:

    • Photography as ‘a tool’
    • Her first trip to Japan
    • Moving there
    • Hostess job
    • Meeting ‘the boss’
    • The women of The Yakuza
    • The significance of tattoos
    • Painting onto her prints
    • Her trilogy of books: I Give You My Life, Okinawa Mon Amour and How I Met Jiro
    • Finding abandoned negatives
    • Adventures in publishing

    Referenced:

    • Paolo Roversi
    • Sarah Moon
    • Yakuza Moon
    • Jake Adelstein
    • Reminders Project
    • Teun van der Heijden

    Website | Instagram

    “I was sure this project was mine. I had to do this. You know, I think I was frustrated that I was the right person to do this, and it was my mission. I was sure about that.”

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    1 hr and 8 mins
  • 232 - Photo London 2024 Special
    Jun 5 2024
    Featuring:Lydia Goldblatt Website | InstagramKamiar Maleki Website | InstagramMichelle Sank Website | InstagramGered Mankowitz Website | InstagramAlys Tomlinson Website | Instagram | Mother Vera filmFariba Farshad Website | InstagramCharlotte Jansen Website | InstagramAndi Gáldi Vinkó Website | InstagramAnne-Marie Beckmann WebsiteRenée Mussai InstagramValérie Belin Website | InstagramMatt Stuart Website | InstagramChloé Jafé Website | Instagram Photo London: Website | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 38 mins
  • 231 - Fotografia Europea 2024 Special
    May 22 2024

    Featuring:

    • Silvia Rosi Website | Instagram
    • Arko Datto Website | Instagram
    • Yvonne Venegas Website | Instagram
    • Tim Clark
    • Marta Bogdanska Website | Instagram
    • Michele Sibiloni Website | Instagram

    Referenced:

    • Walter Guadagnini
    • Luce Lebart
    • Bruno Latour
    • Timothy Morton
    • Daisy Hildyard

    Festival: Website | Instagram / Collezione Maramotti: Website | Instagram

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    1 hr and 22 mins