Things are looking up in this week's Paul Robeson Acteurist Oeuvre-view episode, for which we watched Big Fella (directed by J. Elder Willis), in which Robeson is a dockworker who becomes involved in the search for a kidnapped rich kid, and King Solomon's Mines (directed by Robert Stevenson), the first film adaptation of the H. Rider Haggard colonial adventure epic. We make our arguments for Big Fella as an anti-Shirley Temple movie that both accomplishes and subverts its genre goals and for King Solomon's Mines' Verhoevening of its reactionary source material.

Time Codes:

0h 00m 25s: BIG FELLA (1937) [dir. J. Elder Willis]

0h 28m 30s: KING SOLOMON’S MINES [dir. Robert Stevenson]

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* Listen to our guest episode on The Criterion Project – a discussion of Late Spring

* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

* Read Elise’s piece on Gangs of New York – “Making America Strange Again”

* Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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