Episodes

  • Art Hounds: The M gets bigger, student-curated Black joy and fancy chairs you can’t sit on

    Art Hounds: The M gets bigger, student-curated Black joy and fancy chairs you can’t sit on
    Nov 21 2024
    From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.The M’s new wing triples its exhibit space in downtown St. Paul Architectural historian Marjorie Pearson of St. Paul wants people to know that the new, expanded wing of the Minnesota Museum of Art, commonly known as the M, is now open in the historic arcade of the Endicott building in downtown St. Paul. The major renovation triples the available exhibit space for Minnesota’s oldest art museum. The exhibit in the new wing, entitled “Here, Now,” features 150 works from the M’s permanent collection, ranging across centuries and styles. The museum is open Thursdays through Sundays and admission is free. When you visit, Marjorie recommends you take time to admire the architecture in addition to the art.Marjorie says: This is a premier office building that was designed by Cass Gilbert in the early 1890s and the arcade with its wonderful arch stained-glass ceiling, beautifully restored by Stonehouse Stained Glass Studio in Avon, Minn., really enhances the whole gallery space. The Endicott building was constructed around the historic Pioneer building … the two buildings were combined. The galleries now are in the historic arcade, which was a shopping arcade for people in the offices downtown — a precursor to a shopping mall.[Note: Cass Gilbert (1859-1934) was a prominent architect who lived and worked in Minnesota for portions of his life; he designed many important buildings, including the Minnesota State Capitol and the U.S. Supreme Court Building.] — Marjorie PearsonArtist created, student-curated Black joy Billy Nduwimana Siyomvo got an early view of the exhibit “Layers of Joy,” which he called “mind-blowing.” The exhibit features five Minneapolis artists — Leslie Barlow, Alexandra Beaumont, Eyenga Bokamba, Cameron Patricia Downey and seangarrison — whose selected works celebrate Black joy and identity. Billy loved the work, and he recommends taking your time to take it in from all angles. He was also struck by the exhibit’s backstory: the show was curated by University of Minnesota students enrolled in ARTH 3940: Black Art in Minneapolis, taught by Dr. Daniel M. Greenberg and Dr. Dwight K. Lewis, Jr. Billy describes the show: When you walk in, the first thing that embraces you is colors —different textures, colors, different stories. Each art piece I felt like was made with love. What I love about this [exhibit] is that this class is basically giving these artists a platform. I don’t think it’s every day that you hear about curating art; people need to understand that, yes, these artists are very important, but without the right curated spaces, their art is not put on a platform that it deserves to be on. — Billy Nduwimana SiyomvoWhere design meets play Rebecca Montpetit of Rochester is a lifelong fan of the Rochester Art Center, and she’s already making plans to go back again with her family to see Mini Golf and Chairs. The interactive exhibit consists of 20 chairs from the private college of an Owatonna family, which artist then used as inspiration to create five mini golf holes. You can’t sit on the chairs, but you can play the golf holes. Clubs of all sizes, including adaptive clubs, are part of the exhibit, and there is a par for each hole. The exhibit runs through May 4, 2025. Rebecca describes what it was like to visit the exhibit with her kids, aged 8 and 10: The beginning of the exhibit leads you through this hall of chairs. And it was a really fascinating discussion with our kids to talk about. We said, all of these have the same purpose: to sit! But look at all of the materials and ways that you can create ways to sit. They’re everything from corrugated cardboard to molded plastic to, a kind of a shag material. So we had all sorts of different ways to explore, ways to sit. So it gave the artist creative license as well to really be inspired by the materials or the shape or even the thought process as they created the mini golf elements. — Rebecca Montpetit
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    4 mins
  • Art Hounds: Songbirds and snails onstage

    Art Hounds: Songbirds and snails onstage
    Nov 14 2024
    From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Hankering for a crankeringNorah Rendell is the executive artistic director of the Center for Irish Music in St. Paul. She saw — and loved — the original storytelling musical “The Well Tree” by the Heartwood Trio last spring. The trio consists of Sarina Partridge of Minneapolis, Heidi Wilson of Vermont and Willie Clemetson of Maine. They’re back for performances of “The Well Tree” tonight at 7 p.m. at the Twin Cities Friends Meeting House in St. Paul and Friday, Nov. 15 at 7 p.m. at New City Center/Walker Church in Minneapolis. Norah says she imagines the acoustics of the church venues will be well-suited for a show with beautiful harmonies. Norah says: It’s an original singing story performance that includes songs and instruments and acting and illuminated paper cut art called a “crankie” [so named because a person turns a crank to scroll to new images]. It tells a story of a young woman who finds herself running away from home, and along her journey, she meets songbirds and snails and ancient trees as she finds her way home. And the three artists who perform are super talented. They’re beautiful harmony singers. There’s a fiddle player, a banjo player and they’re all actors and they invite the audience to sing along. It seems like it would be geared towards children, but it really suits anybody of any age who loves the experience of singing together with other people. You leave the show feeling great; it’s very inspiring, very positive. The show itself is really inspiring.— Norah RendellThe male gazeErin Maurelli is an artist and educator in the Twin Cities. She wants people to know about the MCBA / Jerome Book Arts Residency show which is up now at the Minnesota Center for Book Arts, inside Open Book in Minneapolis. Free and open to the public, this show displays the work of the three winners of the Jerome Book Arts Residency: photographer Christopher Selleck; papermaker Jelani Ellis; and artist and printmaker Louise Fisher. Erin says: Christopher Selleck is a photographer who takes on the body, the figure and what we think of as idealism, and through the lens of the camera, he’s able to capture kind of the ideal masculine body — which, in my experience, we don’t see a lot of that in art and art history. Christopher brings issues of identity and sexuality into his work as a gay man, I think the male gaze becomes part of his narrative. Christopher was selected to be part of the Jerome book arts fellowship, and the show is through January 4 of next year. He’s one of three artists that are part of that show, there are some hand-crafted books featuring his photographs as well as sculptural elements. He’s exploring bringing the photographic process into bookmaking. — Erin MorelliBaroque in GaylordCharles Luedtke is a retired professor of music at Martin Luther College in New Ulm, and he is heading to Gaylord tonight to see La Grande Bande. The group specializes in performing music written from 1600-1800, using instruments of the period. Their November concert celebrates the 340th birthday of Handel with two of his works set near water, his famed “Water Music Suites” as well as his cantata “O come chiare e belle.” Handel’s "Water Musicks" is tonight at 7:30 p.m. at Immanuel Lutheran Church in Gaylord. Michael Thomas Asmus, the founder and artistic director, will give a talk before the performance at 6:45 about the music. Charles says: It’s rather spectacular because he lives in Gaylord, just outside of Gaylord and his music performances have been kind of centered around that area, sometimes in St. Peter, sometimes in New Ulm. So, it’s kind of local, but [it’s] tremendous quality. They’re not amateurs, never amateurs. They are all really professional performers and on period instruments — baroque instruments.— Charles Luedtke
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    4 mins
  • Art Hounds: Threads Dance Project asks what shoes say about us

    Art Hounds: Threads Dance Project asks what shoes say about us
    Nov 7 2024
    From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Dance a mile in another’s shoesErinn Liebhard is the artistic and executive director of Rhythmically Speaking, a jazz and American social dance-based company. She’s looking forward to the Threads Dance Project’s fall show, “Impressions,” this Friday at 7:30 p.m. and Saturday 2 p.m. and 7:30 p.m. at the Luminary Arts Center in Minneapolis. Erinn elaborates: Their artistic director, Karen L. Charles, is a really fascinating artist. She was a mathematician and statistician who ended up shifting into dance education and eventually was able to open her own company. So she’s got a really sort of methodical yet artistic way of creating choreography.Something that I love about Threads’ work is that I feel like it’s really artistic and accessible at the same time. So it’s saying something, but you don’t have to have special training in dance in order to understand.(As part of the show), Threads is going to be re-exploring a piece about shoes. The piece is called “Abolition in Evolution, Part 2 – Shoes,” and it’s based upon the shoes we wear and what they say about us. I think it’s really interesting that they’re taking this metaphor of walking in someone else’s shoes into a visual and artistic representation that causes you to ask questions about identity, race, class and how we see each other.— Erinn LiebhardAlice in NorthfieldMargit Johnson of Northfield appreciates the work of ArtMakers, and she’s looking forward to their new, original musical, “Alice’s Wonder.” Shows are this Friday and Saturday at 7 p.m. and Sunday at 2 p.m. (with audio description) at Northfield Arts Guild Theater. Admission is free for this family-friendly show. Margit says: What I like about ArtMakers’ storytelling through music and theater is the genius of the artists with and without disabilities. For 10 years now, ArtMakers start with individuals from the Northfield area, from Colorado and even from Norway; they craft a production around and adapt to the talents and special needs of each participating artist. This way, they create authentic, artist-centered projects in the community. I know that “Alice's Wonder” is going to surprise and delight me. Alice is blind, and so is her friend, the White Rabbit. Their Wonderland is going to come alive with sound and what they call the brave idea of living your life as you choose. The ensemble includes local performers with disabilities alongside professional musicians from Northfield and the Twin Cities.— Margit JohnsonTake me to the riverAuthor Marcie Rendon of Minneapolis recommends that people see “The Adventures of a Traveling Meskwaki,” written by and starring Oogie Push. Originally a one-woman show, the multimedia performance has been expanded to a cast of five. Full Circle Theater is producing the show, which will be staged at Park Square Theatre in downtown St. Paul. There’s a preview performance tonight ahead of the opening Friday. The show runs through Nov. 24, and tickets are pay-as-you-are-able. Marcie says: It follows her adventures as she’s exploring and working with other Native people around issues of protecting the water. It’s broader than just the water: it incorporates many of the things that she’s learned on all of these different travels that she’s done, from Alaska to Vancouver to Washington to California to out East. As a young person, she was a pow wow dancer. So she’s also got stories from that part of her life that she incorporates into her work. The thing to know about Oogie is that she has a wonderful sense of humor. She can also go really deep into the emotional aspects of a piece, like into a character that she's taking on.— Marcie Rendon
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    2 mins
  • Art Hounds: ‘Network: A River Connected’ takes a stroll down the Mississippi

    Art Hounds: ‘Network: A River Connected’ takes a stroll down the Mississippi
    Oct 31 2024

    This week’s Art Hounds look at an art exhibit about a walk along the Mississippi, Gilbert and Sullivan relocated to Scotland and a blend of concert band and technology.
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    4 mins
  • Art Hounds: Cadex Herrera’s murals of White Bear Lake immigration

    Art Hounds: Cadex Herrera’s murals of White Bear Lake immigration
    Oct 24 2024
    From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Portraits of immigrationRachel Coyne, a writer and painter in Lindstrom, loves outdoor arts events. She’s looking forward to seeing Cadex Herrera’s outdoor exhibition on the campus of the White Bear Center for the Arts in the north metro. “First Person Plural” features 10 larger-than-life black-and-white murals, each featuring the faces of immigrants living in White Bear Lake, where Herrera also used to live. The installation is intended to honor the diversity of immigrants in the area and their contributions. Herrera also directed a documentary about the project, which will be on view. The exhibit opens to the public Thursday with an artist event and celebration from 6 p.m. to 8 p.m. Rachel says: I just like the idea that, you know, this could be somebody you’re passing on the street. But also they’re a work of art. — Rachel CoyneWorthington marks Dia de los Muertos Eric Parrish is the instructor of music and theater at Minnesota West Community and Technical College and the conductor of the Worthington Chamber Singers. He’s looking forward to a series of free events in Worthington to mark Día de Muertos, or Day of the Dead. Events start this weekend and run through next week, culminating in a performance by 512: The Selena Experience, a Selena cover band, on Nov. 1 at 7 p.m. Most events are held at the Memorial Auditorium in town. Among Saturday’s events: Puppeteer Gustavo Boada will unveil two commissioned 8-foot Catrina sculptures at noon. His performance group Little Coyote Puppet Theatre will perform “Skeletons in the Closet: A Day of the Dead Story” at 1 p.m., followed at 2:30 by a puppet-making workshop. The event coincides with the annual meeting of the Southwest Minnesota Arts Council, which comprises 18 counties and two sovereign nations. Art studios and public art will be open for self-guided tours. About 512: the Selena Experience, Eric says: This is the premier Salena cover band in the country. So it’s a really big swing for our small community. People don’t know Worthington is one of the most diverse communities outside of the Twin Cities in the state of Minnesota. And it’s very exciting for us as a community to embrace this holiday and in this way with all the artists and activities. — Eric ParrishReflecting on water as a relative Diane Wilson is a Dakota author living in Schaefer, and she got a sneak peek at the art exhibit Mní Futurism at Metro State University’s Gordon Parks Gallery in St. Paul. Mní is the Dakota word for water. In this exhibit, two Minnesota-based Native American artists reflect on our relationship with and use of water. The exhibit is a joint show of photographer Jaida Grey Eagle, who is Ogalala Lakota, and multimedia artist Abby Sunde, of the Fond du Lac Band of Lake Superior Ojibwe. The exhibit opens with an artist reception Thursday at 5 p.m. and runs through Dec. 5. Diane says: Their work is very thought-provoking. It’s visually stimulating, and it ranges from impacts on water from pipelines, from pollution but also looking at the impacts on issues like food sovereignty and treaty rights and access to healthy water. Jaida Grey Eagle’s photographs, for example, evoke the beauty of some of the traditional food practices. There are photographs of wild ricing. And there’s one that is so poignant of a young boy in a canoe, and it just evokes that generational relationship to wild rice and how dependent that traditional food is on clean water. And then Abby Sunde looks at from a little more of a critical thinking lens. She looks at, for example, some of the impacts that pipelines have had on water in her community. So there is one series of drawings that are created from rust on glass, and it’s called “Stolen Water.” It’s about aquifer breaches that occur when a pipeline piling is driven too deep, and it breaches into the aquifer, and all this water is released that isn’t supposed to be released. It’s stolen water. It’s a small and intimate gallery on the first floor of the library. The work of these two women complements each other beautifully in terms of the way that they think about and portray water as a relative.— Diane Wilson
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    4 mins
  • Art Hounds: 'Halloween Tree' provides family seasonal thrills

    Art Hounds: 'Halloween Tree' provides family seasonal thrills
    Oct 17 2024
    From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Let’s meet at the Halloween Tree Kira Pontiff of St. Paul is a self-described occasional actress and full-time lover of all things autumnal and Halloween. She was thrilled to catch a rehearsal of the play “The Halloween Tree,” which she described as a magical Halloween adventure.It’s playing at the Southern Theater in Minneapolis, Oct. 20 – 27. The world-premiere play is adapted from Ray Bradbury’s 1972 novel of the same name. The 90-minute show is recommended for ages 8 and up. Kira describes the show: A group of trick-or-treaters meet up on Halloween night, and they get taken on a magical Halloween adventure by a very mysterious character who takes them through time and to different locations to teach them about the origins of Halloween, how different cultures celebrate where the holiday come came from. It is a very fun adventure story. Light tricks, some shadow puppetry. It’s really a good, magical time, so definitely appropriate for kids. But if you're anything like me and grew up on the story of “The Halloween Tree” by Ray Bradbury, or watched the movie when you were a kid, it definitely hits those nostalgia notes. I think the cast is just a ton of fun. A lot of very funny moments, a lot of really poignant, heartfelt moments. There will be trick-or-treating at some of the productions in the lobby, and there will be a place to light a candle to remember lost loved ones. So really, I think they’re really creating an environment in this space to celebrate the season.— Kira PontiffWhat will people say? Ellen Fenster-Gharib is a freelance director in the Twin Cities, and she had an opportunity to read in advance an original play that takes on mental health stigma and community pressures. The world premiere of “Log Kya Kahenge (What will people say?)”, written by Aamera Siddiqui, is a co-production of Exposed Brick Theatre, Lyric Arts and South Asian Arts & Theatre House. (“Log Kya Kahenge” is a well-known Hindi and Urdu saying that translates to “What will people say?”)The show runs at Lyric Arts in Anoka Oct. 18 – Nov. 3. The play is recommended for ages 16 and up and takes on themes of mental health and grief. Ellen says: I love Aamera’s playwriting voice and how she investigates her own history with such wit and sensitivity. The play is about a family, and specifically about some daughters who are trying to navigate their way in the U.S. with pressures put on them by their family and by their community. I loved what Aamera had to say about it. She said that in her particular South Asian culture, there is this sort of collective interest and investment in everyone’s personal business. And she said in her playwright’s notes [paraphrase]: Now this might be making some of you feel very uncomfortable, like, Get out of my business. Shouldn’t you live for yourself? This is what happens in collectivist cultures, cultures in which each individual is seen as being responsible for the reputation of the whole community, and it’s sort of for better and for worse. Everybody has your best interest in mind and also has a lot of opinions about how you’re living your life and the decisions that you’re making. So everyone’s in this pressure cooker of achieving and then also you can’t display any weakness. So the play addresses the stigma around mental health issues. — Ellen Fenster-GharibA tale of monsters and men Loren Niemi of Minneapolis is the founder of the American School of Storytelling. He’s heard Chris Vinsonhaler perform excerpts of her new translation of the old English epic “Beowulf: Monsters and Men,” and he’s looking forward to her bardic performance next Wednesday, Oct. 23 at 6 p.m. at the Episcopal Church of Saint John the Evangelist in St. Paul. Loren says: What is interesting to me about this performance is that A) it’s been a long time since there’s been a new translation that updates the language, and B) she is translating it with a slightly feminist view, so that her concerns, at least as I understand it, is that it's not “boys with swords” so much as the larger issues of politics and heredity and obligation. So when I say heredity, I mean the who begat who, and who succeeded who, and how they arrived at power. One of the things I think I like about her performance is that she is very she is faithful to the rhythms of the material. The Beowulf text has a very rhythmic form to it.— Loren Niemi
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    5 mins
  • Art Hounds: Get in the Halloween spirit

    Art Hounds: Get in the Halloween spirit
    Oct 10 2024

    From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above.


    Want to be an Art Hound? Submit here.


    Not your kids’ Halloween play

    Actor Julie Ann Nevill of St Paul is looking forward to getting into the Halloween spirit when the play “Broomstick” opens Thursday at the Open Eye Theatre in Minneapolis. The one-woman play features Cheryl Willis as a witch telling the story of her long life. The show is recommended for ages 14 and up. It runs through Halloween night, with a mask-required performance Sunday.


    Julie Ann says: “It is billed as both a spooky and hilarious comedy. I am very intrigued by that. So many things around Halloween become kid-centric, and there are many of us adults, myself included, for whom this is our favorite holiday. And so we want something like this that speaks to us and not just to, you know, the small children or the family situation.”


    “The Open Eye space is so very intimate. And for a one-person show, I think that really gives you a chance to connect with the artist that you’re watching. Joel Sass is a wonderful director. Cheryl Willis is an amazing actor who is so intriguing and sucks you in and really connects with audience members.”


    — Julie Ann Nevill


    Commonweal stages ‘Doubt’

    Delia Bell, a potter in Lanesboro, recommends seeing the play “Doubt: A Parable” at the Commonweal Theatre. The play won a 2005 Pulitzer Prize and a Tony Award for Best Play. Performed by a local cast, the show explores both fact and faith, and Delia says it leaves the audience questioning. The play runs through Nov. 10.


    Delia explains: “I felt like I was thinking about it for days after. ‘Doubt’ is a story about two sisters, two nuns at a school, and a priest. They suspect that he’s done something inappropriate with one of the students. And so that’s how it stems: it’s this story of which side do you believe? And this nun is adamant about this, and the priest is adamant that he is innocent. It just creates doubt within the viewer. That’s the whole point; the story is never truly resolved.”


    As for the production, “It’s a simple set. There’s a huge window that’s very striking. And with the music, you really felt like you were in a church at times. It was just what the story needed.”


    — Delia Bell
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    3 mins
  • Art Hounds: Hope’s quiet departure, a wordless portrayal of shared sorrow and resilience at the Jungle

    Art Hounds: Hope’s quiet departure, a wordless portrayal of shared sorrow and resilience at the Jungle
    Oct 3 2024
    From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what’s exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here. Click hereGrief without words Theatermaker Kurt Engh saw The Moving Company’s performance of “SPEECHLESS” in 2017, and he’s thrilled the show is back again. The show opens Friday and runs through Nov. 10 at the Jungle Theater in Minneapolis. As the name implies, the play is entirely without words, but the emotions run deep. Kurt explains: Someone passes away in the play, and that person is ironically or symbolically named Hope. I think it’s intentionally left to be ambiguous. The play is about five people going through grief in this very melodramatic but real way, and they find that the only way forward is to support themselves, but also support each other. The play shows how people are able to support each other when they don’t even know what to say, when they’re so upset and they’re so at a loss, truly, that they move forward through physical kindness to each other. The collaborators of this production have been working together for many years. They are my favorite theater company in the Twin Cities, and this was voted as a best play of the year in 2017 by the Star Tribune. There are performances on Wednesdays that are pay-as-you-are starting at $15.— Kurt EnghA smorgasbord of short films — or hot dish, if you will Rachel Coyne of Lindstrom is looking forward to seeing the Franconia 5 Minute Film Fest, a short film festival featuring works from Minnesota and Wisconsin artists. The top 15 judge-selected films will be screened at Franconia Sculpture Park this Saturday, Oct. 5 at 7 p.m. and at the Trylon Cinema in Minneapolis Thursday, Oct 10. The Franconia screening is free with a suggested $10 donation. Seating on benches is limited, so Rachel recommends bringing a blanket or lawn chairs. Rachel adds: There’s a claymation artist, some live film, some animation. In the years in the past, when I’ve gone, you know, it’s kind of like eating like a really pungent spice. You’re just like, wow, that’s an idea, and it hits you over the head, and then before you know it, you’re onto the next film.Given that the filmmakers are all from Minnesota and Wisconsin, Rachel adjusts her metaphor: It’s more hot dish. So there’s peas, there’s carrots, there’s tater tots and there’s probably even some mushroom soup in there. — Rachel CoyneDid you hear that classic Irish epic about the cow? Anna Maher is a classically trained singer and actor living in the Twin Cities, and she’s glad that one of her favorite theater companies, Clevername Theatre, is remounting a fan-favorite from the 2022 Minnesota Fringe Festival. “Connor’s gonna tell: The Tain Bo Cuailnge” is a one-person recounting of the “Táin Bó Cúailnge,” an old Irish epic tale about a cattle raid. See it at Bryant Lake Bowl & Theater in Minneapolis, Fridays, Oct. 4 and Oct. 11 at 7 p.m. and Sunday, Oct. 13 at 3 p.m. Anna says: It’s kind of like the Irish Odyssey. It’s an epic, and it chronicles a war that was waged between two factions, and then there’s a hero. And the whole thing, the whole fight, revolves around a cow. And so, Connor will tell the story. He uses different voices. There are some different outfits that happen. There’s a mask, there's a little bit of puppetry involved. And then he has a mandolin player who accompanies him for the entire show.” (Note: Anna Maher works for American Public Media Group, the parent company of MPR News.)— Anna Maher
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    4 mins