Debbie Taylor-Kerman is a contemporary mixed media artist and painter who put aside her successful commercial design career to focus on creating abstract figurative art that empowers diversity and humanity. Her engaging art is now in private collections throughout the United States and around the world. On this episode we explore the world of licensing graphic art, transitioning from corporate to personal art, and following your voice. www.debbietaylorkerman.com

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Debbie Taylor-Kerman is a Scottish artist who came to New York City to work as a textile designer in 1991. She fell in love with the city and her husband Elliott, and they moved to Harlem where they raised their two sons and still reside. She studied her Foundation Course at St Martins School of Art in London, received her BA in Printed Textiles from Liverpool School of art and pursued further fine art studies with the Creative Visionary Program for 4 consecutive years, led by artist Nicholas Wilton. During the pandemic, Debbie finally decided to paint fine art full time, and left her successful commercial art career of more than three decades. Since then Debbie has exhibited primarily in the New York area and she is represented by Globe Fine Art in Santa Fe, NM and Dean Street Fine Art in Tampa. Her work can be found in private collections throughout the United States and around the world.

Artist Statement

I need to find hope in this fragile and divided world by creating the beauty of diversity. I believe it's critical for everyone to feel seen and to feel hope that we can coexist in peace. I create abstract figurative art by using a multitude of tools to build a substantial history of abstract paint and collage, from where my figures can emerge. While adjusting the measure of abstract versus figurative, I'm constantly asking myself the question, what needs to be said and what needs to be left unsaid. I don't want to tell the whole story. Creating a dynamic composition for initial impact is key to capturing viewers’ attention, by first making them stop and look, then enticing them to stay and discover the subtlety within the paintings. Just like life, there is more to us than what initially meets the eye. My art conveys how our diversity is what makes us beautiful, that we are all connected regardless of our differences, and that we need to spend time discovering the “whole picture”.

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Produced and Edited by Arts and Craft.
Theme Music: Sound Gallery by Dmitry Taras.

Rachael Sage is a prolific songwriter, singer, visual artist, and ballet dancer and the founder of Mpress records. She has toured nationally and internationally and has shepherded a wide array of diverse artists in the music-sphere. On this episode we chat about the value of maintaining relationships for booking gigs, nurturing artists while running a record label, and the fine line between music and visual art.

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Rachael Sage is a soulful vocalist, innovative multi-instrumentalist and award-winning singer/songwriter and producer from NY who has earned a loyal international following for her dynamic piano playing, delicate guitar work, and improvisational audience interaction. A six-time Independent Music Award winner, Sage has toured with an eclectic list of artists including Howard Jones, Beth Hart, Ani DiFranco, and Grammy® winners Shawn Colvin and Judy Collins – with whom she also recorded a critically-acclaimed duet of Neil Young's "Helpless". Her music has been dubbed "witty, graceful, and powerfully intimate" by NPR Music, and American Songwriter described Sage as "one of the most compelling and creative singers and songwriters of the modern era". Her new album Canopy is due Fall 2025 on MPress/Universal/Virgin. For more information, visit rachaelsage.com.

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Produced and Edited by Arts and Craft.
Theme Music: Sound Gallery by Dmitry Taras.

Dean Taucher is a film and television production designer, art director, and playwright. He is behind some of television’s most iconic shows and spilling the beans in his new play, “Reel Stories.” On this episode we peek behind the curtain and talk set design, “Miami Vice,” and working with directors like Michael Mann.

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Dean Taucher is a production designer/set designer, originally from the Chicago area. He attended The Goodman School of Drama - Art Institute of Chicago and immediately began designing in the Off-Loop theater scene of the 1970’s. These theaters included Body Politic, St. Nicholas, the Organic Theater Company, the Goodman and Victory Gardens.

He moved to New York in 1979 and thanks to his membership in the United Scenic Artist Local 829 he worked on many Broadway shows including 42nd Street, Evita, Cats and at NBC on Season 5 of Saturday Night Live. His design work continued in regional dance and opera at The Penn Opera Theater, Atlanta Ballet and the Hubbard Street Dance Company.

His work as a scenic Artist let him to working on feature films where he was able to move into positions in the Art Department. From his initial job as charge scenic on Michael Mann’s film “Manhunter” he became an assistant art director and the following year he was hired by Mr. Mann as the production designer (credited as visual consultant) on Season 3 of Miami Vice, with Dick Wolf as the head writer.

Dean then made the TV movie “ L.A. Takedown” with Mann. He returned to New York to work with Dick Wolf for the CBS series, Harlem Eastside Lifesaving Project, H.E.L.P., and subsequently three season at FOX for New York Undercover and over 20 seasons of Law & Order, SVU at NBC. For David Chase at HBO, Dean designed Season One of The Sopranos and episodes two through thirteen, including many of the iconic permanent sets, the logo of the Bada Bing and the logo for the show.

Off-Broadway he designed the plays Tabletop, Snakebit and River Deep: A Tribute to Tina Turner. He has worked with the director/choreographer Gabrielle Lansner on all her live and filmed projects for the last 25 years as designer and on her film projects as Executive Producer. Their current film, I AM NOT OK, is part of The Brooklyn Museum’s 200th Anniversary Show, The Brooklyn Artists Exhibition.

Dean’s play “REEL STORIES-MADE IN NEW YORK” is a riotous exposé of the inner workings of film and TV, informed by the myopic, egocentric and clueless motivations of the people who work in front and behind the camera. Nothing may be true, but they are all “REEL STORIES- MADE IN NEW YORK.” It is Dean’s first play.

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Produced and Edited by Arts and Craft.
Theme Music: Sound Gallery by Dmitry Taras.