This time around we discuss the technical aspects of 3D modelling and printing for practical work, especially in creating detailed prosthetics and animatronic components using software like CAD and ZBrush.

We delve into teaching and learning new techniques, particularly the significance of hands-on experience in moulding and sculpting.

Then we look at taking on jobs without proper qualifications, highlighting the potential dangers and importance of safety in prosthetic and special effects work.

With Sasquatch suits, severed heads and blood gags on stage, come and join us on episode #94 of Battles with Bits of Rubber!
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Cannibal! The Musical (1993)
https://www.youtube.com/watch?v=wlMIFRXLW8c

In this second and final part of our trip to Falmouth Uni, Neill Gorton joins us as we discuss making mistakes and learning the hard way in the workshop.

We also discuss how to approach workshops and folio critiques and why latex and plaster are such great materials when starting and budgets are tight.

Latex and plaster are a big theme in this episode. Be sure to check out the blog post with the show notes and the latest free workbook download, which is all about making latex pieces and plaster moulds from the UMAE 2024 makeups Stuart recently did.

This is a hefty episode, and the workbook is 26 pages full of step-by-step processes and techniques!

If you enjoy this podcast and got something out of it, would you do us a solid and tell people about it? Send them a link and help the show grow!

As always, we have a rough idea about what we want to talk about, but it's always led by the feeling in the room at the time, questions that come up and current events within the group .

We spoke for so long in a packed room using a single recorder, so the sound is a little different from our usual close microphone stuff.

It went on for nearly three hours, and fell into two distinct sections - the first half we present here.

The second part we shall release soon, and was when Neill Gorton arrived after just having beaten Covid again. Present were lecturers and all-round good eggs Brad Greenwood and Duncan Cameron, plus a room crammed with the students from the Prosthetic Effects MA who we had come to see.

Thanks to Duncan Cameron for his awesome sketches which feature in the episode art of parts 1 and 2. Check his work out on Insta @brokensharkcage.

Thanks for listening! Incidentally, the 'Hi, welcome to passes with bits of brother' bit comes from an automated transcript attempt in Word of the near 3 hour recording. Needless to say,I don't think we will be using that as a way to pull text from audio!

More notes on the blog post found at

https://battleswithbitsofrubber.com/falmouthp1