Critics at Large | The New Yorker

By: The New Yorker
  • Summary

  • Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

    Condé Nast 2023
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Episodes
  • Our Modern Glut of Choice
    Mar 13 2025

    For many of us, daily life is defined by a near-constant stream of decisions, from what to buy on Amazon to what to watch on Netflix. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider how we came to see endless selection as a fundamental right. The hosts discuss “The Age of Choice,” a new book by the historian Sophia Rosenfeld, which traces how our fixation with the freedom to choose has evolved over the centuries. Today, an abundance of choice in one sphere often masks a lack of choice in others—and, with so much focus on individual rather than collective decision-making, the glut of options can contribute to a profound sense of alienation. “When all you do is choose, choose, choose, what you do is end up by yourself,” Cunningham says. “Putting yourself with people seems to be one of the salves.”

    Read, watch, and listen with the critics:

    Could Anyone Keep Track of This Year’s Microtrends?” by Danielle Cohen (The Cut)
    The Age of Choice: A History of Freedom in Modern Life,” by Sophia Rosenfeld
    The Federalist Papers,” by Alexander Hamilton, James Madison, and John Jay
    What Does It Take to Quit Shopping? Mute, Delete and Unsubscribe,” by Jordyn Holman and Aimee Ortiz (The New York Times)

    New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

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    43 mins
  • How “The Pitt” Diagnoses America's Ills
    Mar 6 2025

    “The Pitt,” which recently began streaming on Max, spans a single shift in the life of a doctor at an underfunded Pittsburgh hospital where, in the course of fifteen gruelling hours, he and his team struggle to keep up with a seemingly endless stream of patients. The show has been praised by lay-viewers and health-care professionals alike for its human drama and its true-to-life portrayal of structural issues that are rarely seen onscreen. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz parse how “The Pitt” fits alongside beloved medical shows like “E.R.” and “Grey’s Anatomy.” While the new series upholds many of the tropes of the genre, it’s set apart by its emphasis on accuracy and on the daily struggles—and rewards—of laboring toward a collective goal. At the heart of “The Pitt” is a question that, in 2025, is top of mind for many of us: does the for-profit medical system actually allow for humane care? “Faith in these institutions has eroded,” Schwartz says. “At the low point of such faith and trust, what happens to build it back?”

    Read, watch, and listen with the critics:

    “The Pitt” (2025-)
    “E.R.” (1994-2009)
    “Grey’s Anatomy” (2005-)
    “This Is Going to Hurt” (2022)
    “House” (2004-12)
    “The Bear” (2022–)
    Doctor Mike’s YouTube channel
    Steveoie’s YouTube channel

    New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

    Learn about your ad choices: dovetail.prx.org/ad-choices
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    45 mins
  • In “Severance,” the Gothic Double Lives On
    Feb 27 2025

    “Severance” is an office drama with a twist: the central characters have undergone a procedure to separate their work selves (“innies,” in the parlance of the show) from their home selves (“outies”). The Apple TV+ series is just the latest cultural offering to explore how the modern world asks us to compartmentalize our lives in increasingly drastic ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace the trope of the “double” over time, from its nineteenth-century origins in such works as “Jane Eyre” and “Dr. Jekyll and Mr. Hyde” to the “passing” novels of the nineteen-twenties and thirties. Today’s Oscar front-runners are rife with doubles, too, including those seen in the Demi Moore-led body-horror film “The Substance” and “The Apprentice,” in which a young Donald Trump fashions himself in the image of his mentor, Roy Cohn. At a time when technological advances and social platforms allow us to present—or to engineer—an optimized version of our lives, it’s no wonder our second selves are haunting us anew. “I think the double will always exist because of the hope for wholeness,” Cunningham says. “It's such a strong desire that the shadow of that whole self—the doppelgänger—will always be lurking at the edges of our imagination.”

    Read, watch, and listen with the critics:

    “Severance” (2022—)
    “The Substance” (2024)
    “A Different Man” (2024)
    Frankenstein,” by Mary Shelley
    “The Apprentice” (2024)
    Passing,” by Nella Larsen
    Key and Peele’s sketch “Phone Call
    Jane Eyre,” by Charlotte Brontë
    Lisa and Lottie,” by Erich Kästner
    William Shakespeare’s “As You Like It
    The Uncanny,” by Sigmund Freud
    Edmond Rostand’s “Cyrano de Bergerac

    New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

    Learn about your ad choices: dovetail.prx.org/ad-choices
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    47 mins

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