Re-Constructing the Psyche

By: Michael Briesch and Jason Rinker
  • Summary

  • Exploring Film and TV through the lenses of Psychology, Philosophy, Spirituality and Religion.

    Michael Briesch and Jason Rinker 2024
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Episodes
  • 002- The Lighthouse
    Sep 30 2024

    Summary

    In this conversation, Michael and Jason delve into the psychological themes presented in the film "The Lighthouse", exploring concepts such as isolation, madness, and the dynamics between characters. They discuss Freudian and Jungian perspectives, particularly focusing on the roles of the super ego and the id, as well as the significance of the anima. The discussion also touches on the symbolism of the lighthouse and the mermaid, culminating in an analysis of the film's final scene and its implications of sacrifice, personal hell and the impediments to enlightenment.

    Takeaways

    The film presents a purely psychological narrative.

    Isolation can lead to madness and conflict.

    Character dynamics reflect the struggle between the angry God and the protagonist.

    Freudian concepts of the super ego and id are evident in the characters' interactions.

    Internal Family Systems theory highlights the polarization of personality parts.

    The anima represents the search for wholeness and integration.

    The mermaid symbolizes temptation and destruction.

    The lighthouse serves as a metaphor for consciousness versus the unconscious.

    The final scene suggests themes of sacrifice and personal hell.

    Multiple interpretations of the film can coexist, reflecting its complexity.

    Chapters

    00:00 Introduction and Overview

    03:10 Exploring Psychological Themes in Film

    06:08 The Concept of the Angry God

    09:07 Character Dynamics and Isolation

    12:15 Internal Family Systems and Polarization

    15:17 Freudian vs Jungian Perspectives

    18:10 The Role of the Anima and Projection

    21:16 The Final Scene and Symbolism

    24:09 Concluding Thoughts and Reflections

    49:34 Dialtone 11

    Intro and outro music courtesy of: Karl Casey @ White Bat Audio Song title: "Nightscapes" https://www.youtube.com/watch?v=k8nHWwO1U2Q&t=2s

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    50 mins
  • 001- Get Out
    Sep 24 2024

    Summary

    In this episode of 'Reconstructing the Psyche', hosts Michael, Jason, and Anil delve into the film 'Get Out', exploring its themes of boredom, cultural appropriation, and the socio-cultural implications of exploitation. They discuss how the film reflects on the hollowness of purpose in affluent white communities and the psychological and physical exploitation of marginalized groups. The conversation also touches on capitalism's role in these dynamics and concludes with a call for a fundamental perspective shift in how we view and treat others.

    Takeaways

    'Get Out' explores deeper socio-cultural themes.

    Boredom signifies a hollowness in affluent lives.

    Cultural appropriation robs identity and vitality.

    The film serves as an allegory for race relations.

    Capitalism often leads to exploitation of bodies.

    The auction scene symbolizes commodification of life.

    A perspective shift is necessary for understanding.

    The film highlights the disconnect in privilege.

    Sports reflect the exploitation of minority bodies.

    Spiritual disconnection leads to viewing others as property.

    Chapters

    00:00 Introduction to Reconstructing the Psyche

    02:05 Exploring 'Get Out' and Its Themes

    10:08 Boredom and Its Socio-Cultural Implications

    20:06 Cultural Appropriation and Identity

    30:12 The Role of Capitalism in Exploitation

    39:57 Conclusion and Future Discussions

    Intro and outro music courtesy of: Karl Casey @ White Bat Audio Song title: "Nightscapes" https://www.youtube.com/watch?v=k8nHWwO1U2Q&t=2s

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    53 mins
  • Severance's Mind/Body Dualism
    Sep 15 2024

    Mind/ Body Dualism; Capitalist/Slave Worker Dynamic; The Relations to the Unconscious.

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    14 mins

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