Welcome back to Drafting the Past, a podcast about the craft of writing history. In this episode, host Kate Carpenter welcomes someone a little bit different to the podcast: writer and writing coach Helen Betya Rubinstein.

Helen is neither a historian nor a writer or history herself, but she has been working as a writing coach for the past six years, often with historians and other academics. If you remember my conversation with Anna Zeide in episode 29 last year, Helen was the writing coach that Anna and her co-editors brought in to a workshop to help book contributors work on writing essays aimed at wider audiences. I’m delighted to have the chance to talk more with Helen about what exactly a writing coach does and the kinds of conversations she finds herself having with historians. In addition to her work as a coach and teacher, Helen is a writer with MFA degrees from Brooklyn College and the University of Iowa, and her essays and fiction have appeared in publications including The Kenyon Review, The Paris Review Daily, and Literary Hub. She is the author of a book of lyric fictions and also has a forthcoming book about writing, teaching, and publishing.

In this episode, Kate Carpenter interviews Dr. Lindsay Chervinsky, a historian of the presidency, political culture, and the government, and the executive director of the George Washington Presidential Library. Her first book, which came out in 2020, was The Cabinet: George Washington and the Creation of an American Institution. She’s also the co-editor of the book Mourning the Presidents: Loss and Legacy in American Culture, and she writes regularly for the public and appears on podcasts and news coverage as an expert on presidential history. Her new book is out now. It’s called Making the Presidency: John Adams and the Precedents that Forged the Republic. Listen now to learn about Lindsay’s approach to writing and revising narrative history, why she’s an evangelist for writing groups, and how her revision process was inspired by Taylor Swift.

Drafting the Past is a podcast about the craft of writing history hosted by Kate Carpenter. If you’ve been listening for a while, you know that oral histories have come up pretty frequently on the show, and that I also work with oral histories in my own current research project. So I was delighted when the opportunity came up to talk with today’s guest, Clara Bingham. Clara is a journalist, and her two most recent books have been works of oral history that let the subjects speak for themselves. Her most recent book is The Movement: How Women’s Liberation Transformed America, 1963-1973. It is a follow-up to her previous book Witness to the Revolution: Radicals, Resisters, Vets, Hippies, and the Year America Lost its Mind and Found Its Soul. Clara has had a fascinating career as a political reporter, writer, documentarian, and more. I’ll let her tell you about it all. I know historians are occasionally a little skeptical about journalists who write history, but I think we have a lot to learn from each other. That was definitely the case in this interview, and I loved hearing from Clara about how she tracked down people to interview, the ways she wove their accounts together, and why she thinks of herself as more of a historian than a journalist these days. Enjoy my interview with Clara Bingham.

In this episode Kate interviewed not one, but three authors: Robert Alpert, Merle Eisenberg, and Lee Mordechai. Together, Robert, Merle, and Lee are the co-authors of a new book, Diseased Cinema: Plagues, Pandemics, and Zombies in American Movies. Robert Alpert is a lawyer and film scholar who teaches at Fordham University and has written extensively about film following his career as a practicing attorney. Merle Eisenberg is a historian of late antiquity and the early middle ages and a professor at Oklahoma State University. Lee Mordechai is a historian of the eastern Roman Empire and a professor at The Hebrew University of Jerusalem. Together, Merle and Lee also host a podcast called Infectious Historians, all about the history of disease, pandemics, and medicine. Kate talked with all three about what it was like to write a book together, which comes with one more wrinkle: Robert and Lee are also father and son!

In this episode, host Kate Carpenter is joined by historian, writer, and podcaster Dr. Neil J. Young. Neil has been a prolific writer in venues like The Atlantic, Slate, the Los Angeles Times, and many more, a contributing columnist to the HuffPost and The Week, and he is also one of the co-hosts of the terrific history podcast Past Present. He also helped to create and produce the podcast Welcome to Your Fantasy, with historian Natalia Petrzela, who joined me on a previous episode of the show. Neil is the author of two books. His first was We Gather Together: The Religious Right and the Problem of Interfaith Politics, and his new book this year is Coming Out Republican: A History of the Gay Right. I was excited to have the chance to talk with Neil about how his oral history interviews changed the project, what differed between his first and second books, and how he wrote a history that was driven by characters.

Hey DTP listeners! I'm sharing an episode of Historians at the Movies, a podcast by Jason Herbert, in which I was the guest historian! If you like what Jason is doing, check out historiansatthemovies.com.

Historians At The Movies features historians from around the world talking about your favorite movies and the history behind them. This isn't rivet-counting; this is fun. Eventually, we'll steal the Declaration of Independence.

This week Kate Carpenter drops in to talk about the new film Twisters along with her research on the history of modern-day storm chasing. We get into what they got right, what liberties they took, the role of climate change in the spread of tornado alley, and exactly how crazy are tornado chasers anyway. If you feel it, ride it.

About our guest:
Kate Carpenter is a doctoral candidate in the History of Science at Princeton University. Before that, she earned a Bachelor of Journalism from the University of Missouri-Columbia and a Master of Arts in History (with an emphasis in public history) from the University of Missouri-Kansas City. In between, she has been a writer, copy editor, designer, screenprinter, farmers’ market volunteer and communications officer, and occasional history consultant. When she’s not hosting and producing Drafting the Past, she is working on a dissertation about the history of tornado science and storm chasing in the second half of the twentieth century.

I’m delighted to introduce you to my guest today, historian of science Dr. Kathleen Sheppard. Kate is a professor at Missouri S & T University, and the author of three books, as well as the editor of two books of correspondence. Kate is a historian of Egyptology, and her first book was a biography of Margaret Alice Murray, the first woman to become a university-trained Egyptologist in Britain. The second was Tea on the Terrace: Hotels and Egyptologists’ Social Networks, which was released in paperback this summer. And her newest book is out right now. It’s called Women in the Valley of the Kings: The Untold Story of Women Egyptologists in the Gilded Age. I was excited to talk with Kate about the difference in writing a book for a trade press, how she has found each of her book subjects, her old school research methods, and how her agent coached her in writing for a public audience. Enjoy my conversation with Dr. Kate Sheppard.

My guest in this episode is Dr. Tore Olsson, associate professor of history at the University of Tennessee.

Dr. Olsson’s first book, Agrarian Crossings: Reformers and the Remaking of the US and Mexican Countryside, is an award-winning scholarly book. But his new book does something quite different. Titled Red Dead’s History: A Video Game, an Obsession, and American’s Violent Past, the book opens a window on American history through the lens of Red Dead Redemption, the wildly popular video game franchise. I talked with Tore about how his pandemic video game habit changed the direction of his career, how teaching an undergraduate class on this topic shaped the book, and how working with his agent and editor made for a completely different publishing experience this time around.