• Episode 14: Mother

  • Jul 21 2024
  • Length: 2 hrs and 21 mins
  • Podcast

  • Summary

  • In Episode Fourteen, DDSWTNP turn our attention for the first time to DeLillo’s drama – and to a largely unknown work by DeLillo as playwright, a 1966 radio play and disturbing take on U.S. race relations titled Mother. We cover the circumstances of the play’s original broadcasts, its re-emergence in an internet archive recording more than 50 years later, and the strange way in which this story’s armchair progressives and Billie Holiday fans, Ralph and Sally, end up making a fetishizing travesty of civil rights and racial integration in the play’s brief 27 minutes. Topics include the importance of radio to Mother’s themes of media occlusion, moral numbness, and erasure; what DeLillo means by Ralph’s “white malady” of transparency and how it reworks images from another Ralph’s Invisible Man; and what this play has to do with contemporaneous issues like interracial marriage in Loving v. Virginia. We talk extensively as well about how Mother presages parts of the early novels, from jazz love in Americana to Taft in End Zone and Azarian in Great Jones Street. Before (and after) listening to our analysis, take in this troubling 27-minute play at https://archive.org/details/pra-BB3830.01

    Our raffle for a hardcover Amazons has been extended to August 1 – donate and enter to win at https://buymeacoffee.com/delillopodcast

    Texts mentioned and discussed in this episode:

    James Baldwin, The Fire Next Time. Dial Press, 1963.

    Samuel Beckett, Endgame. 1957.

    Don DeLillo, The Mystery at the Middle of Ordinary Life. 2000.

    https://muse.jhu.edu/article/30660/pdf

    Ralph Ellison, Invisible Man. Random House, 1952.

    “The writer is driven by his conviction that some truths aren’t arrived at so easily, that life is still full of mystery, that it might be better for you, Dear Reader, if you went back to the Living section of your newspaper because this is the dying section and you don’t really want to be here.” (Thomas LeClair, “An Interview with Don DeLillo,” Contemporary Literature 23.1 (1982): 19-31)

    Eugene Ionesco, Rhinoceros. 1959.

    Mark Osteen. “Chronology.” In Don DeLillo, Three Novels of the 1980s. Library of America, 2022.

    Jean-Paul Sartre, No Exit. 1944.

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