Come join me in the hilarious romp that is The Tinker's Wedding by J.M. Synge, a story of two young tinkers trying to con a travelling holy man into marrying them, all while their mother is constantly trying to satiate her indomitable thirst for drink, thereby inadvertently causing more problems than the drink is worth. Blaming, miscommunication, and utter tomfoolery ensues, leading to the final culmination of each party getting ready to pounce on each other's necks and outrageously strangle each other Saturday-morning-cartoon style. Come witness both sincerity and hilarity being wrapped up in this tight but brilliantly crafted two act drama-comedy.

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*This Season's Album Art by Brian Fisher*

Edmund John Millington Synge (1871–1909) was an Irish playwright, poet, writer, collector of folklore, and a key figure in the Irish Literary Revival. His best known play The Playboy of the Western World was poorly received, due to its bleak ending, depiction of Irish peasants, and idealisation of parricide, leading to hostile audience reactions and riots in Dublin during its opening run at the Abbey Theatre, Dublin, which he had co-founded with W. B. Yeats and Lady Gregory.

His writings mainly concern working-class Catholics in rural Ireland, and with what he saw as the essential paganism of their world view. Owing to his ill health, Synge was schooled at home. His early interest was in music, leading to a scholarship and degree at Trinity College Dublin, and he went to Germany in 1893 to study music. He abandoned this career path in 1894 with a move to Paris where he took up poetry and literary criticism and met Yeats, and then returned to Ireland.

Synge suffered from Hodgkin's disease. He died aged 37 from Hodgkin's-related cancer, while writing what became Deirdre of the Sorrows, considered by some as his masterpiece, though unfinished during his lifetime. Although he left relatively few works, they are widely regarded as of high cultural significance.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces of art and appreciate them in their proper historical context.*