Rhian Teasdale of Wet Leg catches up with Kyle Meredith to talk about the band’s second album Moisturizer, the joys and pitfalls of success, and the choice to cocoon themselves in a countryside house to shut out distractions (including social media). Rhian digs into writing as a full five-piece band this time around, the cathartic evolution of tracks like “Chase These Fists” and “CPR,” and how movies like Jennifer's Body helped soundtrack their creative hibernation. She also opens up about writing love songs for the first time, exploring queer identity through lyrics, and the importance of building a stage persona to armor up against tour anxiety.

Listen to Rhian Teasdale of Wet Leg chat about all this and more or watch it on Youtube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Tony winner and certified scene-stealer Renée Elise Goldsberry joins Kyle Meredith to talk through Who I Really Am, her long-awaited debut album. Known for #Hamilton, #Girls5Eva, and #SheHulk, Goldsberry opens up about why it took this long to release a solo LP, and why now was the moment to bet on herself. She discusses the freedom of genre-jumping across pop, musical theater, and soul, how she came to reinterpret “Satisfied” for this new chapter, and how Girls5Eva and Sarah Bareilles helped spark her confidence to record original material—including a Bareilles-penned track. It’s an album about embracing outliers, defying labels, and finally asking the question, “Who am I, really?”

Listen to Renée Elise Goldsberry chat about all this and more or watch it on Youtube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Lucy Dacus sits down with Kyle Meredith to discuss her latests solo record, Forever Is a Feeling. The singer-songwriter unpacks the new album’s lush poetry, the angelic iconography behind its cover, and the raw intimacy of performing in churches and museums. Listen now.

Touring behind the new record (get tickets here!), Dacus found herself gravitating towards sanctuaries both literal and spiritual. “Places like that always feel super reverent whether or not you’re religious,” she says of the cathedrals and churches she’s played in. “They inspire a quietness and an introspection that I really like.” That same thoughtful hush permeates Forever is a Feeling, an album that glides between dreamlike atmospheres and confessional clarity.

Of course, she didn’t go it alone. The record brings together a who’s who of kindred spirits, from Hozier to Madison Cunningham to Bartees Strange, along with her boygenius bandmates Phoebe Bridgers and Julien Baker (also her romantic partner), appearances that feel like a tight-knit mixtape of indie rock’s most emotionally articulate voices.

Listen to Lucy Dacus chat about all this and more or watch on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Dean Wareham and Britta Phillips sat down with Kyle Meredith for three conversations across a handful of years to talk about solo albums, Luna reunions, and songwriting. Sometimes, these chats even double as emotional excavation. Listen to the archived interviews now.

Wareham, known for his iconic turns in Galaxie 500 and Luna, talked in 2014 about finally releasing his first solo album and what it meant to step out from the comfort of collaboration. He also chats about working with My Morning Jacket’s Jim James as producer, as well as the funny backlash from his memoir, navigating identity beyond legacy bands, and why a lyric like “what have I done with my life?” doesn’t always need a worried reading.

In her own chat in 2016, Phillips walked Kyle through Luck Or Magic, a stunning debut that toggles between torch songs and simmering synth-pop, and how tracks like “Do It Last” playfully (and darkly) flip gendered expectations of obsession in love songs. She also opened up about the nerves of writing about Dean… and then playing those songs for him.

Then, a 2017 conversation sees Luna officially back with A Sentimental Education, a covers-heavy return that mined overlooked corners of Dylan, the Stones, and even Velvet Underground’s Doug Yule era. Dean explained why a reformation only made sense without pressure, and why sometimes the easiest way forward is an instrumental EP with cheeky titles like “March of the Trolls.”

Three interviews. Two solo albums. One band that still knows how to play the long game—with style.

Listen to Dean Wareham and Britta Phillips chat about all this and more. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Alan Walker dropped in to talk with Kyle Meredith about the evolution of Walker World — a decade-long transformation that’s turned a teenage bedroom producer into a globe-touring architect of immersive EDM. With the WalkerWorld 2.0 album, the brand-new single “Me, Myself & the Night,” and a multimedia blitz that includes a mobile app and cinematic film experience, the 27-year-old artist is engineering something more expansive than just chart hits. Listen now.

Written during a writing camp in the Bahamas, “Me, Myself & the Night” became a template for a new era: “It gives the core Alan Walker sound and vibe... happy, jumpy, melancholic.” As for why he’s revisiting that era: “That’s the golden era of Alan Walker... we’ve been chasing trends, but now I want to make music that sounds like me again.”

The world-building doesn’t stop at the music. With WalkerWorld: The Last Ride on the horizon and a fan-centric app that bypasses traditional streaming algorithms, Walker is pioneering a kind of EDM Extended Universe. “We’re not just doing music videos anymore—we’re building a cinematic story,” he explained. “And for the fans who can’t see me live, the app becomes a digital hub where everything connects.” Not bad for a kid who once hid his songs from friends and family out of fear of being judged. Ten years later, he’s still chasing connection — just now with thousands of screaming fans and a global team.

Listen to Alan Walker chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Kyle Meredith sits down with two legends, Randy Bachman and the late Gary Brooker to talk about legacy and how you live with — and sometimes rewrite — the ghosts of greatness. Listen to these archive interviews now.

Hear Brooker of Procol Harum speak just before his passing about the band’s 50-year retrospective Still There’ll Be More, the timeless power of “A Whiter Shade of Pale,” and why Procol never quite fit in anyone’s box (except maybe their own).

Then, it’s Randy Bachman (The Guess Who, Bachman Turner Overdrive) discussing By George, his inventive reimagining of George Harrison classics that's filled with rearranged melodies, sly tributes, and a surreal phone call from Winnipeg to Friar Park. From Lennon birthday parties in Liverpool to dodged opportunities with Clapton, it’s a masterclass in reverence and reinvention from two legends.

Listen to Randy Bachman and Gary Brooker chat about all this and more. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Zara Larsson caught up with Kyle Meredith to talk about her new album Midnight Sun, her second LP in just over a year. Powered by creative momentum and a self-described “dream team” of collaborators, Larsson is embracing a more spontaneous workflow that channels her current energy into a confident, cohesive record. Listen now.

The record's namesake track, “Midnight Sun,” is a tribute to summer nights in her native Sweden, where the sun never fully sets and life feels mythically endless. “I wanted to be this little nymph that goes to the city,” she says, explaining the vibe that shaped both the sound and spirit of the album. The song itself is a swirl of joy and presence and the kind of spiritual clarity that only appears in duskless Scandinavian landscapes. It also helped unlock the album’s carefree tone: “I don’t give a fuck, but I do care a lot, and I hope and I pray and I manifest,” she says, summing up the paradox at the heart of Midnight Sun.

Larsson will bring that energy to her upcoming tour with Tate McRae, a pairing she’s calling the “perfect combination of two girls who love to put on a show.” Larsson hints at debuting unreleased material on the road, something she’s done before, but with mixed results. “It’s almost like a curse,” she laughs. “All the songs I used to try out live never ended up getting released — but this album is done and sealed.” Expect choreography, singalongs, and a little pop mischief: “I can’t wait to steal her stage for a few minutes.”

Listen to Zara Larsson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Seth MacFarlane has long lived at the intersection of irreverence and reverence. As the creator of Family Guy, he built an empire of absurdist animation, but his latest creative projects deepens his musical streak. He caught up with Kyle Meredith to talk about his new album Lush Life: The Lost Sinatra Arrangements, a collection of unearthed and previously unrecorded Frank Sinatra charts. From there, the conversation swings through his revival of The Naked Gun, a reimagining of The ’Burbs, and the success of Ted’s leap to television. Listen now.

When Tina Sinatra called to offer MacFarlane access to her father’s archived arrangements, he jumped at the chance to revive what had been sitting in boxes for decades. “There were a good hundred charts or so in there that Frank had never recorded,” he says, citing a Nelson Riddle arrangement of “How Did She Look” and the infamous abandoned 1958 session for “Lush Life.” MacFarlane and his team not only finished the track, but aimed to deliver each song with the fidelity and flair of the original era.

On the film and television side, MacFarlane stays just as busy. He’s producing a new Naked Gun movie starring Liam Neeson, who he calls “the last of a breed” of actors who can play it completely straight while delivering massive laughs. He’s also helping adapt The ’Burbs, calling Tom Hanks’ original turn “one of the most brilliant comedic performances ever.” And then there’s Ted, now a breakout hit on Peacock: “It was the most-watched comedy across all platforms for two months straight,” he says. “People loved it. They were all over it.”

For someone straddling high art and high chaos, MacFarlane seems right at home on both sides of the spectrum. Listen to Seth MacFarlane chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.