Suzanne Vega joins Kyle Meredith to talk about her upcoming album, which will be her first in nearly a decade. The “Tom’s Diner” singer discusses workshopping new songs on her current tour, including the recently released single “Rats,” which was inspired by New York City’s infamous rodent population and the recent international rat summit. The song’s eerie, Ramones and Fontaines DC-inspired vibe perfectly suits the Halloween season, though Vega hadn't initially planned it that way. She shares the influence of longtime collaborator Gerry Leonard, whose versatile guitar work has helped shape her sound over the past 20 years and who’s also known for his time playing with David Bowie. The new album promises a wide range of genres, from folk rock to a surprising Motown-inspired track. Despite the long break since her last release, Vega explains how life’s personal challenges, including the pandemic, have influenced her songwriting. As timing will have it, the album might coincide with the 40th anniversary of her debut, giving the record an added layer of significance. In true New York fashion, Vega remains deeply connected to the city’s pulse, continuing to find inspiration in its streets, history, and idiosyncrasies—a theme that has defined much of her illustrious career.

Listen to Suzanne Vega chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

In this special Rewind episode of Kyle Meredith With..., Billy Corgan of The Smashing Pumpkins joins the conversation for two interviews, one from 2015 and another from 2017. In the first interview, Corgan discusses the band's album Monuments to an Elegy, part of the ambitious Teargarden by Kaleidyscope project. He reflects on the album's concise pop sound, his competition with modern pop stars, and the state of alternative rock, remarking on the rise of EDM and the challenge for rock to keep up. He also shares insights into his creative process and the drive that has kept him continuously writing new music, addressing the legacy of his past work and how it compares to his current projects. The interview also touches on collaborations with legendary drummers like Tommy Lee and explores how rock culture has shifted over the decades. In the 2017 interview, Corgan delves into his solo work and the creation of his album Ogilala. He explains the stripped-down nature of the record, attributing much of the sparse production to Rick Rubin, and talks about the creative freedom it allowed him. Corgan touches on personal themes, including fatherhood and its subtle influence on his writing. He also addresses the ongoing speculation about the future of The Smashing Pumpkins, his evolving relationship with his past records, and his desire to recontextualize some of his older solo work. Alongside music, he talks about his other ventures, like wrestling and his teashop, revealing how these pursuits reinvigorated his passion for music.

Listen to Billy Corgan chat about all this and more in the new episode. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Sting catches up with Kyle Meredith backstage before his performance at Bourbon and Beyond to talk about his ongoing 3.0 Tour. Sting reflects on the unique experience of performing as a three-piece band, a configuration he hasn’t used since his Police days, and why he loves the clarity and space it brings to the sound, surprising both himself and his audience by continuously finding new ways to reimagine his songs on stage. Sting also discusses his new single, “I Wrote Your Name (Upon My Heart),” which incorporates the iconic Bo Diddley beat, and teases the possibility of more new music on the way. Plus, he shares insights into how he approaches his back catalog, always searching for fresh elements to keep his songs alive, and even hints at an upcoming collaboration with Dr. Dre and Snoop Dogg.

Listen to Sting chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Kate Siegel, known for her striking performances in horror in things like The Haunting of Hill House and Midnight Mass, dives into new territory with her directorial debut in the latest V/H/S anthology, V/H/S/Beyond. The filmmaker/actor talks with Kyle Meredith about her part in the movie, as well as her new animated series Dark Corners, working with Stephen King, and Mike Flanagan’s upcoming adaptation of The Life of Chuck.

Though Siegel initially declined the offer to direct V/H/S/Beyond, Flanagan, her husband and frequent collaborator, encouraged her to seize the opportunity. With her segment playing with themes of time, Siegel describes it as “both scientific and spiritual,” something she's also exploring in her upcoming project The Life of Chuck, her upcoming adaptation of the Stephen King story.

King also serves as Siegel's screenwriting collaborator on the upcoming Dark Corners, an animated horror anthology aimed at young audiences. Inspired by her children’s growing curiosity about the genre, Siegel launched the project to provide age-appropriate chills without diluting the scare factor.

Looking ahead, Siegel’s directing ambitions extend to complex, female-centered narratives that blend horror, fantasy, and philosophical exploration. “Weird, feminist, adult stories — that’s where I’m headed,” she explains, inspired by a mix of Guillermo del Toro, Terrence Malick, and Ridley Scott.

Curious about what’s next for Kate Siegel as a director? Hit play to hear all about her debut and exciting future projects and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

In the new Netflix thriller Don’t Move, Kelsey Asbille and Finn Wittrock throw themselves into a brutal cat-and-mouse game of survival. The two actors talks with Kyle Meredith about the movie, as well as Asbille saying goodbye to Yellowstone and Wittock's upcoming roles. Listen now.

Known for exploring sinister roles in shows like American Horror Story, Wittrock digs deep into the psyche of his character, crafting a villain who, he notes, believes he’s offering Iris a bizarre kind of release.

Asbille and Wittrock also credit horror legend and producer Sam Raimi, who brought his distinct expertise to the set, particularly in capturing the stark isolation of the wilderness. Raimi, known for his iconic work in The Evil Dead, even traveled to Bulgaria to set the tone in the initial days of shooting, guiding the crew on how to turn their remote surroundings into an oppressive, almost otherworldly environment.

For Asbille, the role marks a departure from her work on Yellowstone, pushing her to new extremes both emotionally and physically. For Wittrock, the film became a playground to explore his penchant for “evil eyes,” which, he laughs, he perfected during his training at Juilliard.

Listen to Kelsey Asbille and Finn Wittrock chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

On this archive episode of Kyle Meredith with..., Meredith rewinds to his conversation with John Cleese. The iconic comedian discusses his 2017 tour, various projects, and how he reflects on his life. Listen to the talk from the vault.

Speaking about his then-upcoming Louisville appearance, he expressed appreciation for his American fans, who he finds kind and receptive — contrasting that with the treatment he often receives from the British press. Cleese also discussed his love for cats and his comedic journey, attributing his fascination with human psychology as a major influence in his work.

The conversation also touched on Hold the Sunset, originally titled "Edith," which marked Cleese’s return to television after a long hiatus. He had some pointed words for BBC executives, lamenting their cautious approach in commissioning the show’s future despite positive feedback. The frustration he shared seemed to reflect his broader views on the evolving landscape of television, where executives, unlike those from his Monty Python days, often lack hands-on creative experience.

Listen to John Cleese chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Kyle Meredith catches up with Black Francis of Pixies to discuss their latest release, The Night the Zombies Came. The frontman also touches on the current touring landscape (they're on the road with Pearl Jam in Australia and New Zealand, and launch their EU/UK headlining tour next spring; get tickets here) and his 1994 solo album, Teenager of the Year. Listen now.

Discussing the creative process behind The Night the Zombies Came, Black Francis dives into how certain themes, like the undead, seem to manifest organically in the studio. Rather than forcing a concept album or rock opera, he believes in allowing themes to arise naturally, creating a mood that’s more impressionistic than narrative-driven.

Looking ahead, fans of his solo work have reason to celebrate as Francis is gearing up to tour for the 30th anniversary of Teenager of the Year under his Frank Black moniker. (The trek kicks off in January, and you can get tickets here.) Reflecting on that album, he recalls its chaotic, joyful recording process, marred by natural disasters and relocations but ultimately fueled by creative freedom.

Listen to the Pixies' Black Francis chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

The cast of Shrinking is back on Apple TV+ for Season 2, and Kyle Meredith sat down with several key members to discuss the evolution of their characters and the importance of the show’s themes. The cast, including Christa Miller, Jessica Williams, Luke Tennie, Lukita Maxwell, Ted McGinley and Michael Urie, brings a balance of humor and heart to their performances. Listen to their chat.

With Bill Lawrence (creator of Scrubs, Cougar Town, Ted Lasso) leading the charge, Season 2 dives deeper into grief and forgiveness, while still maintaining its sharp comedic edge.

Music plays a crucial role in setting the tone for Shrinking, with Christa Miller at the helm of selecting many tracks. Miller cites Angie McMahon’s "Letting Go" and The Strokes’ "Bad Decisions" as highlights that struck an emotional chord throughout pivotal moments. Bill Lawrence also adds, “The music needs to be cerebral and reflect the human condition, especially considering the show’s focus on therapy.” The cast also delves into how music plays a part in their own lives. From Jessica Williams’ love for Rilo Kiley to Tennie's appreciation of Vulfpeck, it’s clear that music helps them connect with the roles they play.

Williams, who plays Gabby, talks about the blend of scripted lines and improv that makes the show’s comedic timing so effortless. Similarly, Luke Tennie (Shaun) shares how his character adds weight to the show, often grounding the more comedic moments with emotional intensity.

Listen to the cast of Shrinking chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.