This week, Sarah and MJ begin the long and winding road that leads to Raging Bull with On the Waterfront! They are joined by Matthew Germenis for this super-sized episode where they unpack everything from the location shooting and brilliant performances to the way Scorsese was influenced by this film in several ways, and of course, the perceived apologism for Kazan and Schulberg testifying to the HUAC.

This podcast should be played loud!

This week we're talking about 1978's The Last Waltz, the concert film of The Band's final show directed by Martin Scorsese. We chat about the perils of trying to capture the moments as they happen, the cult that follows this film, and get into our favourite performances from the show.

This week we discuss 1951 Powell & Pressburger movie, The Tales of Hoffmann, chosen by Martin Scorsese as the companion film for The Last Waltz. We get into the film's impressive technical aspects, the other surprising films it influenced in Marty's filmography, plus we chat about the incredible restoration work that went into this film and the pitfalls of using AI to try and do the same job ...

This week Sarah and MJ discuss another Martin Scorsese documentary, 1978's American Boy: A Profile of Steven Prince. The companion film may have been The Joker is Wild, but this doc also shares a lot of similarities with – and the spirit of – Shirley Clarke's Portrait of Jason. We talk about whether we can believe all of Prince's tall tales (and if that matters), and Scorsese's unique approach to documentary filmmaking.

We've moved on from the companion films for New York, New York (or have we?!) with 1957's The Joker is Wild, the film Scorsese has paired with American Boy: A Profile of Steven Prince. We discuss the undeniable talent of Frank Sinatra, how this film deals with trauma and the merits of a film with an unlikeable protagonist.

This week we (finally) arrive at Martin Scorsese's New York, New York, a film that divides opinion, and with moments that divide your co-hosts of Let's Party with Marty as well! We dive into the influences on this film, the many problems with it, as well as the impact it had on films such as La La Land.

We've reached the third and final companion film for New York, New York, 1955's Love Me or Leave Me. We spend a lot of time unpacking the ending of this film and how it compares to some of Martin Scorsese's movie endings, and talk about the merits of complex stories/characters and what they can give us as an audience.

On this week's episode we're talking about Casabla... wait, The Man I Love. Starring Ingrid Bergman and Humphrey Bog... no, hang on, Ida Lupino and Bruce Bennett. All will become clear as we discuss this highly "original" film that in no way rips off a certain 1942 movie, chosen by Martin Scorsese as one of the three companion movies for New York, New York.