Jane Hirshfield—widely regarded as one of America’s greatest living poets—joins Madison Book Beat for a rich conversation about poetry, the natural world, and the human condition. The New York Times Magazine has called her work “some of the most important poetry in the world today,” and her latest collection, The Asking: New & Selected Poems, showcases the depth and range of a life devoted to lyrical inquiry.

In this episode, host David Ahrens and guest co-host Heather Swan, a poet and faculty member at UW-Madison and the Nelson Institute, delve into the themes that define Hirshfield’s work: ecological awareness, tenderness amid grief, and poetry as a vehicle for transformation.

In an intimate and expansive interview, Ahrens and Swan trace Hirshfield’s poetic origins through six life-shaping jobs (as recently profiled by Swan on Lit Hub) and revealing her belief in poetry’s ability to create moments of changed understanding—acts of witness, clarity, and care.

Jane Hirshfield will give a public reading from The Asking tonight — Monday, May 12 — at 6 PM at the Madison Central Library, 3rd Floor. The event is sponsored by the Madison Book Festival and the Nelson Institute, with books available for purchase from Mystery to Me and a signing to follow.

A book club is a great way to build community—bringing people together around shared interests, while also introducing them to new perspectives and ideas.

Today, Bill Tishler hosts his inaugural episode centered on community. Tishler, who is also a local elected official, has been hosting book clubs in his district. On today’s episode, four area residents join him in the WORT studio to share their thoughts on recent book clubs they participated in this year and how the books they read raised awareness about issues in our city.

Those issues range from pedestrian and bicycle safety to the health effects of loneliness and social disconnection, to the dangers of too much road salt and PFAS contamination in our area lakes and drinking water. The books discussed included The Art of Community: Seven Principles for Belonging by Charles Vogl (Oakland, CA: Berrett-Koehler Publishers, 2016); Silent Spring by Rachel Carson (Houghton Mifflin, 1962); and Killed by a Traffic Engineer: Shattering the Delusion that Science Underlies Our Transportation System by Wes Marshall (Washington, D.C.: Island Press, 2024).

In this edition of Madison Book Beat, host Andrew Thomas speaks with AJ Romriell on his debut memoir Wolf Act (University of Wisconsin Press, 2025).

Wolf Act is a “memoir in essays,” and these essays take on a variety of forms. The work is divided into three different Acts, and each act is made up of chapters that are both interlinked but can also stand on their own as well. While the majority of the prose is narrative nonfiction, there are a number of chapters that include lengthy lists, definition entries like you would find in a dictionary, as well as passages that mirror a kind of Mormon liturgy and educational upbringing.

As the title suggests, wolves are a central metaphor throughout the work, and Romriell seamlessly weaves in references to wolves from mythology, fables, fairy tales, and religious beliefs as a way of processing his exit from the Mormon faith and his intentional turn towards self-love and joy.

AJ Romriell is a storyteller, photographer, and educator. His memoir Wolf Act is about his experience growing up queer and neurodivergent in the Mormon religion; it earned first prize in the Utah Original Writing Competition and was a finalist for the Writers’ League of Texas Manuscript Contest. He is a 2025 Pushcart nominee, and his essays, stories, and poems have been featured in Electric Literature, The Missouri Review, Michigan Quarterly Review, Black Warrior Review, Brevity, New Delta Review, and elsewhere. He has been the recipient of the Vandewater Prize in Poetry, the Kenneth W. Brewer Creative Writing Award, and the Ralph Jennings Smith Creative Writing Endowment, and his work has been shortlisted for Ploughshares’ Emerging Writer’s Contest, CRAFT’s Hybrid Writing Contest, and the Black Warrior Review and New Ohio Review contests for creative nonfiction.

On this edition of Madison BookBeat, host Sara Batkie chats with Wisconsin Poet Laureate Brenda Cárdenas about her new position and the exciting plans she has in the works during her service.

Brenda Cárdenas was born and raised in Milwaukee and has also lived in Beaver Dam, Appleton, Menasha, and Fond du Lac. She obtained her undergraduate degree at the University of Wisconsin–Milwaukee, and a Masters of Fine Arts (MFA) degree in Creative Writing (Poetry) at the University of Michigan. She recently retired from a 35-year career teaching Creative Writing to students at every level from seventh graders to doctoral candidates. From 2007 to 2024 she taught Creative Writing and U. S. Latino/x Literatures at the University of Wisconsin–Milwaukee.

A former City of Milwaukee poet laureate, Cárdenas has authored two full-length books: Trace (Red Hen Press) and Boomerang (Bilingual Press). She has also authored or co-authored three chapbooks: Bread of the Earth/The Last Colors, Achiote Seeds/Semillas de Achiote, and From the Tongues of Brick and Stone. Her three-year term as Wisconsin Poet Laureate began on January 15, 2025 and runs through December 31, 2027.

Brenda will be doing many events and workshops throughout the state during her Poet Laureate term. You can see a full list by visiting her website here.

Tana Elias has more than three decades of experience at the Madison Public Library. After one year in the role, she’s “just settling in” to the position as Director of the MPL.

Elias sits down with Madison Book Beat host David Ahrens for a conversation about the history, funding, services and evolution of the Madison Public Library system, which has nine libraries in the city, operates the mobile Dreambus service, and is now building an “Imagination Center” on the north side.

Elias and Ahrens also take up the changing role of libraries in the digital age. Contrary to the notion of a library dealing in books only, today’s Madison Public Libraries function as a community hub and resource — giving everything from seeds to art to yes, digital and physical books to the community.

They also discuss the threat of losing federal funding, and the significant milestone for MPL coming up this year: 150 years of service.

On this edition of Madison BookBeat, host Sara Batkie chats with author Christine Wenc about her new book Funny Because It’s True: How The Onion Created Modern American News Satire.

In 1988, a band of University of Wisconsin–Madison undergrads and dropouts began publishing a free weekly newspaper with no editorial stance other than “You Are Dumb.” Just wanting to make a few bucks, they wound up becoming the bedrock of modern satire over the course of twenty years, changing the way we consume both our comedy and our news. The Onion served as a hilarious and brutally perceptive satire of the absurdity and horrors of late twentieth-century American life and grew into a global phenomenon. Now, for the first time, the full history of the publication is told by one of its original staffers, author and historian Christine Wenc. Through dozens of interviews, Wenc charts The Onion’s rise, its position as one of the first online humor sites, and the way it influenced television programs like The Daily Show and The Colbert Report. Funny Because It’s True reveals how a group of young misfits from flyover country unintentionally created a cultural phenomenon.

Christine Wenc was a member of The Onion’s original staff from 1988 to 1990 as a UW–Madison undergrad. She has played central roles in highly regarded public history projects for Harvard University Libraries, Brigham and Women’s Hospital, and the National Library of Medicine, and has received writing grants from the Awesome Foundation and the National Endowment for the Humanities. She is also trained in midwestern prairie ecosystem restoration and likes to spend time helping to revitalize one of the rarest, most diverse, most beautiful, and most ecologically beneficial landscapes on the planet. She grew up in rural Spring Green, Wisconsin.

In this edition of Madison Book Beat, host Andrew Thomas speaks with Steven Duong on his debut poetry collection At the End of the World There is A Pond (Norton 2025).

"Tell all the truth but tell it slant." Taking Emily Dickinson's dictum as a guiding principle, poet Steven Duong delivers a collection startlingly clear, formally innovative, and consistently funny. At the End of the World There is a Pond is divided into four sections–The Jumpers, The Swimmers, The Sinkers, The Floaters--and throughout each Duong explores themes of addiction, mental health, climate change, diaspora, and popular culture.

from "Anatomy":

“there’s no / point in writing nature poems anymore, / not unless you drown the verses in smoke / & oil & organophosphates–the Anthropocene / demands a new syntax”

Steven Duong is a writer from San Diego. His poems have appeared in the American Poetry Review, Guernica, and the Yale Review, among other publications, and his short fiction is featured in Catapult, The Drift, and The Best American Short Stories 2024.The recipient of fellowships and awards from the Academy of American Poets and the Iowa Writers’ Workshop, he is currently a creative writing fellow in poetry at Emory University. He lives in Atlanta, Georgia.

On this edition of Madison BookBeat, host Sara Batkie chats with author Theresa Okokon about her debut memoir in essays, Who I Always Was.

When Theresa Okokon was nine, her father traveled to his hometown in Nigeria to attend his mother’s funeral…and never returned. His mysterious death shattered Theresa as her family’s world unraveled. Now a storyteller and television cohost, Okokon sets out to explore the ripple effects of that profound loss and the way heartache shapes our sense of self and of the world—for the rest of our lives.

Using her grief and her father’s death as a backdrop, Okokon delves deeply into intrinsic themes of Blackness, African spirituality, family, abandonment, belonging, and the seemingly endless, unrequited romantic pursuits of a Black woman who came of age as a Black girl in Wisconsin suburbs where she was—in many ways—always an anomaly.

Theresa Okokon is a Pushcart Prize-nominated essayist. A Wisconsinite living in New England, she is a writer, a storyteller, and the cohost of Stories from the Stage. In addition to writing and performing her own stories, Theresa also teaches storytelling and writing workshops and classes, coaches other tellers, hosts story slams, and frequently emcees events for nonprofits. She is an alum of both the Memoir Incubator and Essay Incubator programs at GrubStreet.