New Books in Iranian Studies

By: New Books Network
  • Summary

  • Interviews with authors and scholars about their new books in Iranian and Persian studies.
    New Books Network
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Episodes
  • Gohar Homayounpour, "Persian Blues, Psychoanalysis and Mourning" (Routledge, 2022)
    Apr 21 2025
    In this episode, Matthew Pieknik and Christopher Russell speak with Gohar Homayounpour about her book Persian Blues, Psychoanalysis and Mourning (Routledge, 2023) Psychoanalysis is, Homayounpour tells us early in the interview, “a profession for dreamers, for people who don't know what to do with themselves. for freaks. This is not a profession for people in suits at universities who have a clear idea of the status quo. It's the absolute opposite. It's the carnival, you know, it's still unofficial, it's the subversive because that's the discourse of the unconscious. But this is a dangerous business, you know, and it should be for both analytic subjects in the room. I'm in favor of absence. I'm in favor of disturbance. I'm in favor of pollution and darkness. I think these are things that need to be celebrated.” In Persian Blues, Psychoanalysis and Mourning, Gohar Homayounpour plays a theme and variations on loss, love, and family against the backdrop of Iran’s chaotic recent past. Homayounpour is simultaneously Shahrzad, the fearless storyteller, and Shahrzad’s analyst: subjecting fairy tales to fierce new insights, while weaving an indigo thread through her own devastation on the death of her father and the wonders and horrors of motherhood. A blue thread, or melody, runs though the separations and emigrations of her family and patients driven or broken apart by war, and likewise through the fraught world inhabited by Persian women. This book breaks new psychoanalytic ground, offering a radical rejection of traditional clichés about Iran, and Iranian women, but its unsparing elegance transcends any political agenda, bridging the ocean of a shared and tragic humanity. Persian Blues, Psychoanalysis and Mourning will be of great interest to psychoanalysts and psychoanalytically informed readers, as well as those interested in grief, Iran, and women’s experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 27 mins
  • Sinem Arcak Casale, "Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639" (U Chicago Press, 2023)
    Mar 31 2025
    When the Safavid dynasty, founded in 1501, built a state that championed Iranian identity and Twelver Shi’ism, it prompted the more established Ottoman Empire to align itself definitively with Sunni legalism. The political, religious, and military conflicts that arose have since been widely studied, but little attention has been paid to their diplomatic relationship. In Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639 (University of Chicago Press, 2023), Dr. Sinem Arcak Casale sets out to explore these two major Muslim empires through a surprising lens: gifts. Countless treasures—such as intricate carpets, gilded silver cups, and ivory-tusk knives—flowed from the Safavid to the Ottoman Empire throughout the sixteenth century. While only a handful now survive, records of these gifts exist in court chronicles, treasury records, poems, epistolary documents, ambassadorial reports, and travel narratives. Tracing this elaborate archive, Dr. Casale treats gifts as representative of the complicated Ottoman-Safavid coexistence, demonstrating how their rivalry was shaped as much by culture and aesthetics as it was by religious or military conflict. Gifts in the Age of Empire explores how gifts were no mere accessories to diplomacy but functioned as a mechanism of competitive interaction between these early modern Muslim courts. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 11 mins
  • Parisa Vaziri, "Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive" (U Minnesota Press, 2023)
    Feb 9 2025
    From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsii) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive (U Minnesota Press, 2023) explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Parisa Vaziri is associate professor of comparative literature and Near Eastern studies at Cornell University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 27 mins
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