Episodes

  • Dennis Wuerthner, "Poems and Stories for Overcoming Idleness: P’ahan chip by Yi Illo" (U Hawaii Press, 2024)
    Oct 28 2024
    Dr. Dennis Wuerthner’s Poems and Stories for Overcoming Idleness: P’ahan chip by Yi Illo (U Hawaii Press, 2024) is the first complete English translation of one of the oldest extant Korean source materials. The scholar, Yi Illo (1152–1220), filled this collection with poetry by himself and diverse writers, ranging from Chinese master poets and Koryŏ-era kings, to long-forgotten lower-level officials and rural scholars. The verse compositions are embedded in short narratives by Yi that provide context for the poems, a combination called sihwa. The book contains a comprehensive introduction that explores the lives of Yi Illo and his contemporaries, and the political landscape at the time this collection came into being. The translation itself is richly annotated to provide context to the allusions and to explore possible meanings. The publication is an excellent resource for readers interested in the political and social environment of the Koryŏ Dynasty (918–1392) and for anyone with a love for poetry and prose. Dr. Dennis Wuerthner is assistant professor of East Asian literature in the Department of World Languages and Literatures, at Boston University. He holds a PhD from Ruhr University in Bochum and his main field of research is Korean literature, history and culture in a broader East Asian context. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    1 hr and 38 mins
  • Satoru Hashimoto, "Afterlives of Letters: The Transnational Origins of Modern Literature in China, Japan, and Korea" (Columbia UP, 2023)
    Oct 11 2024
    When East Asia opened itself to the world in the nineteenth century, Chinese, Japanese, and Korean intellectuals had shared notions of literature because of the centuries-long cultural exchanges in the region. As modernization profoundly destabilized cultural norms, they ventured to create new literature for the new era. Satoru Hashimoto offers a novel way of understanding the origins of modern literature in a transregional context, drawing on Chinese-, Japanese-, and Korean-language texts in both classical and vernacular forms. He argues that modern literature came into being in East Asia through writerly attempts at reconstructing the present’s historical relationship to the past across the cultural transformations caused by modernization. Hashimoto examines writers’ anachronistic engagement with past cultures that were deemed obsolete or antithetical to new systems of values, showing that this transnational process was integral to the emergence of modern literature. A groundbreaking cross-cultural excavation of the origins of modern literature in East Asia featuring remarkable linguistic scope, Afterlives of Letters: The Transnational Origins of Modern Literature in China, Japan, and Korea (Columbia UP, 2023) bridges Asian studies and comparative literature and delivers a remapping of world literature. Satoru Hashimoto is assistant professor of comparative thought and literature at the Johns Hopkins University. He has published in English, Japanese, Chinese, and French on topics in comparative literature, aesthetics, and thought engaging East Asian and European traditions. He is on the editorial board of the Journal of World Literature. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    1 hr and 13 mins
  • Jinhyun Cho, "English Language Ideologies in Korea: Interpreting the Past and Present" (Springer, 2017)
    Sep 6 2024
    Brynn Quick speaks with Dr. Jinhyun Cho, Senior Lecturer in the Translation and Interpreting Program of the Department of Linguistics at Macquarie University in Sydney, Australia. Her research interests are primarily in the field of sociolinguistics and sociolinguistics of translation & interpreting. Jinhyun's research focuses on intersections between gender, language ideologies, neoliberalism and intercultural communication across diverse social contexts including Australia and Korea. Brynn and Jinhyun speak about her 2017 book entitled English Language Ideologies in Korea: Interpreting the Past and Present (Springer, 2017) which critically examines the phenomenon of “English fever” in South Korea from both micro- and macro-perspectives. Drawing on original research and rich illustrative examples, the book investigates two key questions: why is English so popular in Korea, and why is there such a gap between the ‘dreams’ and ‘realities’ associated with English in Korea? For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    49 mins
  • Christopher Lovins, "King Chŏngjo: An Enlightened Despot in Early Modern Korea" (SUNY Press, 2019)
    Aug 27 2024
    Though traditionally regarded as a monarch who failed to arrest the gradual decline of his kingdom, the Korean king Chŏngjo has benefited in recent decades from a wave of new scholarship which has reassessed both his reign and his role in Korean history. The latest to do so is Christopher Lovins, who in his book King Chŏngjo: An Enlightened Despot in Early Modern Korea (State University of New York Press 2019) explains how as king Chŏngjo governed not as a weak ruler but as an absolute monarch. Lovins situates this within modern definitions of absolutism, showing how their conceptualizations apply to Chŏngjo just as effectively as they do to such period rulers as the Chinese emperor Qianlong and the French monarch Louis XIV. Motivated by the experiences with court factionalism that he blamed for the death of his father, Chŏngjo drew upon Confucian thinking to strengthen his position ideologically. These arguments he used to centralize power in his hands, most dramatically in his strengthening of the traditionally weak Korean army. Though many of Chŏngjo’s changes were undone after his death in 1800, Lovins makes the case that Chŏngjo’s legacy should be considered separate from the failings of his successors rather than as part of them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    1 hr and 13 mins
  • Christina Yi et al., "Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire" (U Hawaii Press, 2023)
    Jul 27 2024
    Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi’s first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    1 hr and 17 mins
  • Ed Pulford, "Past Progress: Time and Politics at the Borders of China, Russia, and Korea" (Stanford UP, 2024)
    Jul 25 2024
    Anxiety may have been abounding in the old Cold War West that progress - whether political or economic - has been reversed, but for citizens of former-socialist countries, murky temporal trajectories are nothing new. Grounded in the multiethnic frontier town of Hunchun at the triple border of China, Russia, and North Korea, Ed Pulford traces how several of global history’s most ambitiously totalizing progressive endeavors have ended in cataclysmic collapse here. From the Japanese empire which banished Qing, Tsarist, and Choson dynastic histories from the region, through Chinese, Soviet, and Korean socialisms, these borderlands have seen projections and disintegrations of forward-oriented ideas accumulate on a grand scale. Taking an archaeological approach to notions of historical progress, the book’s three parts follow an innovative structure moving backwards through linear time. Part I explores “post-historical” Hunchun’s diverse sociopolitics since high socialism’s demise. Part II covers the socialist era, discussing cross-border temporal synchrony between China, Russia, and North Korea. Finally, Part III treats the period preceding socialist revolutions, revealing how the collapse of Qing, Tsarist, and Choson dynasties marked a compound “end of history” which opened the area to projections of modernity and progress. Examining a borderland across linguistic, cultural, and historical lenses, Past Progress: Time and Politics at the Borders of China, Russia, and Korea (Stanford UP, 2024) is a simultaneously local and transregional analysis of time, borders, and the state before, during, and since socialism. Ed Pulford is Senior Lecturer in Chinese Studies at the University of Manchester. His research and teaching focus on anthropological and historical approaches to Eurasian borderlands, Sino-Russian relations, the past and present of socialism, and comparative experiences of socialism and empire. He has lived and worked in China, Russia, Japan, and Korea. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    1 hr and 10 mins
  • Viren Murthy, "Pan-Asianism and the Legacy of the Chinese Revolution" (U Chicago Press, 2023)
    Jul 13 2024
    Recent proposals to revive the ancient Silk Road for the contemporary era and ongoing Western interest in China’s growth and development have led to increased attention to the concept of pan-Asianism. Most of that discussion, however, lacks any historical grounding in the thought of influential twentieth-century pan-Asianists. In Pan-Asianism and the Legacy of the Chinese Revolution (U Chicago Press, 2023), Viren Murthy offers an intellectual history of the writings of theorists, intellectuals, and activists—spanning leftist, conservative, and right-wing thinkers—who proposed new ways of thinking about Asia in their own historical and political contexts. Tracing pan-Asianist discourse across the twentieth century, Murthy reveals a stronger tradition of resistance and alternative visions than the contemporary discourse on pan-Asianism would suggest. At the heart of pan-Asianist thinking, Murthy shows, were the notions of a unity of Asian nations, of weak nations becoming powerful, and of the Third World confronting the “advanced world” on equal terms—an idea that grew to include non-Asian countries into the global community of Asian nations. But pan-Asianists also had larger aims, imagining a future beyond both imperialism and capitalism. The fact that the resurgence of pan-Asianist discourse has emerged alongside the dominance of capitalism, Murthy argues, signals a profound misunderstanding of its roots, history, and potential. Viren Murthy is a Professor of History in the Department of History at the University of Wisconsin-Madison. His previous book include Zhang Taiyan: The Resistance of Consciousness and The Politics of Time in China and Japan: Back to the Future. His current project concerns how East Asian intellectuals drew on G.W.F Hegel to uncover logics to Chinese and Japanese history, which culminate in a new world order inspired by their respective cultures. Nick Zeller is a senior program associate for The Carter Center's China Focus initiative and managing editor of the English-language U.S.-China Perception Monitor. Prior to joining China Focus, Nick was a Visiting Assistant Professor of World History in Kennesaw State University’s Department of History and Philosophy, Visiting Assistant Professor of Asian History in the University of South Carolina’s Department of History, and an NSEP Boren Fellow at Tsinghua University in Beijing. He received his Ph.D. in modern Chinese history from the University of Wisconsin-Madison. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    1 hr and 28 mins
  • Youngna Kim, "Korean Art Since 1945: Challenges and Changes" (Brill, 2024)
    Jun 8 2024
    In this beautiful new book, Dr. Youngna Kim draws on her vast understanding of Korean art to provide an overview of the peninsula’s contemporary art scene. Korean artists have become increasingly active at an international level, with many being invited for residencies and exhibitions all over the world. Nonetheless, for various reasons, the general understanding of Korean contemporary art remains insufficient. Korean Art since 1945: Challenges and Changes (Brill, 2024) is volume 9 in the series Modern Asian Art and Visual Culture. The book draws on primary sources to discuss the ideological stakes that affected the art world, modernist art vs. political art, and the fluidity of concepts such as tradition and national identity. Moreover, the book also has a chapter on the art of North Korea. The book is an excellent resource for anyone interested in Korean studies or contemporary art. Dr. Youngna Kim is Professor Emerita of the Department of Archaeology and Art History at Seoul National University and was the Director of the National Museum of Korea from 2011 until 2016. Dr. Kim received her bachelor’s degree from Muhlenberg College and her Ph.D. in the History of Art from The Ohio State University. She has many publications to her name about Korea’s ever-evolving art scene. Buy Youngna Kim’s new book about Korean art before independence (only available in Korean) here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
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    30 mins