Episodes

  • Donall Mac Cathmhaoill, "Theatres of Post-Conflict Northern Ireland: Winning the Peace" (University of Exeter Press, 2024)

    Donall Mac Cathmhaoill, "Theatres of Post-Conflict Northern Ireland: Winning the Peace" (University of Exeter Press, 2024)
    Jun 7 2025
    Theatre has played an important role in post-conflict northern Ireland, where it has been used by artists, communities, and organisations as a tool for political advocacy. Theatres of Post-Conflict Northern Ireland: Winning the Peace (University of Exeter Press, 2024) provides an up-to-date assessment of the state of theatre in northern Ireland since the end of the conflict, across a period of complete transformation, from entrenched civil conflict to relative peace and prosperity. With a focus on applied theatre and works that use theatre as advocacy, the book investigates the ways the main communities in the region have used theatre to promote their agendas, combat prejudice, and deal with legacy issues of the conflict. It also explores the emergence of new theatres that reflect social and demographic changes in the post-conflict period, including theatre with migrants and minorities, LGBTQ and Irish language theatre. In doing so, it examines the crucial role that theatre (and by extension, arts) can play in processes of reconciliation. The book will prove valuable to students and academics in the fields of applied theatre, conflict studies, and arts for reconciliation. It will appeal also to the general reader with an interest in northern Irish politics and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    1 hr and 38 mins
  • Paola De Santo and Caterina Mongiat Farina, (eds. and trans.) Isabella Andreini, "Letters" (Iter Press, 2023)

    Paola De Santo and Caterina Mongiat Farina, (eds. and trans.) Isabella Andreini, "Letters" (Iter Press, 2023)
    Jun 7 2025
    Isabella Andreini, Letters, ed. and trans. Paola De Santo and Caterina Mongiat Farina. The Other Voice in Early Modern Europe. Iter Press of the University of Toronto, 2023. Winner of the Josephine Roberts Award for a Scholarly Edition (2024) from the Society for the Study of Early Modern Women and Gender Welcome! My guest is Professor Paola Da Santo, Associate Professor of Italian at the University of Georgia, who has some fascinating things to say about Isabella Andreini (1562–1604), an actress, poet, and playwright renowned for her literary and theatrical skill. Acclaimed as "la divina Isabella," Andreini toured Italy and France as part of the Compagnia dei Comici Gelosi. Letters (Iter Press, 2023) is a collection of epistles she wrote written in fictional, anonymous, male, and female voices, a “hermaphroditic” alternation of gender unlike any that had been seen in letter writing to that time. Andreini remade the humanistic epistolary genre into a distinctive fusion of literary and dramatic performance. The guise of epistolary intimacy cedes to a knowing artificiality, which allows for the emergence of Andreini’s modern critique of the gendered self as a uniform entity. The collection centers on love and examines—from surprising perspectives—pertinent issues such as death, the birth of a girl, prostitution, patriarchal marital practices, love in old age, courtiership, country and city life, human nature, and defenses and critiques of both sexes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    58 mins
  • Katie Beswick, "Slags on Stage: Class, Sex, Art and Desire in British Culture" (Routledge, 2025)

    Katie Beswick, "Slags on Stage: Class, Sex, Art and Desire in British Culture" (Routledge, 2025)
    May 31 2025
    How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag’ across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag’, the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags’ in British culture and how class, race and gender all intersect in Britain’s unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    43 mins
  • Adi Nester, "Unsettling Difference: Music Drama, the Bible, and the Critique of German Jewish Identity" (Cornell UP, 2025)

    Adi Nester, "Unsettling Difference: Music Drama, the Bible, and the Critique of German Jewish Identity" (Cornell UP, 2025)
    May 30 2025
    Adi Nester is an Assistant Professor of German and Jewish Studies at the University of North Carolina at Chapel Hill. Her first monograph, Unsettling Difference: Bible, Music Drama, and the Critique of German Jewish Identity, appeared with Cornell University Press. The book studies the discourse of Jewish difference in the first half of the twentieth century through its expressions in biblical-themed musical dramas, their literary sources, and the intellectual debates surrounding the works. Adi’s research and teaching concentrate on the interrelations between music, literature, and philosophy in the German and German Jewish traditions. She has published essays on topics ranging from the music philosophies of Theodor Adorno and Vladimir Jankélévitch, the role of Wagner’s music in Thomas Mann’s literature, and the language philosophy of Walter Benjamin, to the treatment of memory culture in the poetry and social critical writings of contemporary German-Jewish activist Max Czollek. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    1 hr and 12 mins
  • Heist

    Heist
    May 28 2025
    Caper movies aren’t like others involving criminals: there’s an aesthetic to a caper that’s as important to the thieves as it is to the viewers. Heist is David Mamet’s 2001 caper film that stands as his Singin’ in the Rain—an apt comparison, since “caper” meant “to dance” long before it took on its criminal meaning. Join us for an appreciation of one of Gene Hackman’s best yet least-discussed performances and of Mamet’s highly unrealistic dialogue. (Yes, you read that correctly–and we love David Mamet.) David Mamet’s short book On Directing Film is a great companion to Heist. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find our over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as the many film-related interviews on The New Books Network.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    23 mins
  • Claire Knight, "Stalin's Final Films: Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953" (Cornell UP, 2024)

    Claire Knight, "Stalin's Final Films: Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953" (Cornell UP, 2024)
    May 23 2025
    Stalin's Final Films: Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953 (Cornell UP, 2024) explores a neglected period in the history of Soviet cinema, breathing new life into a body of films long considered moribund as the pinnacle of Stalinism. While film censorship reached its apogee in this period and fewer films were made, film attendance also peaked as Soviet audiences voted with their seats and distinguished a clearly popular postwar cinema. Claire Knight examines the tensions between official ideology and audience engagement, and between education and entertainment, inherent in these popular films, as well as the financial considerations that shaped and constrained them. She explores how the Soviet regime used films to address the major challenges faced by the USSR after the Great Patriotic War (World War II), showing how war dramas, spy thrillers, Stalin epics, and rural comedies alike were mobilized to consolidate an official narrative of the war, reestablish Stalinist orthodoxy, and dramatize the rebuilding of socialist society. Yet, Knight also highlights how these same films were used by filmmakers more experimentally, exploring a diverse range of responses to the ideological crisis that lay at the heart of Soviet postwar culture, as a victorious people were denied the fruits of their sacrificial labor. After the war, new heroes were demanded by both the regime and Soviet audiences, and filmmakers sought to provide them, with at times surprising results. Stalin's Final Films mines Soviet cinema as an invaluable resource for understanding the unique character of postwar Stalinism and the cinema of the most repressive era in Soviet history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    1 hr and 26 mins
  • Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025)

    Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025)
    May 22 2025
    In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (Free Solo), made actors into household names (Jennifer Lawrence in Winter's Bone), received induction into the Library of Congress's National Film Registry (Real Women Have Curves), and become worldwide box office phenomena (Captain Marvel, Deep Impact). Nevertheless in 2023, the year of Barbie, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds. Break the Frame (Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    52 mins
  • M. Myrta Leslie Santana, Transformismo: Performing Trans/Queer Cuba" (U Michigan Press, 2025)

    M. Myrta Leslie Santana, Transformismo: Performing Trans/Queer Cuba" (U Michigan Press, 2025)
    May 20 2025
    In Transformismo, M. Myrta Leslie Santana draws on years of embedded research within Cuban trans/queer communities to analyze how transformistas, or drag performers, understand their roles in the social transformation of the island. Once banned and censored in Cuba, transformismo, or drag performance, is now state-sponsored events. Transformismo suggests that these performances are making critical interventions in Cuban trans/queer life and politics and in doing so, the volume offers critical insight into how Cuba's postsocialist reform has exacerbated racial, sexual, and economic inequalities. Leslie Santana argues that mainstream trans/queer nightlife in Cuba is entangled with the island's tourism economy, which has shaped the aesthetics and social makeup of transformismo in coastal Havana, which largely caters to foreigners. Leslie Santana considers how Black lesbian and transgender transformistas are expanding understandings of sexual selfhood and politics on the island, particularly questioning the ways that Black women's creativity is prominently featured in the aesthetics of tourism and trans/queer nightlife, while Black women themselves are denied social and material capital. M. Myrta Leslie Santana is Assistant Professor of Music at the University of California San Diego. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
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    59 mins
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