Off the Page: A Columbia University Press Podcast

By: New Books Network
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  • Summary

  • Interviews with Columbia University Press authors.
    New Books Network
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Art Literary History & Criticism Science World
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Episodes
  • Tyler W. Williams, "If All the World Were Paper: A History of Writing in Hindi" (Columbia UP, 2024)

    Tyler W. Williams, "If All the World Were Paper: A History of Writing in Hindi" (Columbia UP, 2024)
    Nov 14 2024
    In If All the World Were Paper: A History of Writing in Hindi (Columbia UP, 2024), Tyler W. Williams puts questions of materiality, circulation, and performance at the center of his investigation into how literature comes to be defined and produced within a language, specifically, premodern Hindi. Williams proposes new methods for working with written text artifacts and a new approach to theorizing and writing Hindi literary history. He responds to recent developments in quantitative and qualitative approaches to book history - including tools developed within the digital humanities - by applying new as well as traditional techniques of paleography, codicology, and bibliography to handwritten copies of romances, epics, songbooks, treatises, and scriptures. To make the book more accessible and enjoyable for cross-disciplinary readers, Williams bookends (so to speak) each chapter with the story of a specific artifact - an ascetic's notebook, a Mughal general's storybook, a pandit's textbook, or a guru's copy of a sacred scripture - in order to pose and then apply the questions about writing, textuality, and performance that the chapter addresses. By combining distant and close reading that is mindful of the materiality of these manuscripts, Tyler reveals literary, intellectual, and religious practices that we would otherwise be unable to see.
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    45 mins
  • Rajbir Singh Judge, "Prophetic Maharaja: Loss, Sovereignty, and the Sikh Tradition in Colonial South Asia" (Columbia UP, 2024)

    Rajbir Singh Judge, "Prophetic Maharaja: Loss, Sovereignty, and the Sikh Tradition in Colonial South Asia" (Columbia UP, 2024)
    Oct 30 2024
    How do traditions and peoples grapple with loss, particularly when it is of such magnitude that it defies the possibility of recovery or restoration? Rajbir Singh Judge offers new ways to understand loss and the limits of history by considering Maharaja Duleep Singh and his struggle during the 1880s to reestablish Sikh rule, the lost Khalsa Raj, in Punjab. Sikh sovereignty in what is today northern India and northeastern Pakistan came to an end in the middle of the nineteenth century, when the British annexed the Sikh kingdom and, eventually, exiled its child maharaja, Duleep Singh, to England. In the 1880s, Singh embarked on an abortive attempt to restore the lost Sikh kingdom. Judge explores not only Singh’s efforts but also the Sikh people’s responses—the dreams, fantasies, and hopes that became attached to the Khalsa Raj. He shows how a community engaged military, political, and psychological loss through theological debate, literary production, bodily discipline, and ethical practice in order to contest colonial politics. This book argues that Sikhs in the final decades of the nineteenth century were not simply looking to recuperate the past but to remake it—and to dwell within loss instead of transcending it—and in so doing opened new possibilities. Bringing together Sikh tradition, psychoanalysis, and postcolonial thought, Prophetic Maharaja: Loss, Sovereignty, and the Sikh Tradition in Colonial South Asia (Columbia UP, 2024) provides bracing insights into concepts of sovereignty and the writing of history. Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh.
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    50 mins
  • Sarah Dimick, "Unseasonable: Climate Change in Global Literatures" (Columbia UP, 2024)

    Sarah Dimick, "Unseasonable: Climate Change in Global Literatures" (Columbia UP, 2024)
    Oct 29 2024
    As climate change alters seasons around the globe, literature registers and responds to shifting environmental time. A writer and a fisher track the distribution of beach trash in Chennai, chronicling disruptions in seasonal winds and currents along the Bay of Bengal. An essayist in the northeastern United States observes that maple sap flows earlier now, prompting him to reflect on gender and seasons of transition. Poets affiliated with small island nations arrive in Paris for the United Nations climate summit, revamping the occasional poem to attest to intensifying storm seasons across the Pacific. In Unseasonable: Climate Change in Global Literatures (Columbia UP, 2024), Sarah Dimick links these accounts of shifting seasons across the globe, tracing how knowledge of climate change is constructed, conveyed, and amplified via literature. She documents how the unseasonable reverberates through environmentally privileged and environmentally precarious communities. In chapters ranging from Henry David Thoreau’s journals to Alexis Wright’s depiction of Australia’s catastrophic bushfires, from classical Tamil poetry to repeat photography, Dimick illustrates how seasonal rhythms determine what flourishes and what perishes. She contends that climate injustice is an increasingly temporal issue, unfolding not only along the axes of who and where but also in relation to when. Amid misaligned and broken rhythms, attending to the shared but disparate experience of the unseasonable can realign or sharpen solidarities within the climate crisis. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
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    55 mins

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