Welcome to the twelfth of our eighteen shows celebrating the centenary of the Paris edition of Hemingway’s book of vignettes, in our time.

In this episode, we discuss Hemingway's powerful depiction of a bullfighting scene between bull and horse. We start out with that famous "whack whacked" opening before turning to what might be an equally important and seriously overlooked (by us!) part of the story. In addition, we read this vignette in light of Hemingway's remarks about gored horses from The Sun Also Rises and Death in the Afternoon. Just as with previous vignettes, we also focus time on the last sentence and why the chapter ends the way it does.

Join us as we explore in our time before it became In Our Time!

Welcome to the eleventh of our eighteen shows celebrating the centenary of the Paris edition of Hemingway’s book of vignettes, in our time.

Listeners might be familiar with this vignette as the short story "The Revolutionist" from Hemingway's bigger collection In Our Time published in 1925. How does the vignette characterize the post-WWI communist revolution and its revolutionaries as well as counter-responses in Hungary, Italy, and Switzerland? Why does the narrator seem to fixate on classical painters, particularly the work of Mantegna? What are the connections between this story and other Hemingway works like A Farewell to Arms? In this episode, we respond to these questions and many more as we delve into a vignette that often gets glossed over!

Join us as we explore in our time before it became In Our Time!

Javier Fuentes, the 2024 PEN/Hemingway winner for Countries of Origin, shares his one true sentence from "The Snows of Kilimanjaro."