Reasonable Doubt is the debut studio album by American rapper Jay-Z. It was released on June 25, 1996, by Priority Recordsand Jay-Z's Roc-A-Fella Records. The album features production provided by DJ Premier, Ski, Knobody and Clark Kent, and also includes guest appearances from Memphis Bleek, Mary J. Blige, Jaz-O and The Notorious B.I.G., among others. The album features mafioso rap themes and gritty lyrics about the "hustler" lifestyle and material obsessions.

Reasonable Doubt debuted at number 23 on the US Billboard 200, on which it charted for 18 weeks. It was promoted with four singles; including "Ain't No Nigga" and "Can't Knock the Hustle". Reasonable Doubt was certified Platinum by the Recording Industry Association of America (RIAA) and,[5] as of 2006, has sold 1.5 million copies in the United States.[6] A critical success, it has been ranked on several publications' lists of the greatest rap albums ever, while many hip hop fans have viewed it as Jay-Z's best work.

In August 2019, Reasonable Doubt was released to digital and streaming platforms under Roc Nation's independent label, Equity Distribution.[7]

The Pillage is the debut solo studio album by American rapper Cappadonna. It was released on March 24, 1998 through Razor Sharp/Epic Street. Recording sessions took place at 36 Chambers Studio in New York, except for the song "Everything Is Everything", which was recorded at Soundtrack Studios and Sony Music Studios in New York. Production was handled by Wu-Elements (True Master, Goldfinghaz, 4th Disciple, Mathematics) and the RZA, who also served as executive producer together with Ghostface Killah, Mitchell "Divine" Diggs and Oliver "Power" Grant. It features guest appearances from fellow Wu-Tang Clanmembers and affiliates Killa Bamz, Method Man, Ghostface Killah, Tekitha, Blue Raspberry, Raekwon, Rhyme Recca and U-God.

In the United States, the album debuted at number 3 on the Billboard 200 and topped the Top R&B/Hip-Hop Albums chart with 132,000 copies sold in its first week.[9] In its second week, the album charted at number 16 on the Billboard 200 and sold an addition 63,000 copies.[10] It was certified gold by the Recording Industry Association of America on April 24, 1998. It also peaked at No. 8 in Canada, No. 28 in the Netherlands, No. 36 in Finland, No. 43 in the United Kingdom, No. 58 in France and No. 67 in Germany.

The song "Run" later appeared on Bulworth – The Soundtrack.

By All Means Necessary is the second album from American hip hop group Boogie Down Productions, released on May 31, 1988[1] on Jive Records. After the 1987 murder of DJ-producer Scott La Rock, MC KRS-One moved away from the violent themes that dominated his debut, Criminal Minded, and began writing socially conscious songs using the moniker the Teacher.[2]

Accompanied by minimalist production and hard-hitting drum beats, KRS-One covers social issues that include government and police corruption, safe sex, government involvement in the drug trade, and violence in the hip hop community.

As of September 25, 1989, the album was certified gold in sales by the Recording Industry Association of America.[3] Both the album cover, depicting KRS-One, and the album title make reference to Malcolm X. The album's cover art is a reference to the iconic photo of Malcolm X peering through his window while holding a M1 carbine rifle. The album title is a modification of Malcolm X's famous phrase "By Any Means Necessary."

The Beatnuts is the self-titled full-length debut album by hip hop trio The Beatnuts.[5] It was released on June 21, 1994, by Relativity Records, a year after their debut EP, Intoxicated Demons. "Psycho Dwarf" is the only song found on both the EP and the album. The album was produced by The Beatnuts, and features guest appearances by Grand Puba, Miss Jones and DJ Sinister amongst others.

The Beatnuts boasts two singles, "Props Over Here" and "Hit Me with That." The album is known for its diverse production and hedonistic lyrics. Its cover art was inspired by the cover of Hank Mobley's The Turnaround.[6]

The album's title is sometimes mistakenly referred to as Street Level, because those words appear on the album cover; however, the words "Street Level" do not appear anywhere else on the CD (in the liner notes or on the CD spine label).

It is the last Beatnuts album to include Fashion, who left the group to pursue a solo career under the alias Al' Tariq.

Although the production was derided by some critics as a "dull musical backdrop",[10] Let's Get Free was called a "return to politically conscious rap".[11] Rolling Stone gave the album four stars and lauded its equation of "classrooms with jail cells, the projects with killing fields and everything from water to television with conduits for brainwashing by the system".[12]

Supreme Clientele is the second studio album by American rapper and Wu-Tang Clan member Ghostface Killah, released on February 8, 2000 by Epic Records. The album showcases Ghostface's signature up-tempo, stream-of-consciousness rhyme style, and features guest appearances from Cappadonna, GZA, Masta Killa, Method Man, Raekwon, Redman, RZA, U-God, and others. It features affiliates of what would become members of Theodore Unit and T.M.F. Supreme Clientele contains a large amount of production from group member RZA, who also re-worked and remixed beats from other producers involved, as a means to create a unified and cohesive sound for the album.[1]

Upon its release, Supreme Clientele debuted at number seven on the Billboard 200 chart and number two on the Top R&B/Hip-Hop Albums chart, while selling 134,000 copies in its first week.[2] On March 8, 2000, it was certified Gold in sales by the Recording Industry Association of America (RIAA).[3] The album featured the singles "Apollo Kids" and "Cherchez La Ghost", which, despite receiving limited airplay, went on to achieve notable chart success.

Supreme Clientele was met with mostly strong reviews from music critics, despite its contrasting sound and style to that of his previous album, Ironman (1996). It was praised and noted for Ghostface Killah's obscure and creative lyricism, and for the cohesive format of production.[1] Supreme Clientele was the most acclaimed of all the second generation Wu-Tang projects, and featured the most contributions from RZA during this era.[4] Along with Ironman and Fishscale (2006), it is often ranked as Ghostface Killah's best work. It has also been regarded as one of the best solo Wu-Tang albums,[5] and has received accolades for being one of the best albums of the 2000s.[6]

Black on Both Sides is the debut studio album by American rapper Mos Def, released on October 12, 1999, by Rawkus and Priority Records. Prior to its recording, Mos Def had collaborated with Talib Kweli for the album Mos Def & Talib Kweli Are Black Star in 1998,[1] which raised high expectations for a solo effort by the former.[2] Black on Both Sides features an emphasis on live instrumentation and socially conscious lyrics.[3][4]