Since getting her start with her hilarious single-panel comic “Half Full,” which is syndicated nationally by Andrews-McMeel, Maria Scrivan has thrown herself into her graphic novel work, and the result seems to have been as much fun for her readers as for herself: 2020’s “Nat Enough” was an instant New York Times bestseller, and the series’ popularity has only grown since. We sat down with Maria to talk about cartooning, graphic novels, and surviving middle school. Plus: Dave's review of the "What, Me Worry? The Art and Humor of MAD Magazine" at Norman Rockwell Museum!

If a panel cartoon is good enough, it can wind up adorning kitchen refrigerators, office bulletin boards, and social media feeds for years on end. So how do panel cartoonists do it, with artwork that can sometimes amount to no more than a few scrawled lines, and text that might comprise just a few words? It’s a question that, apparently, haunted Phil Witte and Rex Hesner — so much so that they wrote a book about it, “Funny Stuff: How Great Cartoonists Make Great Cartoons.”

Well, the impetus was actually a little more complicated than that, as you'll hear when Dave London and Pete Chianca sit down with Phil and Rex for the latest episode of "Strip Search." Also, find out the latest about the rollout of the latest "Pet Peeves" collection by London & Chianca, "Nerd Dad!"

Bob Eckstein may, by his own admission, not have especially enjoyed being dragged to museums by his parents as a child. But something changed along the way, which is readily apparent If you take a look at Bob’s new book, “Footnotes from the Most Fascinating Museums.” It features 155 beautifully painted depictions of more than 75 museums in North America, accompanied by stories that help get to the essence of what makes them so special.

Creating the paintings wasn’t as difficult an undertaking as it sounds, according to Eckstein. “What I did was based on what the museum called for — I simply was the background music to the beautiful museums. And I just kind of tried to lend my skills to what was needed,” Eckstein says. “But I was very much a secondary person in this whole process, in the sense that the museum itself told me what style I should try to do."

And Eckstein spent about as much time tracking down the fascinating stories behind the museums that he included, several of the best of which he shared in the latest episode of "Strip Search: The Comic Strip Podcast." Listen to hear our discussion about museums, Bob's painting technique, and (for good measure) some real talk about the future of cartooning and the newspapers that have historically been their home.