After nearly four decades of working in Hollywood, actor Patricia Clarkson (The Station Agent, Pieces of April) says her portrayal of women’s rights activist Lilly Ledbetter is “the greatest privilege” in her storied career.

We sat with the legendary actress as part of this year’s Aspen Ideas Festival to discuss her powerful turn in Lilly (3:00), her colorful New Orleans upbringing (9:56), and the educator who first recognized Patricia’s talent (15:00). Then, she reflects on her life-changing move from Louisiana to New York City (19:00), years of training at the Yale School of Drama (24:00), and her early film roles opposite Kevin Costner in The Untouchables and Clint Eastwood in The Dead Pool (25:00).

On the back-half, we discuss her transformation in the groundbreaking 1998 film High Art (27:30), her process of “total immersion” on set (34:00), and how that commitment led to a call from director Martin Scorsese and a pivotal part in Shutter Island (42:00). To close, we talk through Patricia’s raucous role in Easy A (44:00), her ongoing fight for equal pay in Hollywood (46:00), and her lifelong love of Thornton Wilder’s Our Town (51:00).

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“I wanted to be good, but I completely burned up the morning,” said Joaquin Phoenix on day 1 of Eddington. “Ari and I stayed on set when everyone left for lunch—and, slowly, something emerged. I don’t know if it’s any good, but it didn’t make me want to end everything.”

With the film’s arrival in theaters, we return to our candid, long-form talk with Phoenix. At the top, we unpack his transformation in Joker: Folie à Deux (7:10), his free-wheeling collaborations with director Todd Phillips (9:32), and the nomadic upbringing that marked his early years (13:00). Then, he reflects on his childhood television debut in Hill Street Blues (20:27), the brilliance of Robert De Niro (25:53), and his formative performances in To Die For and Parenthood (32:45).

On the back-half, we discuss how the polarizing mockumentary, I’m Still Here (45:15), inspired his singular collaborations with directors Spike Jonze, Paul Thomas Anderson, James Gray, and Lynne Ramsay (49:30). We also talk about the evolution of his acting process (50:47), the impassioned Oscars speech he delivered accepting Best Actor for Joker (56:15), and whether he’ll ever turn in what he believes is a ‘great’ performance (1:00:40).

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“Eddington is a film about a bunch of people who know that something is wrong,” says writer-director Ari Aster. “It’s just that nobody can agree on what that thing is.”

Aster joins us this week to unpack his controversial, COVID-era western: his time back home in Albuquerque, New Mexico where he wrote through lockdown (9:30), the works of Robert Altman (18:00) and Oliver Stone (19:15) that served as sources of inspiration, and how Beau Is Afraid (5:54) cleared the path for Eddington. Aster also shares his early adventures in moviegoing: including Brian De Palma’s Carrie (22:10), Peter Greenaway’s The Cook, the Thief, His Wife & Her Lover (23:45), Stanley Kubrick’s Full Metal Jacket (23:47), and David Lynch’s Blue Velvet (24:50).

On the back-half, we talk about how he found his voice in film school (30:28), his divisive AFI senior thesis film The Strange Thing About the Johnsons (31:16), the seven years, post-college, that it took to break through with Hereditary (34:18), followed by his breakdown on Midsommar (38:30), and his ‘novelistic’ approach to screenwriting (40:30). To close, we read from Paul Schrader’s infamous Facebook post (45:48) on how AI will change moviemaking (46:05) and a Nietzsche quote that Ari says helps explain this moment in American life (52:45).

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Writer/director Lena Dunham is the voice of my generation. Or at the very least, a voice of a generation. Her new show, Too Much, is now available to stream on Netflix.

We start by discussing her 2022 film Sharp Stick (6:20), the 1970s cinema that inspired it (9:50), and how it offers a “three-way mirror” to the female experience (12:41). Then, Lena reflects on meeting Judd Apatow on the heels of Tiny Furniture (15:39), her rapid ascension following Girls (17:39), the pain and power of grappling with OCD on the show (23:11), the genius of season five’s “The Panic in Central Park” (29:35), and how she’s continued to learn from public criticisms (35:27).

On the back-half, we sit with the end of Girls (43:59), the aftermath of that decade (49:57), the new creative path Lena had to forge (55:46), the prophetic presence of her father (1:00:27), the inspiration that is her mother (1:01:47), and the dreams she has for the years ahead—on the screen, and off (1:06:54).

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From the opinion pages of The New York Times to his popular TikTok feed, Jamelle Bouie is a leading voice in American politics.

This week, Bouie helps us sift through the inner workings of Trump’s “Big Beautiful Bill” (4:38): its promise of prosperity for the middle class (8:44), the “moral economy” guiding the legislation (13:00), the projected losses in healthcare coverage across the country (18:07), particularly in right-leaning, rural communities (23:50), the GOP’s vision for the future (33:30), and how strict reporting requirements will put SNAP benefits at risk for millions (36:46).

On the back-half, Bouie reflects on the ghost of Democrats past (43:35), campaign lessons from Zohran Mamdani’s bid for New York City mayor (46:18), the recent ICE raids sweeping Los Angeles (1:03:54), and the historical antecedents that help put this moment in American life in perspective (1:08:08).

This episode was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at mail@talkeasypod.com.

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To celebrate the fourth season of The Bear, we return to our conversation with Emmy-winning actor Ebon Moss-Bachrach.

At the top, we dive into the making of the hit series (9:22), his unforgettable collaboration with Jeremy Allen White (11:20), and how Moss-Bachrach manages to keep adding layers to his portrayal of Cousin Richie (14:26). Then, he describes the mounting pressures around this new season (19:23), the day he knew he wanted to be an actor (27:35), and his work through the years with actor Jon Bernthal (30:26).

On the back-half, Ebon reflects on a formative role as a jazz musician in Warren Leight’s play Side Man (35:34), his ideas about success and living a more balanced life (38:19), his experience playing Desi in Girls (43:33), a philosophy depicted in The Bear (47:35), and the art he hopes to continue making in years to come (50:38).

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In just under a decade, Jerrod Carmichael has had a remarkably varied career. On the heels of his latest HBO special, we return to our conversation with Emmy-winning comedian.

At the top, we unpack the origin of his deeply personal series Jerrod Carmichael Reality Show (6:30), his early days making his NBC sitcom (10:57), and why he decided to broadcast a deeply intimate conversation on the reality show (13:00). Then, he unpacks his view of the camera as a vessel for honesty (17:10), the response from audiences witnessing Jerrod ‘Truman Show’ himself (21:30), and his three-decade history of storytelling (34:15).

On the back-half, Carmichael describes the artists who inspired his work (43:00), a formative performance in his first HBO special Love at the Store (50:50), and the evolution of his comedy (57:37). To close, he reflects on the central truth he explores in this new series (59:30) and how he hopes this art will at long last set himself—and his family—free (1:08:30).

Thoughts or future guest ideas? Email us at mail@talkeasypod.com. This conversation was recorded at Spotify Studios in Los Angeles.

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Oscar winner Sam Rockwell has established himself as one of the most versatile actors of his generation. In our recent sit-down, recorded at the Tribeca Audio Festival, we trace the arc of that career culminating in his season-stealing turn in The White Lotus.

We begin with his bifurcated childhood, split between San Francisco and New York City (10:00), falling in love with the movies of the ‘70s and ‘80s (15:30), the cathartic release of performance (18:05), advice from the late Gene Hackman on the set of Heist (21:28), his career-defining turn in Confessions of a Dangerous Mind (23:14), and how he gradually began to lean into vulnerability as an artist (33:47).

In the second half, a tribute to Christopher Walken (34:45) and the late Philip Seymour Hoffman (38:32), a dissection of that scene from season three of The White Lotus (44:06), why he tapped into his childhood to portray Bob Fosse in Fosse/Verdon (50:50), and the monologue from Death of a Salesman (52:49) that started it all.

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And a special thanks to actor Spencer Neville for the assist on today’s introduction.

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