Finding the Perfect Flute: A Personal Journey

The quest for the perfect flute is a journey every flute player embarks on at some point. In our latest episode of Talking Flutes, we delve into why this journey is so deeply personal and why there's no such thing as a universally perfect flute.

The idea of a perfect flute is a myth. Each flute player has unique needs influenced by their embouchure, airstream, hand movements, and personal taste in music. These individual factors mean that what works brilliantly for one player might feel completely wrong for another. For instance, a headjoint that offers little resistance might be ideal for someone with a strong airstream but challenging for someone else.

Materials and design play a crucial role in how a flute performs. Silver, gold, platinum, and wood each offer unique sound qualities. But it's not just about the material; the grade of silver, the gold content, and even the design of the headjoint can drastically change how a flute sounds and feels. A solid silver flute might produce a bright, clear tone, while a gold flute might add warmth and resonance. Wooden flutes, with their natural resonance, are perfect for certain musical settings but require careful maintenance.

Choosing the right flute is not just a technical decision; it's an emotional one. This instrument will be your companion for years, an extension of your musical voice. It's essential to find one that resonates with you on a personal level. When trying out flutes, pay attention to how you feel when you play each one. Does it inspire you? Does it make you want to explore new musical ideas? These are critical indicators of whether a flute is right for you.

Tune into our latest episode of Talking Flutes to dive deeper into this topic and gain valuable insights into choosing the right flute for you. Happy playing!

Talking Flutes, Extra, Bitesize and Revisited pods are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Is this really that important?! To some apparently it is!

Hello, flute enthusiasts! This week on Talking Flutes, we dive into a topic that has sparked much debate within the flute-playing community: should we call ourselves flautists or flutists? Jean-Paul takes us on an engaging journey through the history, cultural context, and personal preferences that shape this ongoing discussion.

The origins of the terms flautist and flutist are as varied as the music we play. The word "flute" itself comes from the Latin "flatus," meaning blowing or breath, which is central to the instrument's identity. The term "flautist" first appeared in English literature in the early 19th century, derived from the Italian "flautista." This Italian influence was significant during a period when many English-speaking musicians looked to Italy for musical inspiration.

But why did we borrow an Italian term when "flutist" already existed? Some suggest that "flautist" added a sense of sophistication and prestige, reflective of the European classical tradition. Others believe it was simply a matter of style and preference.

Today's use of these terms varies by region. In the United States and Canada, "flutist" is overwhelmingly preferred, likely due to the American emphasis on linguistic efficiency. Major musical institutions like the National Flute Association have standardised this term. Across the pond in the United Kingdom, "flautist" is the term of choice, aligning with the British love for tradition and European musical terms.

In Australia and New Zealand, the British influence means "flautist" is more common, though American influences bring some variation. In South Africa, British English has historically dominated, making "flautist" more prevalent.

Interestingly, in non-English speaking countries, the term used is often a straightforward derivation of the word "flute," with less controversy. For instance, French speakers use "flûtiste," and Germans use "Flötist," both aligning more closely with "flautist."

So, why does this matter so much to people? For many musicians, the term they use is closely tied to their identity. In the classical music world, where tradition is paramount, calling oneself a "flautist" connects to the rich history of European classical music. Conversely, "flutist" feels more modern and accessible, appealing to those who find "flautist" elitist or pretentious.

The debate also has professional implications. In the US, using "flautist" might be seen as unusual, while in the UK, "flutist" might come across as overly Americanised. This choice can reflect broader questions of professionalism and authority within the flute community.

Ultimately, whether you call yourself a flautist, flutist, or simply a flute player, what truly matters is the music you create and the connection you make with your audience. Language evolves, and so do we as musicians. So, let's celebrate the diversity in our community and focus on what unites us: our love for the flute.

'Talking Flutes', Talking Flutes Extra', 'Bitesize' & Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

How to Build Confidence and Learn from Failure: Insights from Clare Southworth

In the latest episode of Talking Flutes, Clare delves into the intricate process of learning, improving, and maintaining confidence even when things go wrong. Whether you're a musician, an athlete, or anyone striving for excellence, the principles discussed in this episode are universally applicable.

Clare opens the episode by highlighting the importance of a positive mindset in the face of challenges. She emphasises that failure should not be seen as a setback but as a learning opportunity. "You're not failing, you're learning," she says, a mantra that resonates throughout the episode.

Drawing parallels between musicians and Olympians, Clare discusses how both groups undergo rigorous training, practice, and performance to achieve their goals. She notes that, like athletes, musicians must prepare meticulously, perform with focus, and debrief honestly to improve continually. The key stages of preparation, performance, and debrief are crucial for success in any field.

One of the most compelling parts of the episode is Clare's recounting of her experience at the America's National Flute Association's Young Artists competition. Despite facing discouraging remarks from a fellow competitor, she used the negativity as fuel to strengthen her resolve and ultimately win the competition. This story serves as a powerful reminder that mental strength and resilience are just as important as physical ability.

Clare also touches on the significance of mentorship and offers her services to any flute player needing guidance. She believes that sharing knowledge and experience is vital for personal and professional growth. Whether it's preparing for an audition, planning a career, or seeking specific practice techniques, having a mentor can make a significant difference.

As the episode concludes, Clare reiterates the importance of staying positive and using every experience as a stepping stone toward success. She encourages listeners to reach out for mentorship and support, emphasising that no one has to navigate their journey alone.

If you're looking to build confidence, learn from your mistakes, and achieve your best, this episode of Talking Flutes is a must-listen. Clare Southworth's insights and experiences offer invaluable lessons for anyone committed to personal and professional growth.

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' & 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the latest episode of our 'Revisited' podcast series, we had the pleasure of diving deep into the world of flute study books with the esteemed Elizabeth Walker. Alongside our host Clare Southworth, Elizabeth shared invaluable insights into how these books can transform your flute playing by honing your tone, finger technique, and articulation.

Why Study Books?

Study books are more than just pages of notes and exercises. They are essential tools that provide structured guidance and targeted practice to develop specific aspects of your flute playing. As Elizabeth aptly puts it, "Studies are so important because they help you develop your tone, your finger technique and articulation amongst many other things." By incorporating these books into your routine, you can systematically address and improve various technical challenges.

The Categories of Study Books

Elizabeth and Clare highlighted the importance of differentiating between various types of study books. Some are daily exercises focusing on technique and scale patterns, while others are more instructional, offering insights and wisdom from experienced players. There are also study books that double as pieces, providing musical extensions to your repertoire.

Among the daily exercise books, Moyes' "De la Sonorite" stands out as a timeless classic. Elizabeth shared her personal experience of attending a masterclass with Sir James Galway, who spent two hours on this book, leaving a lasting impact on her approach to tone development. Clare also praised the book for its simplicity and effectiveness, noting that it can be memorised and integrated into daily practice.

For those looking to explore new material, Philippe Bernard's "Le Sonorité, the Wind, the Sound" offers a fresh perspective. This book focuses on connecting notes through breathing and breath control, drawing parallels to legato singing. Elizabeth finds it resonates deeply with her, helping her students achieve flexibility and control in their playing.

The Role of Lockdown in Study Book Creation

Interestingly, the lockdown period has spurred a surge in the creation of new study books. With more time on their hands, teachers and musicians have been able to document their techniques and insights, resulting in a wealth of new resources. Claire and Elizabeth discussed how this period of reflection and creativity has led to the publication of valuable new study materials.

Choosing the Right Study Books

Selecting the right study books depends on your level and specific needs. Clare emphasised the importance of choosing books that are challenging yet not demoralising. It's crucial to find studies that stimulate progression without overwhelming you. For example, Moyes' "24 Little Melodious Studies" are excellent for beginners and advanced players alike, offering musical grammar, phrasing, and articulation practice.

Advanced players can benefit from more challenging books like Robert Dick's "Tone Development through Extended Techniques" or the "Paganini Caprices." These books push the boundaries of traditional flute playing, incorporating modern techniques and complex articulations.

The Importance of Integrating Studies

Ultimately, integrating study books into your practice routine can significantly enhance your overall playing. By addressing specific techniques and challenges before diving into repertoire pieces, you can improve your performance and musicality. Clare and Elizabeth's discussion underscores the value of disciplined, focused practice and the transformative power of study books.

Whether you're a beginner or an advanced player, there's a study book out there that can help you reach your full potential. Tune in to this week's episode to discover which books Clare and Elizabeth recommend and how you can incorporate them into your practice routine. Happy playing!

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

In the world of music, where precision meets passion, the shadow of burnout looms large. It's a condition that doesn't discriminate, affecting professionals from all walks of life, including musicians who turn their passion into their livelihood. I"Talking Flutes Revisited," host Clare Southworth and her guest, Dr. Joe, a psychiatrist, orchestrate a discussion on the all-too-familiar concept of burnout.

The podcast opens with a soothing invitation to join the conversation over a cup of tea—a metaphorical break for anyone who's felt the weight of their emotional reserves depleting. Dr. Joe delves into the intricacies of burnout, distinguishing it from its more immediate counterpart, stress. Burnout, he explains, is the long-term consequence of enduring stress without adequate recovery, whether stemming from work, personal relationships, or financial burdens.

Listeners are taken on a journey through the symptoms of burnout, categorised into four areas: high activation symptoms like irritability and restlessness, low activation symptoms such as fatigue and low mood, bad coping mechanisms including increased substance use, and physical manifestations like headaches and aches. For musicians, these signs might translate into a lack of motivation to practice, a decrease in performance quality, or a disinterest in previously enjoyed activities.

The episode strikes a chord with its discussion on the pressures of social media and the unrealistic expectations it can impose on artists. Claire reflects on her own experiences, highlighting the importance of mental health discussions in today's society, especially within the rigorous and often isolating field of music.

Dr. Joe doesn't just leave listeners with a diagnosis; he offers a treatment plan. He emphasises the importance of recognising burnout and engaging in open conversations about mental health. Identifying activities that deplete or replenish emotional reserves is crucial, as is finding joy in the craft again. Whether it's revisiting a beloved piece or focusing on a single bar that brings happiness, the key is to take small, manageable steps.

In a world that often prioritises success over well-being, this episode serves as a gentle reminder to care for oneself. Dr. Joe encourages finding balance through simple yet effective measures like sleeping well, eating healthily, and exercising. For those who need more support, he provides resources like Mood Juice and the Campaign Against Living Miserably.

By the end of the podcast, listeners are left with a sense of hope and a toolkit to navigate the complexities of burnout. The message is clear: you don't have to reach a breaking point to seek help or make positive changes. Whether you're a musician or not, this episode resonates with anyone who's felt the crescendo of stress in their lives.

So, take a moment, pour yourself a cup of tea, and listen to "Talking Flutes Revisited." It might just be the interlude you need to find your rhythm again.

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information https://tjflutes.com

In the world of music, innovation is the key to keeping the art form alive and evolving. This week, we revisit a transformative episode from 2020 featuring the incredibly talented electric flutist and author, Melissa Keeling. Join us on a journey that will forever change the way you perceive flute performance.

Melissa Keeling, a New York-based flutist, has been making waves with her unique approach to the flute, incorporating a specialised glissando head joint and various effect pedals to create sounds that are nothing short of revolutionary. In our conversation, Melissa introduces us to the glissando head joint, an invention by Robert Dick that has opened up new realms of possibilities for flutists.

Imagine hearing a flute that mimics the expressiveness of an electric guitar, complete with slides and bends. That's exactly what the glissando head joint allows. Melissa describes it as doing for the flute what the whammy bar does for the electric guitar, and the analogy couldn't be more accurate. This head joint consists of two tubes that slide in and out of each other, enabling the flutist to lower the pitch and create a variety of expressive sounds.

But Melissa's innovation doesn't stop there. She pairs the glissando head joint with looping and effect pedals, adding layers of complexity and depth to her performances. These tools allow her to create a rich tapestry of sound, transforming the flute from a monophonic instrument into a multi-dimensional powerhouse. In the episode, we get to hear some of Melissa's chosen works performed with this setup, showcasing her incredible versatility and creativity.

One of the highlights of our conversation is Melissa's discussion about her new book, "The Glissando Flute Handbook for Composers and Performers." This comprehensive guide is a must-have for any flutist looking to explore the capabilities of the glissando head joint. It covers everything from basic techniques to advanced applications, making it an invaluable resource for both beginners and seasoned professionals.

Melissa's journey with the glissando head joint began in a moment of serendipity. Inspired by a performance from Robert Dick, she knew she had found her musical voice. This head joint has not only expanded her musical expression but also inspired her to create original compositions that push the boundaries of what the flute can do.

In this episode, we also delve into the impact of social media and YouTube in spreading the word about such innovations. Melissa acknowledges that these platforms have been instrumental in allowing musicians to share their work with a global audience, thus accelerating the adoption of new tools and techniques.

So, whether you're a flutist, a music educator, or simply a lover of innovative music, this episode is a treasure trove of inspiration and knowledge. Tune in to hear Melissa Keeling's mesmerising performances and insightful discussions, and prepare to see the flute in a whole new light.

Listen to this full episode now and let the magic of the glissando head joint and effect pedals inspire you to explore new horizons in your musical journey.

Talking Flutes, Talking Flutes Extra, Bitesize & Revisited are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Are you passionate about your flute study and want to know more about what we can learn from sport to develop our skill? Then you won't want to miss the latest episode of 'Talking Flutes Revisited,' where host Clare interviews PGA golf professional Ryan Fenwick.

In this episode, Ryan shares his journey from a touring professional PGA golfer to successful coach. He delves into the essence of teaching, emphasising the parallels between coaching in sports and music. With anecdotes from his experiences with legends like David Ledbetter, and his insights on building relationships, communication, and honesty, Ryan's wisdom transcends the golf course and resonates with musicians and educators alike.

Listeners will be captivated by the discussion of the holistic approach to coaching, which includes not only the technical aspects of playing but also the importance of diet, sleep, general fitness, and mental state. Both Clare and Ryan explore the significance of flexibility, mentorship, and the willingness to embrace failure as part of the learning process.

As a former England coach and owner of the Ryan Fenwick Golf Academy, Ryan's teaching style is deeply influenced by his time spent with world-class coaches and his own competitive experiences. He believes in creating an environment that fosters good habits and routines, crucial for both golfers and musicians.

Clare, with her background in music, provides a fascinating perspective on the differences and similarities in teaching and coaching methodologies in both fields. The conversation touches on why professional musicians might benefit from continuous coaching, just as top athletes do, and the potential for cross-disciplinary learning.

This episode is not just for golf enthusiasts or musicians; it's for anyone interested in the art of teaching and the journey of becoming a good student. Ryan's story of resilience, transitioning from player to coach, and his approach to life coaching, is sure to inspire.

So, whether you're a seasoned pro, a dedicated amateur, or simply curious about the world of coaching, 'Talking Flutes Revisited' offers invaluable lessons that apply to all walks of life. Tune in to this episode to discover how to enhance your learning experience, cope with challenges, and ultimately, how to succeed in mastering your craft.

Don't forget to visit the links mentioned in the podcast to learn more about Ryan Fenwick, his academy, and the influential figures in the world of golf. Ready to be inspired? Listen to the episode now and take the first step towards refining your skills and enriching your learning journey.

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the world of music, innovation is key to keeping the art form alive and engaging. One such innovator is Greg Pattillo, a name synonymous with the unique blend of beatboxing and flute playing.

In a special 'Revisited' episode of "Talking Flutes," hosted by Jean Paul Wright, listeners are treated to an insightful conversation with Greg, who has over the years taken the world by storm, starting with his viral Super Mario video and over 150 million YouTube views.

The episode takes us back to 2020, a year that, despite its challenges, was filled with remarkable guests and extraordinary music. Greg Pattillo, described by the New York Times as "the best in the world at what he does," shares his journey from being an acting principal flute player in an orchestra to becoming a global sensation with his beatbox flute techniques.

Greg's story is one of perseverance and creativity. After moving to California and struggling to find work, he reinvented his flute playing by incorporating beatboxing, a skill he honed by being around other beatboxers and practicing relentlessly. This innovative approach not only provided him with a unique sound but also a platform to inspire others.

One of the highlights of the episode is Greg's discussion about his tutor book, "Beatbox Flute, Volume 1." This book is a comprehensive guide for flute players of all levels, introducing them to the art and sounds of beatboxing. It includes detailed instructions on how to produce five basic sounds, how to incorporate them into flute playing, and even how to improvise with these sounds. The book is a testament to Greg's dedication to making beatboxing accessible to everyone, from beginners to seasoned professionals.

The conversation also delves into the technical aspects of beatboxing on the flute. Greg explains how he uses different parts of his mouth to create various sounds and how these techniques have evolved over the years. He emphasises the importance of practice and experimentation, encouraging listeners to try beatboxing while walking or even at parties.

Jean Paul Wright and Greg Pattillo's camaraderie is evident throughout the episode, making it not only informative but also entertaining. Their shared history and mutual respect add depth to the conversation, providing listeners with a behind-the-scenes look at the world of flute beatboxing.

For those who missed the original episode or are new to the concept of flute beatboxing, this revisited episode is a must-listen. It offers a fascinating glimpse into the mind of an innovator who is pushing the boundaries of what is possible with a flute. So, sit back, relax, and let Greg Pattillo take you on a journey into the exciting world of beatboxing on the flute.

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com