John and Robin sit down again after a long hiatus, but grateful and excited to be back at the mic. Their topic for today's episode: collaboration. What's it like to collaborate with others, in hunting and in art? The Artist and The Hunter dig into their personal experiences and preferences, and discover by the end of the podcast that they may be actually be talking about teaching . . . or collaborating in LOVE.

Show note:
"A new report released on Oct. 12 by the U.S. Fish and Wildlife Service shows that 14.4 million hunters aged 16 and over contributed $45.2 billion to the economy in 2022. The survey found that 6% of the U.S. population hunted, and they spent a combined 241 million days afield last year."

John and Robin return for season 3 episode 1!

Robin and Murphy joined John for a turkey hunt in April. Robin discusses her reactions to that pleasantly idyllic experience.

They saw a bald eagle, and Robin crocheted a hat!

A vague agreement has been reached that when Robin joins John for a hunt, the day will end with slightly more glamorous accommodations.

Robin’s conditions for hunting include: good weather, beautiful views, and a goldilocks level of fussiness about how much she hikes.

Robin will one day learn not to give up John’s hunting spots, but that day is not today.

John discusses his upcoming hunting calendar for the rest of the year, including some out-of-state hunts in AZ, PA, and potentially UT.

Robin discusses new techniques and materials she’s playing with in the studio, including paper, metal, and all of these skulls she has lying around here.

John shares a fun new word: pedicle!

Robin has decoupaged her first skull.

Cotton rope is not something that Robin has ever felt great buying a lot of, due to ecological damage and human rights violations.

But an art studio filled with WILDERNESS TREASURES is something she can get behind.

Robin and John debate the origin of the bone that Robin bedazzled - femur or pelican or fawn?

John offers another great word: encrusted!

Robin digs John’s style.

- The Artist brings The Hunter to a museum: The Art Institute of Chicago!

- This was John's first time to Chicago, and to AIC

- Robin loves a museum. Can't get enough of them.

- AIC is what's called an "encyclopedic museum" which means it collects and exhibits most if not all periods in art history

- One of Robin's favorite things about museums is going with a newbie like John

- The scene from Ferris Beuller's Day off when they visit The Art Institute of Chicago https://www.youtube.com/watch?v=vBBOMLURSGA

- A Sunday on La Grand Jatte by George Seurat https://www.artic.edu/artworks/27992/a-sunday-on-la-grande-jatte-1884

- Robin estimates they saw around 20% of the entire museum during their 2.5 hour trip

- The Artist and The Hunter agree that their favorite part of the museum was experiencing it together

- Robin is bummed out that people think museums are inaccessible, and that generally speaking they ARE inaccessible because of cost, and well as general lack of arts education

- Robin knows how lucky she is to have studied art history and worked in museums in college, despite not being able to get a job afterward. She thinks that museums are fun and cool and evidence of the most subversive minds in history.

- Art is meant to conjure. Art is meant to bring something out of nothing. It's meant to make you think and react, and no matter what reaction you have, YOU'RE RIGHT!

- Art can help you get to know someone else, by asking: what do you think of this?

- The Cressmans love finding ways of learning new things about each other, and museums are one of their favorite ways to do that.

- Not everyone has a good partner to discuss art with; Robin says that's because we ignore museums and don't have enough art education

- Art is for all of us. Museums are for all of us. Creativity is for all of us.

- More and more small and niche and community museums are closing, especially in the wake of the pandemic

- Robin was inspired by a small textile exhibition, and the conversation veers into necessity of slowness in weaving, textile art, and the modern fashion industry

- Alexander McQueen (Chanel) and John Galliano (Dior) are two modern examples of creative directors of fashion houses losing their minds due to the demands of modern fashion.

- John was most drawn to the furniture on display in the museum; he noted how function and beauty come together in a well crafted piece, including inlay, exotic woods, and decorative materials like bone and ebony

- Robin and John look forward to many more museum dates in the future <3