The Coup

By: Church+State / Frequency Podcast Network
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  • Summary

  • From food and banking to masculinity and entertainment, the business and cultural establishment faces an insurgency. The rebels want nothing to do with the old ways of selling, building, or doing things. It’s not just disruption. It’s a coup. But despite the flashy branding, high-tech tools, and endless press, are things really any different? Are we actually better off after the takeovers? Host and marketing expert Ron Tite brings listeners inside the industries fighting for their futures. He speaks with the executives in power, the entrepreneurs challenging their dominance, and the academics and journalists watching the revolution. By the time we’re done, you’ll know who’s in, who’s out and where the rest of us stand because of it. Produced by Church+State for Rogers’ Frequency Podcast Network.
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Comedy & Humor Economics Marketing Social Sciences
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Episodes
  • The Influencer Show

    The Influencer Show
    Nov 26 2019
    At the beginning of this season, we looked at the advertising industry’s coup from my perspective. To bring it full circle, today I’m looking at it from a different angle: Yours. Content — editorial, entertainment, what have you — and advertising have been unified to the point — where often — it’s hard to see …

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    48 mins
  • New Money

    New Money
    Nov 19 2019
    If you live in Canada, it’s likely that you bank with one of the ‘Big 5’… and it’s also likely you inherited that financial relationship from your parents. And whether you liked banking with them or not… how different were the other 4, really? For decades, there weren’t any other meaningful options… but today? We …

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    49 mins
  • Stream On

    Stream On
    Nov 12 2019
    20 years ago, two teenagers brought the music establishment to its knees. And a decade later, a startup was launched halfway around the world that’s reinvigorated it.The recording industry has experienced a whiplash of change, and has somehow come out on the other end of it… still standing. It’s one of the few categories we can look to that’s gone through the full cycle of a coup. First we bought. Then we “shared”. And now… we stream. And with changes to distribution and format, have come changes to everything— from how we listen, to the way popular music sounds.But with artists struggling to make a living — and the industry’s biggest streaming still not profitable— who’s this new model really working for? How has music’s old establishment faired? And where is it’s new one taking us next?
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    48 mins

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