In this week's episode, in the writing craft section, we'll do a deep dive into how we can leverage the location and setting in our novels to create atmosphere and suspense. Plus, how networking and attending author conferences can help us sell more books and build a support network. After all, writing can be a lonely occupation!

In Part 1 of this two part look at plot twists, we covered some classic techniques that are sure to keep your readers on the edge of their seats. But why stop there? In this instalment, we're going to delve into some more advanced strategies for crafting truly unforgettable twists and turns.

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Plot twists should leave your readers gasping in surprise.

“I never saw that coming” is the reaction you should be looking for.

Essentially, a plot twist is an unexpected turn of events that catches the reader off guard and changes their perception of the story. Think of it like a magician's sleight of hand – you think you know what's happening, but then BAM! The rug is pulled out from under you, and you're left reeling.

Now, there are countless ways to incorporate plot twists into your crime fiction, but let's focus on a few tried-and-true techniques and next week we’ll continue.

Conflict is the beating heart of any unforgettable crime novel, the spark that ignites the imagination and keeps readers enthralled until the final page. In this deep dive into the craft of writing, we explore the psychology behind why conflict is so essential and the techniques that master crime writers use to create stories that pulse with tension and suspense.

From the inner turmoil of flawed and relatable characters to the heart-pounding stakes of a deadly cat-and-mouse game, conflict takes many forms in crime fiction. We delve into the nuances of crafting internal and external conflict, and how the interplay between the two can elevate a story from merely entertaining to truly unforgettable.

When it comes to crafting a compelling crime fiction story, a lot of attention is often given to the protagonist – the detective, the investigator, or the everyday hero who cracks the case. But let's not forget about the other key player in this genre: the villain. A well-written, authentic villain can take your story from good to great, adding depth, tension, and a worthy adversary for your main character to face off against.

Some writers just start, and let the words spew out, and then deal with technical details and plot lines later – these kinds of writers are referred to as "pantsers” – writing by the seat of their pants, and others can’t start until they have planned everything, including the characters’ back story. These writers are “plotters”.

Most of us are on a spectrum between the two. I start with an idea, I flesh it out, I have an idea of where the story is going, and then I edit, tweak and adjust as I go.

Whatever your preferred process, at some point you’ll need to make sure your story is moving along, and keeping readers engaged.

So today, let’s talk about scene structure and how understanding the technical aspects of scene writing can help your process, without killing off your creative flow.

Hey there, crime fiction enthusiasts and aspiring mystery writers! Welcome to Episode One of the Murder School. I'm thrilled you're joining me today as we dive into those crucial decisions you need to make before typing a single word of that mystery story that's been swirling around in your mind.

Now, I know what you're thinking—"Can't I just start writing and figure it out along the way?" Well, you could, but let me tell you why a bit of prep work will save you massive headaches down the road and help you craft a story that readers can't put down