Geoff is in London’s Waterloo district to meet with the multi award-winning jazz singer, broadcaster, producer, actor and comedian Ian Shaw.

What does it take to build a career spanning jazz vocals, comedy, acting, and broadcasting? In this intimate conversation, Ian invites us into his creative world, tracing a fascinating journey from Welsh choir boy to one of Britain's most versatile artists.

He reveals how an unconventional audition in full punk regalia launched his early career in piano bars before discovering jazz through the most unexpected source—David Bowie's album ‘Hunky Dory’. With refreshing candour, he shares how this discovery led him to explore the jazz vocal tradition through Betty Carter, Mark Murphy, and Billie Holiday, developing a unique approach to improvisation that continues to evolve even at the age of 63.

The conversation takes fascinating turns as Ian discusses balancing multiple creative pursuits throughout his career. From his classical training and brass band beginnings to recent work with contemporary classical composer Mark-Anthony Turnage, he demonstrates an artistic curiosity that refuses to be confined to a single genre.

Perhaps most revealing are Ian’s reflections on career highlights—performing with Quincy Jones, touring with Cedar Walton, sharing the stage with jazz legends he once only knew through vinyl discoveries. When asked about musical weaknesses, he confesses to secretly practicing flugelhorn “…into the pillow," a charming glimpse into the continued growth of an artist who never stops evolving.

Whether discussing his favourite chord (E13 with a flat 9) or demonstrating his spontaneous improvisational skills on Fats Waller's ‘Ain't Misbehavin’’ (with music accompaniment from the Quartet app and ‘lyrics’ courtesy of Andrew O’Hagan’s novel ‘Caledonian Road’ open at page 112!), Ian displays the versatility and genuine passion for music that has made him a beloved fixture on the UK jazz scene.

Whether you’re a jazz aficionado, an aspiring musician or you just love stories of passion pursued without compromise by hardworking artists, this episode offers rare insights into the creative mind of a true musical polymath.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

Geoff steps into the rich musical world of Brazilian guitarist Luiz Morais as he shares his fascinating journey from the vibrant northeast of Brazil to becoming an accomplished performer, composer, and bandleader in London.

The conversation delves into the intricate world of Choro music - Brazil's first truly urban musical style that blends European harmonic sophistication with African-derived rhythms. Luiz illustrates his Bossa Nova improvisation on Jobim’s 1960s standard ‘Wave’ followed by a masterful demonstration of comping techniques showcasing the subtle complexity behind these seemingly simple rhythmic patterns.

Luiz shares pivotal moments in his musical development - from his move to Rio de Janeiro to immerse himself in the heart of Brazilian musical culture, to his relocation to London in 2010 seeking artistic expansion. We hear about his compositional approach ("red carpet for the melody"), his recent big band project at London’s Pizza Express Jazz Club, and the beauty behind "Waltz for Us Two," a piece written for his wedding that blends Brazilian sensibilities with Indian classical vocals.

For anyone fascinated by Brazilian music traditions, jazz guitar, or cross-cultural musical fusion, this conversation offers valuable insights from a musician who embodies the sophisticated melodic and harmonic language that Brazil has contributed to global music…and download the Quartet iOS app to take your jazz play along even further.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

Geoff travels to Acton in West London to meet the visionary alto saxophonist, bandleader and composer Camilla George.

Born in Nigeria before moving to the UK, Camilla's musical foundation was built on Sunday afternoons spent with her jazz-enthusiast father, listening to his extensive vinyl collection featuring legends like Sonny Rollins and Sonny Stitt.

What emerges throughout the conversation is how powerfully Camilla's Nigerian heritage influences her artistic expression. Her third studio album ‘Ibio-Ibio’ celebrates the culture of the people from her birthplace in Eket (now Akwa Ibom State), with compositions reflecting creation myths and cultural touchstones. When she describes transforming African folk tales from her childhood into jazz compositions we glimpse how story becomes sound in her creative process.

Her journey through transcription began with Dexter Gordon before tackling Charlie Parker, with Kenny Garrett emerging as a significant influence on both her playing and compositional approach. Camilla’s rendition of Horace Silver’s 1950s standard ‘Peace’ also demonstrates her warm, expressive alto saxophone tone.

The conversation takes us through career highlights, including sitting in with bass virtuoso Marcus Miller at London's Festival Hall—what was meant to be one song expanded to four when Miller invited her to stay on stage. Yet even with such achievements, Camilla remains refreshingly candid about the challenges musicians face, sharing a recent experience with performance anxiety during a big band rehearsal.

Whether you're a musician seeking inspiration or a listener curious about the creative process, Camilla's thoughtful reflections offer valuable insights into crafting an authentic voice in contemporary jazz. Subscribe to hear more conversations with today's most compelling jazz artists, and explore the Quartet app to take your own jazz journey further.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

In this episode, Geoff invites the enigmatic jazz pianist, vocalist, composer and legendary educator Pete Churchill round to his pad in Bromley, Kent.

After almost twenty years teaching at London’s Guildhall School of Music, Pete is now Professor of Jazz Composition at the Royal Academy of Music as well as Head of Jazz Voice at the Royal Conservatoire of Brussels.

Pete's musical journey weaves through rebellion, rediscovery, and remarkable innovation in jazz education. Growing up with classical musician parents (his father founded the Academy of St Martin in the Fields), Pete’s path took an unexpected turn when he dramatically abandoned formal music education at 13. This teenage rebellion opened the door to jazz when his father began sending cassette tapes of jazz pianists like Jelly Roll Morton and Errol Garner.

What makes Pete’s approach to teaching jazz so powerful is his extraordinary ability to "remember what it was like not to know." This perspective allows him to bridge complex musical concepts with practical understanding, creating pathways for students to discover rather than simply memorise. His methodology strips harmony back to essential relationships, using key centers and "trigger notes" that help musicians navigate harmonic terrain while maintaining their bearings.

Churchill's explanation of chord symbols as musical shorthand—comparable to figured bass in Baroque music—reveals how his classical background enhances his jazz teaching. He demonstrates these concepts beautifully through a masterful rendition of Irving Berlin’s 1930s standard "How Deep Is The Ocean?” using the Quartet jazz accompaniment app, showing how paraphrasing techniques borrowed from rhetoric can shape meaningful improvisations.

For singers especially, Churchill has developed approaches that honour the vulnerability of the voice. Beginning with stable reference points and gradually expanding the harmonic palette, his methods help vocalists build confidence while developing authentic expression. His insights into the narrative arc of improvisation—from presenting material to expressing personal feeling to collective interpretation—provide a framework that respects both tradition and individual voice.

Beyond his teaching philosophy, Pete shares fascinating stories from his career, including his work with legendary vocalist Jon Hendricks on lyrics for Gil Evans' ‘Miles Ahead’ album—a collaboration that felt serendipitous, uniting Pete’s knowledge of jazz, The Great American Songbook, and spiritual texts.

Whether you're a seasoned musician, educator, or passionate listener, this conversation offers rare insights into jazz education from one of its most thoughtful practitioners.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

Geoff catches up with the internationally respected bass player and record producer Janek Gwizdala who is fresh off a flight from his home in LA for a series of London gigs.

What does it take to transform from a wide-eyed teenager in South London to a sought-after bass virtuoso commanding respect around the globe? This episode captures a deeply personal conversation about an extraordinary musician whose journey spans continents, musical styles, and creative pursuits.

Despite the jet lag from his transatlantic flight, Janek vividly recalls his musical awakening at Croydon's Gun Tavern, where watching a Laurence Cottle performance changed everything. "Monday morning went to Gig Sounds in Lewisham and got a bass," Janek shares, describing how within just two weeks of this revelation, he met Geoff at a jazz music course and began his remarkable journey.

Janek recounts his bold decision to move to America in 1998. "Looking back as a 46-year-old man, parent and husband—totally bonkers," he reflects on his younger self's fearlessness. His time at Berklee College of Music, surrounded by future stars like Walter Smith, Jaleel Shaw, and Kendrick Scott provided the foundation for his New York career.

Most fascinating is Janek’s evolution beyond performance. His 22 critically acclaimed books, 100k-subscriber YouTube channel, and thriving educational platform reveal a musician who's expanded his impact far beyond the stage. "I used to just be a bass player," he explains, detailing how he's carefully managed his online presence to maintain artistic integrity while building genuine connections with jazz students worldwide.

Throughout their chat, both bassists explore deeper questions about jazz education, authenticity, and maintaining curiosity decades into a career. Janek demonstrates his approach to improvisation with a spontaneous performance of Coltrane’s 1950s standard ‘Moment’s Notice’ using the Quartet app for accompaniment, before sharing his ambitious goal: "I'm trying to make three albums a year for the rest of my life... at least another 60 or 70 records!”

Whether you're a jazz aficionado, aspiring musician, or simply appreciate stories of passion pursued without compromise, this conversation offers rare insights into the mind of a true musical innovator. Subscribe to hear more conversations with remarkable musicians who are pushing boundaries and preserving the improvisational spirit at the heart of jazz.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

This week Geoff is in West London to meet one of the best-known young guitarists to emerge onto the international jazz scene – Tom Ollendorff.

What makes a great guitarist instantly recognisable? How do you develop a personal musical language that transcends technical proficiency? These questions lie at the heart of Geoff’s conversation with the virtuoso guitarist who shares his fascinating journey from blues-rock enthusiast to internationally acclaimed jazz artist.

Tom's evolution began organically through improvising in blues and rock contexts before a chance encounter with jazz standards opened new harmonic possibilities. "I remember going to a bar with my Dad and there was a great guitarist playing standards," he recalls. "I remember thinking, 'what are all these chords and scales?'" This curiosity launched him into deep exploration of jazz harmony through standards like ‘Autumn Leaves’ and ‘All The Things You Are,’ establishing the functional vocabulary necessary for improvisation.

Most revealing is Tom's discussion of his classical influences. Having spent thousands of hours mastering Debussy and Bach pieces on guitar, he developed an extraordinary sensitivity to touch, tone, and the ability to create distinct voices within a single instrument. He demonstrates this brilliantly during the conversation, showing how to make melodies sing over accompaniment as well as giving a remarkable breakneck improvisation on Duke Ellington’s 1940’s standard ‘Cotton Tail (Rhythm Changes)’.

What truly sets apart musicians like John Scofield, Kurt Rosenwinkel, and Peter Bernstein, Tom explains, is their distinctive rhythmic identity: "They could just play a C major scale and you could tell it was them just by the rhythm." This individuality represents the ultimate goal of musical development – finding your unique voice through deep study and personal expression.

Whether you're a guitarist seeking to expand your horizons or simply a music lover curious about the creative process, Tom's insights offer a roadmap to musical authenticity. As he puts it: "Take what you love and internalise it... that's the beautiful thing."

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

Geoff travels to Brixton in South London to catch up with the fabulous saxophonist, band leader and composer Dave O’Higgins.

This is an intimate conversation about Dave’s remarkable journey from progressive rock drummer to acclaimed jazz musician. With disarming honesty, he traces his unlikely path through music, describing how transcribing Charlie Parker solos by hand and slowing down vinyl records until they wore out shaped his approach to improvisation.

Dave's current project ‘Monkin' Around’ – a chordless trio playing Thelonious Monk compositions – becomes a springboard for fascinating insights into harmony and improvisation. He explains the liberating experience of playing without piano, forcing musicians to imply rather than state harmonic structures. We witness this approach firsthand as Dave gives an impromptu performance of the 1940’s Van Heusen/Burke standard "It Could Happen To You," demonstrating how jazz standards share common harmonic patterns that improvisers navigate through practiced vocabulary and in-the-moment listening.

The conversation takes an unexpectedly vulnerable turn when Dave admits to experiencing significant performance anxiety throughout his career – particularly after lockdown – despite recording nearly 30 albums as a band leader. His stories of high pressure performances (including a memorable live radio broadcast and playing with the London Symphony Orchestra when his music disappeared) reveal the resilience required by professional musicians. These candid admissions from such an accomplished player remind us that self-doubt never fully disappears, even at the highest levels of mastery.

Whether you're a jazz aficionado, a working musician, or simply curious about the creative process, this episode offers rare insights into the mind of a master improviser. Subscribe to the Quartet Jazz Standards Podcast and download the Quartet app for iOS to take your jazz play-along experience to another level.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

Geoff is in the leafy North London suburb of Muswell Hill to meet the wonderful Gabriella Swallow – one of the most versatile and exciting cellists of her generation.

When Gabriella declares "I just want the biggest one" as her instrument selection as a child, it perfectly captures her fearless approach to musical exploration. Born in Belfast during “The Troubles” to dentist parents who loved music, Gabriella's journey from classical prodigy to genre-crossing improviser reveals a musician who refuses to be confined by tradition.

The conversation takes you through her formative years at Chetham’s School of Music, where she befriended future jazz innovators like Gwilym Simcock before continuing her classical training at the Royal College of Music. All while secretly jamming with indie bands and taking her first steps into session work. Her candid reflections on these early experiences highlight the delicate art of working across musical divides - learning to respect musicians who couldn't read music but possessed extraordinary creative gifts.

The heart of this episode centres on Gabriella's transformative experience touring with jazz keyboard virtuoso Hiromi. After being bluntly told her timing wasn't good enough, she embraced what she calls "funk school," spending hours daily with Hiromi and a drum machine developing walking bass technique and time feel - skills rarely taught to classical cellists. "To learn those skills post-40 years old was the biggest present she could have given me," Gabriella reflects, demonstrating how embracing vulnerability led to musical growth.

Throughout the conversation with Geoff, Gabriella reveals how music became her sanctuary during life's challenges, from her boarding school experience to balancing motherhood with her career. "Playing made me a better mother and motherhood made me a better musician," she notes, showing how these seemingly competing identities actually strengthened each other.

Listen as Gabriella performs an impromptu improvisation on Charlie Chaplin’s 1930s standard 'Smile', demonstrating her lyrical approach to jazz standards while discussing the technical challenges of adapting classical technique to new contexts. Her story will inspire anyone seeking to cross musical boundaries and find their authentic voice, regardless of their training or background.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.