In this last episode of Season 5 of the podcast, I am doing a solo show talking about a step-by-step guide on how to create your own DIY writing retreats.

These DIY retreats, which I’ve organized for myself for over 20 years and now include in my First Book Finish program, have helped me reconnect with my projects and make significant progress on my manuscripts.

Here's a link to where you can find the DIY Writing Retreats resource I mention in the show.

That is it for Season 5 of The Resilient Writers Radio Show. We are going to be kicking off Season 6 in about four weeks time. See you soon!

--Rhonda xo

In this week’s episode of The Resilient Writers Radio Show, I interview Jeanne Blasberg. Jeanne is a bestselling author known for her novels Eden and The Nine. Her latest novel, Daughter of a Promise, came out in April 2024.

This latest novel is a contemporary retelling of the Biblical story of David and Bathsheba, set in modern-day New York. Jeanne explains that while she kept the essence of the original plot, she made significant changes to reflect contemporary themes, including giving her heroine more agency than Bathsheba had in the Bible.

Our conversation delves into the challenges and rewards of reimagining classic stories in a modern context. Jeanne was inspired to explore the timelessness of themes like consent, attraction, and power dynamics, especially during the #MeToo movement.

By writing from the perspective of Betsy (her modern Bathsheba), Jeanne gives a voice to a character who, in the original story, is largely voiceless.

Towards the end of the interview, we also get into indie publishing vs. traditional publishing – a topic I know a lot of think about!

This week's episode from The Resilient Writers Radio Show features an interview with Sue Brown-Moore, a book coach and developmental editor. We go deep into the intricacies of developmental editing, particularly for fiction and romance authors. The conversation dives into the purpose, timing, and benefits of developmental editing.

When it comes to self-editing, Sue encourages writers to conduct their own developmental edits by stepping back from their manuscripts before revisiting them with fresh eyes. She offers a free 30-minute webinar teaching authors to pre-edit their manuscripts to ensure foundational storytelling issues are addressed before a formal edit.

In this episode of The Resilient Writers Radio Show, I host my friend, author and book coach Emma Dhesi, to explore the psychological and practical challenges that writers face, especially when completing a novel.

Emma shares her personal journey of overcoming sporadic writing, highlighting how a realistic understanding of the difficulty of writing is crucial. She notes that aspiring authors often underestimate the work involved, partly due to idealized portrayals of writers in media. The conversation also covers Emma’s "four pillars" for a successful writing practice. This episode serves as a reminder of why writers started, encouraging enjoyment of small achievements and creative freedom.

Something a little different this week! In this episode, I am speaking with Brooks Elms, a professional screenwriter and coach who shares his insights into screenwriting. Our conversation covers both the technical and creative aspects of the craft, as well as tips for those who are new to screenwriting or looking to transition from other writing forms, such as novel writing.

Brooks offers advice for beginners, emphasizing the importance of just starting and having fun with the process. He suggests beginning with short scripts and experimenting with the unique structure of screenwriting, which relies heavily on what is seen and heard rather than interior thoughts. He breaks down the basics of screenplay formatting, including the use of slug lines and action lines, and encourages writers to focus on the subtext, which conveys a character's emotions and motivations through actions rather than explicit dialogue.

One of the key topics discussed is how screenwriting differs from other forms of writing, particularly novels. While novelists often rely on interiority to express characters' thoughts and feelings, screenwriters must find ways to show this visually. Brooks explains that a character's emotions can be revealed through subtle actions, gestures, or dialogue that suggests deeper meaning. For example, how a character enters a room can indicate their emotional state without them needing to state it outright.

Listen to the full episode to see if screenwriting is for you!

This week I have an interview with Kevin T. Johns, a writing coach and author who is also based in Ottawa, Canada, where I live. Our conversation revolves around the challenges aspiring authors face, particularly in completing their first draft, and how writers can better approach storytelling and the writing process.

Kevin emphasizes that many writers spend too much time perfecting their first few scenes, not realizing that once the manuscript is complete, those scenes often need rewriting or cutting. His key advice is to write the first draft quickly to have something to work with, as the real work begins during the revision process. Kevin also points out that the education system contributes to the misconception that writing is a one-and-done process, as students often submit essays without ever revising them.

Kevin’s approach to helping writers focuses on commercial genres, such as horror, romance, sci-fi, and fantasy, where there are clear expectations for plot structure and genre conventions. He runs a program called "Story Plan," which helps writers plan the fundamental aspects of their story, from genre and structure to character arcs and theme. He encourages writers to know their genre and the expectations readers have, as this forms a contract between the writer and the reader. Planning helps create a coherent story and gives the writer confidence as they move through the drafting process.

This week's episode features an interview with Janelle Hardy, a multifaceted creative with expertise in dance, somatic experiences, and memoir writing. We explore how body awareness influences creativity and our writing. Janelle shares her journey from feeling disembodied to becoming more connected through somatic practices and nervous system regulation. She emphasizes the importance of using the body as a resource in creative processes, such as memoir writing, to avoid mental burnout and re-traumatization.

Our discussion concludes with thoughts on how memoirs can be a healing process and a means of making meaning from life experiences, with Janelle advocating for working slowly and intentionally with both mind and body.

This week, I interview Sarah Elisabeth Sawyer, an author, speaker, and Choctaw storyteller from Texas who has published 19 books.

Sarah writes historical fiction, primarily focusing on American Indian characters, particularly from her own Choctaw heritage. Her *Choctaw Tribune* series, for example, highlights the Choctaw people, although she also includes characters from other tribes like the Chickasaw and Cherokee.

Sarah shares the importance of writing about American Indian characters authentically. We discuss her frustrations with historical fiction's common stereotypes and how Native characters were often depicted inaccurately.

And then we talk about the use of dictation in writing, a technique she has mastered to write more efficiently and comfortably. Dictation has doubled her writing speed, allowing her to produce up to 4,000 words an hour, making it easier on her body and reducing the exhaustion associated with typing.