There’s a new “melancholy Christmas musical” to add to your list of indie film favorites, and when we had a chance to see an advance screening, we immediately knew that this story was YOUR kind of story. A hard-working, veteran singer-songwriter is trying to make it through to the end of another long year, wondering if it is time to lay down the dream. Boy does this one strike close to home.

Long December marks the acting debut of Stephen Williams of the band Jude Moses and sideman for the John Mark McMillan band. (McMillan also has a very convincing role in the film.) The film co-stars Charley Koontz (“Community,” “The Boys”), Emily Althaus (“Orange is the New Black,” “Handmaid’s Tale”), and Maximiliano Hernandez (“Avengers: Endgame,” “Sicario”). The soundtrack is available on all streaming platforms right now, and the film premiers on VOD platforms on November 12th.

Join JJT as he sits down with writer/director Thomas Torrey to hear about the origin of the story, the music, and the production. (And thanks to friend of the show, Chris White of Electric Jesus fame for the tip-off on this one.)

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6-time Grammy winner Russ Taff’s voice has defined the emotional potential of Gospel music for over half a century. His perfectly raspy tenor transcends genre and era, first as the lead vocalist for Gospel legends The Imperials, then as a phenomenally successful solo artist. That legacy now takes on a whole new depth as Taff unveils Cover Story, a collection of rock, soul, and Americana songs that resonate deeply with the struggles he has privately endured throughout his life onstage. Longtime fans may be surprised to find the Gospel singer interpreting tunes by The National, Prince, Blind Willie Johnson, Bob Dylan, U2, Duran Duran, Bill Withers, Paul Simon, and others. However, students of Roots Gospel, Americana, Soul, and Blues will immediately see the thread. These are songs of spiritual survival. (Don't miss executive producer Steve Taylor’s Kickstarter campaign to release the project on vinyl and raise funds to promote it to a wide audience.)

In a surprising – and risky – move for a Gospel singer, Taff decided to go public with his long struggle with addiction, recovery, relapse, and ultimate inner healing via the revealing 2018 documentary Russ Taff: I Still Believe. Instead of ending his career singing in churches and at Bill Gaither’s Homecoming events, audiences responded with deep appreciation for his candor and humility. A recent conversation on the recovery-themed Soft White Underbelly YouTube channel is currently generating similar enthusiasm. Taff, now 18 years sober and free of the need to hide anything, is more excited than ever to share music – and his story – with audiences around the country and the world.

Taylor, (the artist, professor, songwriter, producer, and filmmaker connected to projects by Sixpence None The Richer, Newsboys, Chevelle, and others) had pulled his critically acclaimed but ill-fated mainstream rock band Chagall Guevara (MCA) together for a one-time reunion show at Nashville’s historic Ryman Auditorium. A special post-show afterparty at Jack White’s Blue Room included an on-stage jam with several musical luminaries, including Taff (who had worked with Chagall members Lynn Nichols and Dave Perkins on several projects.) Taff’s impromptu jam on Charlie Peacock’s “Down In The Lowlands” thrilled the small crowd. Hearing Taff slay those songs, Taylor remembered an idea his longtime friend, bandmate, and musical collaborator John Mark Painter had suggested much earlier. What if they took their old friend into a recording studio with a slate of great songs and captured that raw, guttural energy and emotional honesty? They have now done just that. We are thrilled to sit down with Taff, Taylor, and Painter on this very special episode of the podcast, and to give our audience a first listen to Cover Story.

BACK the Kickstarter Campaign HERE (closes September 9th, 2024)

For the full list of songs, links, and a video of the infamous "Down In The Lowlands" jam at Jack White's Blue room, see the full Show Notes at TrueTunes.com/Russ

Get all of the info about host John J Thompson’s new novel “The Ballad of the Lost Dogs of East Nashville” at TrueTunes.com/ballad.

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There’s nothing like a relaxed, sit-down conversation – especially when discussing complicated things like faith, love, and art. True Tunes is committed to long-form dialogue in a world that is increasingly (and tragically) defined and governed by social media metrics and pithy one-liners. This conversation with Grammy-nominated singer-songwriter Jennifer Knapp may be our longest yet – but we wouldn’t have it any other way.

Knapp has come a long way since her debut LP, Kansas, was certified Gold 25 years ago. She followed that with two more critically acclaimed and commercially successful LPs in the Christian music market and earned increased respect and opportunities to share her craft on mainstream stages. She gathered two Grammy nominations and sold a million albums in three years, but things were not well behind the scenes. In 2002, after fulfilling her contractual obligations, Jennifer dropped out of the scene, disconnected from the industry, and moved to Australia. After an eight-year hiatus and coming out as gay, Knapp returned in 2010.

Jennifer recently revisited her debut, re-recording Kansas with producer Steve Hindalong to celebrate its 25th anniversary. On this episode of the podcast, Knapp visits John and Michelle Thompson in their East Nashville home to talk about her journey, her faith, and what it has been like to go back to Kansas. We’ll also hear a bit from Hindalong about how the project came together.

Find the full song list and more at TrueTunes.com/Knapp

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!