Iowa has three million people and a million come to their State Fair, each with their own goals and dreams for the fair. We hang out with some of them, to see if they get what they hoped for.

• Prologue: A big bull, a giant slide, and cowboys on horseback shooting balloons are just a few sights you can take in at the Iowa State Fair. Some people come for the spectacle, and some are the spectacle. (8 minutes)
• Act One: Bailey Leavitt comes from a family of carnies. For her, one of the most thrilling things she looks for at the fair is someone who is really good at luring people into spending money at their stand. She takes Ira on an insider’s search for “an agent.” (16 minutes)
• Act 2: Motley Crue pledged never to play the fairgrounds. Then they did. We wondered what that had been like for them. They agreed to an interview, but then they flinched. (1 minute)
• Act Two: What life lessons can kids learn at the 4-H rabbit competition? A lot. (11 minutes)
• Act Three: The Iowa State Fair awarded coveted slots to just nine new food vendors this year. All of them are run by people who already own restaurants or who’ve done other big fairs. All except for an unlikely newcomer: Biscuit Bar. (19 minutes)
• Act Four: As the ferris wheel goes dark and the fair is closing down, one game is racing to meet their quota. Ira watches until the end.

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The one animal we can’t seem to live without, even when we really, really want to.

• Prologue: At the announcement of New York City’s inaugural rat czar, we meet Darneice Foster, who despises the rats outside her apartment. And host Ira Glass introduces two special co-hosts for today’s show. (11 minutes)
• Act One: Producer Elna Baker meets Todd Sklar, a man who can’t quit rats. (22 minutes)
• Act Two: Fifty years ago, New York City started to put garbage out in plastic bags. This has become the number one food source for rats. Producer Ike Sriskandarajah investigates the decision that led to the city’s rat baby boom. (10 minutes)
• Act Three: How did Alberta, Canada pull off a feat that has eluded the rest of human civilization? Ira visits the largest rat-less land in the world. (15 minutes)
• Act Four: We drop a hot mic into a hot mess of a rats’ nest. You’ll never believe what happens next. (3 minutes)

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Stories about birds and the hearts they sway, the havoc they wreak, the lives they change.

• Prologue: Ira goes out birding with birder extraordinaire Noah Strycker, who tells the dramatic story of the bird that changed his life: the turkey vulture. (13 minutes)
• Act One: Carmen Milito tells Ira the story of a date she went on as a teenager, and the bird her mom brought to the occasion. (14 minutes)
• Act 2: Ira tromps around the woods some more with Noah Strycker, who explains, among other things, his problem with the movie Spencer.
• Act Two: Producer Bim Adewunmi on a decades-long political battle in Florida — between the incumbent state bird and the challenger that threatens to knock it off its perch. (7 minutes)
• Act Three: There are the birds who exist, and then there are the birds who may as well exist. Producer Sean Cole explains. (18 minutes)

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When the best—and perhaps only—way to say something is to write it down.

• Prologue: Ira goes out with a letter carrier, ‘Grace,’ as she delivers mail on her route. He learns about the people who bring us our mail and also how people treat their mail. (11 minutes)
• Act One: Writing a letter decades after an event that shaped her life was the only way that Nicole Piasecki could make some sense of it. (18 minutes)
• Act Two: Yorkshire, 1866. A farmer overcomes his timidity and writes a very important letter to a local beauty. (3 minutes)
• Act Three: When senior editor David Kestenbaum was still a rookie reporter, he wrote an email to a legend. Then he waited...and waited...for a reply. (6 minutes)
• Act Four: A woman writes an unusual letter on behalf of her husband. (1 minute)
• Act Five: Producer Zoe Chace compares the letters a person gets and the letters they wish they got. (12 minutes)

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In a crisis, when all logic suggests that you get away from the dangerous thing, how will you respond?

• Prologue: Ira talks to two members of a recreational swimming club who intentionally swam straight toward a shark that had just bitten their friend. (10 minutes)
• Act One: Sarah Polley has always been reluctant to jump into challenging situations. Then something happened that changed all of that – something that also made her think her teeth were going to fall out. (21 minutes)
• Act Two: Comedian Josh Johnson tells the story of a “trad wife” who stepped into an incendiary situation. And even as the flames consumed her, she kept stepping. (7 minutes)
• Act Three: This summer, thousands of young people have taken to the streets in Nairobi to protest the Kenyan government. But behind those protestors are thousands of worried parents. Reporter Kimu Elolia talks to a woman whose son keeps lying to her. (19 minutes)

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People rethinking some of the most important relationships in their lives — with their sister, their political party, and the nominee for president.

• Prologue: Ira observes that we are in a moment of national reconsideration. (2 minutes)
• Act One: Zoe Chace reports on a surprising guest at the Republican National Convention: Teamsters president Sean O’Brien. (18 minutes)
• Act Two: Ira talks to Representative Seth Moulton about what it was like to be among the first members of Congress to call for President Joe Biden to step aside. (18 minutes)
• Act Three: Two adult sisters revisit old rivalries when they compete for a world record in typing with their pinkies. (16 minutes)

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Boen Wang has a theory that a lot of the misery in his life can be traced to a single moment that happened years before he was born. So he makes a pilgrimage to see if he’s right.

• Prologue: Ira talks about what it’s like to go back to 1119 Bayard Street in Baltimore. (6 minutes)
• Part One: Boen visits Norman, Oklahoma, where he was born, to meet the man he thinks changed his parents’ lives—and his life, too. (31 minutes)
• Part Two: Boen’s friend, Andrew, and his parents take what he learned in Part One, throw it into a blender, and push puree. (20 minutes)

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In Rafah, Yousef is out of options and faces his toughest move yet.

• Prologue: Since the beginning of the war in Gaza, Yousef Hammash has decided where to go next and when. In Rafah, he is out of options and faces his toughest move yet. (5 minutes)
• Act One: Yousef does not even want to think about leaving Gaza. (18 minutes)
• Act Two: The actual price — in cash — of getting out of Gaza. (31 minutes)

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