• Threads (1984)

  • Oct 28 2024
  • Length: 1 hr and 17 mins
  • Podcast

  • Summary

  • This is a grim one, but it's a film you need to see!


    A British kitchen sink drama set in Sheffield in 1983, which follows a young couple expecting their first child before a nuclear war interrupts their plans.


    Sean and Sarah review one of the most-unflinching and best British TV films of all time.

    Will they remain unimpressed by their choice of film?


    Warning: This podcast episodes contains descriptions of some of the shocking events in the film.


    Discussion Points:

    -Sarah and Sean forgot how bleak this film is.

    -How timely this film feels in 2024, even though it was made in 1984.

    -The impact of this film when it was first released.

    -How unnerving this film is.

    -Sean wonders whether they should have chosen this film.

    -The British Soap Creme-de-le-creme of actors.

    -Just how much the British underestimated the impact of a nuclear bomb.

    -Sarah debuts her Northern impression.

    -Sarah discusses the power of background events bubbling over so "abruptly and quickly", describing it as "masterful" and "amazing".

    -Sarah describes the power of the small character moments, which make the film so special.

    -The effects on the post-war generation and the complete lack of social cohesion is highlighted by Sarah.

    -Sean wonders if humans would become functionally extinct; when a species reaches such a low level of members that it will inevitably become extinct, as it is unable to replenish it's numbers.


    Raised Questions:

    -Will this film change the trajectory of your day?

    -How bad is Sean's Sheffield accent?

    -Is there anything better than an upper class English voice heralding your doom?

    -Does watching this film make you extra British?

    -Why did they show Threads (1984) to school children?

    -Does this film make you want to stop making jokes?

    -Was this film the death knell for many high street shops?

    -Did they need to make it seem survivable?

    -It's not good when they quietly store away the paintings is it?

    -Is this the best thing that the BBC has ever made?


    Thanks for Listening!

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