Hey friends, in this episode of Trumpet Thoughts, I share some insights I've been working on about embouchure and lip placement. While air support is crucial, I’ve been discovering just how equally important lip positioning is when it comes to sound quality and control.

I break down the concept using a balloon analogy to illustrate how the lips should function more like the vibrating edge of a stretched balloon rather than being tightly rolled in or pressed against the teeth. Inspired by players like Maynard Ferguson, Lynn Nicholson, and insights from Bobby Shew, I explore how keeping the lips more unfurled and allowing the embouchure muscles to support from behind can create a fuller, more resonant sound.

I also touch on the importance of lip buzzing as a strength-building exercise and how tongue positioning plays a role in achieving better tone. If you've ever struggled with thin tone or lack of control, this might be a game-changer. Grab a balloon, experiment with this technique, and let me know what you think!

In this episode of Trumpet Thoughts, I dive into my discovery about tongue positioning and how it affects trumpet playing. I've always understood that the tongue plays a role, but I never gave much thought to how its placement could impact pitch, endurance, and accuracy—until now. Through some recent experimentation, I’ve found that anchoring the tip of my tongue behind my bottom teeth while adjusting its level can make a huge difference in airflow and resonance.

I demonstrate this concept in real time, showing how changing my tongue level (rather than just arching it) helps me lock in pitches more easily and play with greater efficiency. I also reference some great resources, like Maximizing Practice by Mark Van Cleve and Pops McLaughlin’s work, which helped me connect the dots on this technique.

This episode is all about one of those "light bulb moments," and I’d love to hear from you—have you noticed the same thing in your own playing? Drop a comment and let me know what works for you!