In this episode, Michael interviews Haraldur “Halli” Thorleifsson, an entrepreneur, designer, musician, and philanthropist. Halli founded Ueno, a design agency that worked with Google, Uber, Airbnb, and many others and was acquired by Twitter in 2021. A musician before becoming a designer, he put music on hold until 2023 when he launched his project Önnu Jónu Son. Since selling his business, he’s launched a program to build wheelchair-accessible ramps across Iceland, opened and closed a restaurant, and launched a podcast.

Halli has spoken previously about traumas that have formed him, from losing his mother during his childhood, to being confined to a wheelchair as an adult, and his struggle with alcoholism. He also made headlines when Elon Musk erroneously fired him from Twitter and then had to walk it back publicly. So I didn’t want to lead with any of these things because they have been well documented—though we did occasionally refer to them.

In this episode of Two Beats Ahead Live! I went deep with Halli about his identity as a creator—how did he understand the connection between design and songwriting? Why has he taken up drawing? Why did he design and open his restaurant, Anna Jóna, and then close it in the course of a year? Our conversation covers these topics, as well as how Halli is letting go of perfection and embracing a beginner’s mind. We also discussed the chemistry of collaborating and how the early days of Ueno bore a remarkable resemblance to the making of his album, The Radio Won't Let Me Sleep.

For the eighth Two Beats Ahead Live!, author R. Michael Hendrix interviews Siggi Baldursson, the renowned drummer and music executive, best known as a founding member of The Sugarcubes. He plays a key role in promoting Icelandic music globally, recently as managing director of ÚTÓN (Iceland Music), where he helped launch initiatives like the Icelandic Music Export Fund and the Record in Iceland program.

In this episode, Siggi discusses the connection between the growth of tourism in Iceland and its impact on Icelandic music. He shares that the Sugarcubes began as a joke, albeit one that “blew up in our face!” He tells about the importance of communities as creative incubators and how Smekkleysa became this for him and his friends in the 80’s. He expands on this for other creative communities in Iceland and how relationships built in a small locale have a trust that encourages weirdness and collaboration. He also shares how the lack of knowing how to do things can actually be the secret to doing something exciting and new, which was especially important to the early post-punk scene in Reykjavik. Finally he shares about the changing nature of the music business and how new innovations are helping artist find audiences.

In this episode of Two Beats Ahead Live!, Michael Hendrix interviews musician and carpenter, Klemens Hannigan, best known as a member of techno performance art project HATARI, and an accomplished solo artist and sculptor. They discuss the parallels of songwriting and woodworking and the differences between art and design in both practices. They delve into why they appreciate limitations and frameworks, and how identities or brands create boundaries and opportunities for world building. Klemens discusses owning his personal contradictions as tensions and why the goal of an entrepreneur is to do something you burn for. They also discuss what is next for HATARI.