In this episode of the show we are continuing our June celebration of Robert Altman's centenary with a great discussion about The Long Goodbye. Over the course of our conversation you will hear us talk about how Altman chose to deconstruct film noir, chiefly by stripping it of its iconography and by treating his protagonist as a fish out of water. We dig into how this movie still tries to fulfil its own genre obligations and whether it might be a bit muddy for its own good. We also talk about the role of improv in the movie, the subtle acting genius of Morris the Cat and whether it is a good idea to cast Arnold Schwarzenegger as an extra and expect the viewer to stay interested in what's happening elsewhere in the frame.

Tune in and enjoy!

Hosts: Jakub Flasz & Randy Burrows

Intro: Infraction - Cassette

Outro: Infraction - Daydream

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In this instalment of our ongoing Mike Nichols Marathon we are setting sights on The Fortune, a movie that nearly ended its director's career. Over the course of our conversation you will hear us talk about how this movie came together as a package deal with Warren Beatty's passion project Shampoo, how it carried an immense promise because of the talent attached to it, and how it all came apart in the end. We also talk about the difficulty to get over an unfunny comedy, how some filmmakers cite it as inspirational, how Mike Nichols should have made better decisions on set instead of avoiding conflict and how Dick Sylbert might have been right when he said that it's impossible to make a funny movie out of two guys trying to kill a woman.

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In this episode of the show we are beginning, albeit a little bit prematurely, our June excursion into the cinema of Robert Altman who would be celebrating his 100th birthday if he was still with us. And we are starting off with his anti-western McCabe and Mrs Miller. Over the course of our conversation you will hear us talk about how Altman fits into the landscape of New Hollywood, how he set out to deconstruct the form and bury the star under his aesthetic and perhaps the reasons why he did so. We also talk about the chemistry (or, ironically, lack thereof) between Warren Beatty and Julie Christie, the idea of watching a movie through a t-shirt and hiding a cultural commentary in a sparse and meandering deconstructed western. Finally, we lose our wits trying to figure out how to pronounce Warren Beatty's last name and we also, if you stay tuned long enough, end up sharing our Jack Nicholson impressions... despite the fact he was not in the movie at all.

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Hosts: Jakub Flasz & Randy Burrows

Featuring: Hillary White & Jak-Luke Sharp

Intro: Infraction - Cassette

Outro: Infraction - Daydream

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In this podcast we are tying into our Elaine May May conversations with a chat about a movie she co-wrote and for which she got an Oscar nomination too, namely Heaven Can Wait. Over the course of our conversation you will hear us try to figure out how and why this movie ended up as successful as it did, if it was a bellwether of the changing times suggesting that the world had had enough of the New Hollywood grime and whether it was a flash in the pan that couldn't have worked at any other point in time. We also try to find traces of Elaine May's DNA in the script, identify the influence of one Buck Henry and wonder if there were simple ways to make this body swap underdog sports rom-com Hitchcock murder plot movie a bit simpler and funnier.

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Hosts: Jakub Flasz & Randy Burrows

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In this episode of the show we are concluding the main part of our Elaine May May with her last directorial outing to date, the 1987 Ishtar. Over the course of our conversation you will hear us talk, again, about the uphill struggle of getting this movie made, how it may have been out of step with the 80s milieu and maybe how it tried to fit in the landscape of newly reborn comedy. We also talk about the many ways in which May's own legacy folds upon itself in here, how the movie might be so good at awkwardly sarcastic comedy that audiences didn't get the message and how it went from being dubbed as one of the worst movies ever made to a reappraised gem. We also try to find a few nuggets of thematic self-reflection here just for good measure.

Tune in and enjoy!

Hosts: Jakub Flasz & Randy Burrows

Intro: Infraction - Cassette

Outro: Infraction - Daydream

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In this episode of the show we are adding the third instalment into our Elaine May May where we talk about her 1976 Mikey and Nicky. Over the course of our conversation you will hear us talk about the arduous and crisis-laden production history of this movie, how Elaine May channeled the spirit of rogue indie filmmaking and how her movie works as a bridge between Cassavetes and Scorsese. We also dive deep into the metaphorical plane of the movie and talk about it as an anti-gangster picture, a companion piece to The Killing of a Chinese Bookie, Husbands and Mean Streets and also wonder what it tells us about Elaine May's own relationship with the moviemaking business.

Tune in and enjoy!

Hosts: Jakub Flasz & Randy Burrows

Intro: Infraction - Cassette

Outro: Infraction - Daydream

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In this podcast we are looking back at the Summer of 95 to talk about the Tony Scott-directed Crimson Tide. Over the course of our conversation you will hear us talk about what makes this movie so immersive and compelling, how an intersection between performance, writing and production design may be the key to its magic and how Tony Scott flawlessly found balance between authenticity and preposterousness. We also talk about how Quentin Tarantino touched up the script and what his work added to the experience, how some actors in this movie wouldn't have passed the physical fitness test to be on a submarine and how taking a tiny dog on a military mission is just unsanitary. And of course, we also weigh in on the central conflict in the film and try to find out who was right in the end, the gung-ho captain or the by-the-book XO.

Tune in and enjoy!

Hosts: Jakub Flasz & Randy Burrows

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In this episode of the show our Elaine May May continues with her sophomore directorial effort The Heartbreak Kid. Over the course of our conversation you will hear us dig deep into the movie to find how it subverts the genre and works as a polar reversal of The Graduate, how the many production woes surrounding this movie proved that Hollywood was a hostile environment for female filmmakers at the time and whether there is a metaphorical plane of interpretation for this movie that comments on both the industry and Elaine May's career as well. We also talk about the two female leads in this movie and how one of them disappears never to return, Charles Grodin's performance that must have informed Ben Stiller's work in the future and the subtle humor embedded in otherwise innocent conversations around food.

Tune in and enjoy!

Hosts: Jakub Flasz & Randy Burrows

Intro: Infraction - Cassette

Outro: Infraction - Daydream

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