• Using Tube And Tape Plug-Ins

  • Mar 13 2025
  • Length: 29 mins
  • Podcast

Using Tube And Tape Plug-Ins

  • Summary

  • In this episode, sound-designer Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves.


    Chapters

    00:00 - Introduction

    01:32 - What Is Harmonic Distortion

    02:32 - Advances In Music Production Quality

    04:47 - The Introduction Of CD

    05:59 - Triodes And Pentodes Vacuum Tubes

    06:47 - Analysing Harmonic Content

    07:56 - Example 1: TR-808 Sub Bass

    10:35 - Example 2: Affecting A Whole Mix*

    12:39 - Example 3: Adding Saturation

    15:07 - The Benefits Of Tape

    17:26 - Example 4: Applying Tape Effects To A Bassline*

    20:59 - Example 5: Adding Tape To Beats

    23:47 - Example 6: Enhancing A Piano Track

    26:56 - Summary


    * Demonstration track ‘Puppet’ (Examples 2 and 4), written, performed and recorded by John Walden. Vocals sung by Yvonne McKeown.

    #voxengospan #SummitAudio #T-RackS #Kraftur #Aphex #SSL

    Eddie Bazil Biog
    Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.
    https://eddiebazil.co.uk/

    https://samplecraze.com/


    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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