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Wind, Reel, & Print

Wind, Reel, & Print

By: Salad Brain Productions
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Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.Copyright 2024 All rights reserved. Art
Episodes
  • Mumblecore pt. II
    Jul 4 2025

    EPISODE 057: LESSONS IN FILM MOVEMENTS

    Featuring: Cyrus (2010); Drinking Buddies (2013); Frances Ha (2012); Computer Chess (2013)

    Per our initial “Mumblecore” episode, WR&P examines the original Mumble-corps in the years following their break onto the scene. Andrew Bujalski, Joe Swanberg, Greta Gerwig, and the Duplass Brothers return for another round of complicated relationships and inventive independent film modes. Kevin coins terminology around this movement to explain the ways these filmmakers embrace bigger budgets and different cinematic styles.

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    49 mins
  • Nosferatu
    Jun 27 2025

    EPISODE 056: CINEMA MINI SERIES

    Featuring: Nosferatu (1922); Nosferatu the Vampyre (1979); Nosferatu (2024)

    As a quasi-sequel to the “Vampire Movies” episode, Wind Reel & Print folds in the cinematic traditions of Nosferatu. Beginning with F.W. Murnau’s 1922 version and ending with Robert Eggers’ recent rendition, Ryan and Kevin cover the aesthetic differences between these three films and how this pertains to director style, regionality, and time period of production.

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    1 hr and 3 mins
  • “Death as Transition”
    Jun 20 2025

    EPISODE 055: LETTERBOXD TOP 250 SHUFFLE

    Featuring: Howl’s Moving Castle (2004); Winter Light (1963); The Ascent (1977); Mulholland Dr. (2001)

    How do you connect a Japanese animation, a Swedish tragedy film, a Soviet WWII drama, and an American dream picture? Regardless of film form or narrative structure or country of origin, the Letterboxd Top 250 surely guarantees a “good movie” fortified with captivating stories and profound aesthetics that ultimately question what it means to be human. This week’s collection concentrates on concepts of death as a symbol of life cycles and transition, featuring films from Hayao Miyazaki, Ingmar Bergman, Larisa Shepitko, and the late David Lynch.

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    1 hr and 27 mins
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