For this episode of the third season we shall be taking an advanced level lesson to which we are going to try to understand why does German tekno music not write itself in history? In this podcast we approach techno music as a classroom lesson where by we go into detail on how techno music is relatable to instrumental music, We acknowledge techno music as being beats but calculated monitored beats. And we explain through exemples and fun quizzing how the techno work interacts with itself and most importantly we stress the fact that electronic music is also music playing to the same degree as instrumental music playing . We base our studies from all the grounding elements of instrumental music to forge opinion on techno music, we combine the two to determine how techno music sounds the our ears.

reference material taken from internet used to produce this podcast:

https://www.reddit.com/r/TechnoProduction/comments/nakm3p/how_to_achieve_rolling_schranz_percussions_ex/

https://www.linkedin.com/pulse/why-german-electronic-synth-music-tradition-so-important-march

https://en.wikipedia.org/wiki/German_electronic_music

https://mixmag.net/read/german-court-techno-is-music-news

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We want to to understand what our mind is telling us when we are put through a musical effect, more so a very technical effect called the suspension used in techno music to create a pause in the music run. The question we shall be asking the cards later in the show is: does the suspension technic in techno music make us feel lonely?

Join me while I read my own music to you. The Flamingo75’s podcast is an exclusive moment you get to spend with me Jessica Gins Smith the proud composer of electronic/ computer music who has the absolute wish to get feedback on her own creation.

Find out more on how and what I use to read the music and finally what my music is telling me!

Flamingo75’s podcast is a weekly broadcast where we discover and understand electronic music via a tool of another kind.

Each episode unveilings the mysteries of electronic music and the projection it has from above not from an intellectual transportation stand point but from a spiritual locomotion. The podcast is dedicated to the music gods and their higher powers.

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We started by revising all the elements necessary to the comprehension of the distortion effect in computer music. We also took note how the distortion effect is use by rock band to make their guitar sound dirt and grit to your guitar signal. In the computer music world the distortion effect is used to create the overtone effect. Meaning the implantation of a higher quality higher sensation to the basic option. 

Join me while I read my own music to you. The Flamingo75’s podcast is an exclusive moment you get to spend with me Jessica Gins Smith the proud composer of electronic/ computer music who has the absolute wish to get feedback on her own creation. 

Find out more on how and what I use to read the music and finally what my music is telling me!

please visit the source used to produce this podcast article written by Nick Messitte November 14, 2022 for full comprehension:

https://www.izotope.com/en/learn/what-is-distortion-in-music-when-and-how-to-use-it.html#:~:text=Distortion%20refers%20to%20the%20altering,intentional%20or%20undesired%20sonic%20destruction.

please check out my new album called Witches Reverb on Itunes

https://apple.co/3IaIa8U

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on this season of the flamingo75's podcast we approach techno music as a classroom lesson where by we go into detail on how techno music is relatable to instrumental music, We acknowledge techno music as being beats but calculated monitored beats. 

And we explain through exemples and fun quizzing how the techno work interacts with itself and most importantly we stress the fact that electronic music is also music playing to the same degree as instrumental music playing . We base our studies from all the grounding elements of instrumental music to forge opinion on techno music, we combine the two to determine how techno music sounds the our ears.

please check out my album Witches Reverb

Hosted on Acast. See acast.com/privacy for more information.

Je veux expliquer ce que nous essayons d'atteindre à partir de ce podcast : notre objectif est de retirer tout ce qui est enivrant pour la musique électronique afin de la rendre plus facile et plus agréable à écouter.

Dans cet épisode nous allons découvrir si que la musique électronique n’a pas fait exprès de se couper de l’émotion musicale instrumentale que nous connaissons ?

Découvrons ensemble quelques aspects importants de l'esprit intellectuel qui entourent la musique électronique.

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Nous allons nous installer à Barcelone pour comprendre l'évolution dark de la techno. Pourquoi prendre pour référence Barcelone et bien car Barcelone est un modèle très inhabituel que nous étudierons dans ce podcast.

Chaque épisode dévoile les mystères de la musique électronique et de la projection qu'elle présente d'en haut non pas d'un point de vue de transport intellectuel mais d'une locomotion spirituelle. Le podcast est dédié aux dieux de la musique et à leurs puissances supérieures.

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Nous voyageons ensemble vers des précieux musicaux uniques et exclusifs.

Toutes les scènes de musique électronique ne sont pas organisées en plein air mais la majeure partie aujourd’hui est faite soi en festival ou en libre dehors sur des terrains agricoles.

Demandons aux cartes ce qu'elles nous répondent à la question : Pourquoi la musique électronique a t-elle choisie d'exploiter les terrains agricoles ?

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bienvenue je suis heureuse que vous m'ayez rejoint, je suis Jessica Gins Smith animatrice et productrice de ce podcast qui a actuellement 7 episodes disponible en anglais sur tous les platforms de podcast mainstream. Ce podcast est unique au monde, vous ne trouverez jamais un tel contenu ailleurs puisque nous sommes specialise en lecture musicale, une lecture toute particulière avec une technique singulière dont je suis moi meme initiatrice.

Dans l'épisode d'aujourd'hui, nous allons comprendre le mouvement de montée en puissance et nous demanderons aux cartes si une montée en musique électronique pousse son auditeur a avoir le sentiment de participation a la production musicale, est ce que l’auditeur a le sentiment de prendre par à la creation de la musique au travers du build up?

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