A Commissario Brunetti Mystery

On a spring day in Venice, Commissario Brunetti and his assistant, Vianello, play hooky to help Vianello's friend Marco Ripetti, arrested during an environmental protest. They secure his release, only to be faced with the fury of the man's father-in-law, Giovanni De Cal, who has made violent threats against Ripetti. Brunetti's curiousity is peaked, and he finds himself drawn to investigate. Is De Cal the type of man to carry out his threats?

When Commissario Brunetti is summoned in the middle of the night to the hospital bed of a pediatrician, he is confronted with more questions than answers. Three men, a young carabiniere captain and two privates from out of town, burst into the doctor's apartment while the family was sleeping, attacked him, and took away his 18-month-old boy. What could have motivated an assault by the forces of the state that was so violent it has left the doctor mute?

On a rainy morning, not long after the funeral of his mother, Commissario Brunetti and Ispettore Vianello respond to a 911 call reporting a body floating near the steps in one of Venice's side canals. Reaching down to pull it out, Brunetti's wrist is caught by the silkiness of golden hair, and he sees a small foot - together he and Vianello lift a dead girl from the water.

The polluted waters of the canals in Venice are an ever-present issue; but environmental concerns become significant in Commissario Guido Brunetti's work when an investigator from the Carabiniere—looking into the illegal hauling of garbage—asks for a favor. But the investigator is not the only one with a special request. Brunetti's father-in-law needs help and a mysterious woman comes into the picture. And the Commissario soon finds himself in the middle of an investigation into murder and corruption more dangerous than anything he's seen before.

At a dinner party given by his parents-in-law, Commissario Brunetti meets Franca Marinello, the wife of a prosperous Venetian businessman. He’s charmed – perhaps too charmed, suggests his wife Paola – by her love of Virgil and Cicero, but shocked by her appearance. A few days later, Brunetti is visited by Carabinieri Maggior Filippo Guarino from the nearby city of Marghera.

As Venice experiences a debilitating heatwave, Commissario Brunetti prepares to escape the city and spend time with his family in the mountains. For Ispettore Vianello, however, the weather is the last thing on his mind; it appears his aunt has become obsessed with horoscopes and has been withdrawing large amounts of money from the family business. Not knowing what to do, he consults Brunetti and asks permission to trail her. This ‘unofficial’ investigation leads them to the flat of Stefano Gorini.

As Venice experiences a debilitating heatwave, Commissario Brunetti prepares to escape the city and spend time with his family in the mountains. However, the weather is the last thing on Ispettore Vianello’s mind; it seems his aunt has become obsessed with horoscopes and has been withdrawing large amounts of money from the family business. Not knowing what to do, he consults Brunetti and asks permission to unofficially trail her, which leads to the flat of Stefano Gorini. But who is this man?

Commissario Guido Brunetti must contend with ingenious corruption, bureaucratic intransigence, and the stifling heat of a Venetian summer. As he plans a trip to the mountains with his family, he learns that cases at the local court - hardly known as a model of efficiency - are being delayed to the benefit of one of the parties. A creative new trick for corrupting the system, perhaps, but what can Brunetti do about it?

Late one night, Commissario Guido Brunetti's telefonino rings. A woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Brunetti sees some signs of force on the old woman, but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing to investigate.

When Anna Maria Giusti returns from holiday to find her elderly neighbour Constanza Altavilla dead, with blood on the floor near her head, she immediately alerts the police. Commissario Brunetti is called to the scene and it seems the woman has suffered a fatal heart attack. Patta, the Vice-Questore, is eager to dismiss the case as a death from natural causes, but Brunetti believes that there is more to it.

When a man is found stabbed to death floating in the canal, Commissario Brunetti is convinced he recognises him from somewhere. It doesn't take long for Brunetti to realise why he remembers the dead man - he saw him at a demonstration a couple of years ago, where farmers were protesting about European milk quotas. But what was his involvement with the protest? And could it have anything to do with his murder?

When the body of man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. Where was the crime scene? And how can Brunetti identify the man when he can’t show pictures of his face? The autopsy shows a way forward: It turns out the man was suffering from a rare, disfiguring disease.

When a body is found floating in a canal, disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere. However, with no identification except for the distinctive shoes the man was wearing, and no reports of people missing from the Venice area, the case cannot progress. Brunetti soon realises why he remembers the dead man, and asks Signorina Elettra if she can help him find footage of a farmers' protest the previous autumn.

In The Golden Egg, as the first leaves of autumn begin to fall, Vice Questore Patta asks Brunetti to look into a minor violation committed by the mayor’s future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but he has little choice but to comply. Then Brunetti’s wife, Paola, comes to him with a request of her own. The mentally handicapped man who worked at their dry cleaners has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him.

Twenty-one years ago, when a conductor was poisoned and the Questura sent a man to investigate, readers first met Commissario Guido Brunetti. Since 1992’s Death at La Fenice, Donna Leon and her shrewd, sophisticated, and compassionate investigator have been delighting readers around the world. For her millions of fans, Leon’s novels have opened a window into the private Venice of her citizens, a world of incomparable beauty, family intimacy, shocking crime, and insidious corruption.

One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: The culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem-- the man fled the library earlier that day, and after checking his credentials, the American professor doesn't exist.

By Its Cover is the much anticipated twenty-third instalment in Donna Leon's bestselling crime series, where Commissario Brunetti is better than ever as he addresses questions of worth and value alongside his ever-faithful team of Ispettore Vianello and Signorina Elettra. When several valuable antiquarian books go missing from a prestigious library in the heart of Venice, Commissario Brunetti is immediately called to the scene.

In Death at La Fenice, Donna Leon’s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy’s finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca. As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers.

Donna Leon's Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced listeners to the glamorous and cutthroat world of opera and one of Italy's finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca.

Fifteen years ago the teenage granddaughter of the grand Contessa Lando-Continui was rescued at the last moment from drowning in the canals. But young Manuela's life was never the same again. Now aged thirty, she lives trapped in an eternal youth. The Contessa, certain that this was no accident, implores Brunetti to find the culprit she believes ruined Manuela's life.