Business Opera

After film critic Gene Siskel asked her, "What do you know for sure?" Oprah Winfrey began writing the "What I Know for Sure" column in O, The Oprah Magazine. Saying that the question offered her a way to take "stock of her life", Oprah has penned one column a month over the last 14 years.

T'Chezz is upping the effort with the war and unleashing an unbound demon on San Diego while Katie/Pandora and Calvin happen to be in town. However, to save Calvin, Katie is going to have to divulge more abilities that could get back to Korbin. With the special weapons taking a toll on his plans, T'Chezz finds out he isn't the only one who has new capabilities. So, he decides to increase the burn. Katie and Pandora are having to learn how to work together...and yet make sure that Korbin believes Katie isn't being taken on a ride by a demon with centuries of guile under her belt.

Katie's desire to help others helps her find a valuable asset: a young blacksmith whose family might have the secret to weapons that can help change the war. The only problem? The government might want what she has if they learn about it.

Within the Great Sphere, Captain Aventurine Bana finds herself the centerpoint in a vast conspiracy. A struggling transporter on the edges of society, ‘Gem’ Bana is given a fantastic opportunity: take the estranged son of a powerful businessman around the Sphere, and receive a beautiful new ship in exchange. Quickly caught in a tangle of intrigue, danger, and the looming threat of some outside puppeteer, Bana must navigate the Great Sphere with dry wit, abject terror, and a cool head. Dodging bounties, assassins, and the reach of a Sphere-wide corporation, all she wanted was a good book...

Powerful women in Viking helmets, heroic males with incredible voices, and epic themes of life and death -this is opera! Opera is an art form that tells a story through singing, music, dancing and acting. It began in 1597 when an Italian artist, Jacopo Peri, tried to reproduce the ancient Greek dramas. After noticing that the Greeks used music and speech together in these dramas, Peri chose to do the same but with signing.

This is the story of the 36-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music”. During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public.