Native Poetry

Joy Harjo, the first Native American to serve as US poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice.

Longfellow's great narrative poem has been unjustly neglected in recent years though it gives a sympathetic portrait especially of Hiawatha, reared by Nokomis, daughter of the Moon, and his bride Minehaha.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Margaretta Matilda Odell's 1834 Memoir and Poems of Phillis Wheatley is the only substantive early source on Wheatley's life. Phillis Wheatley (ca. 1753-1784) is considered the first African American poet to write for a transatlantic audience, and her Poems on Various Subjects, Religious and Moral (1773) kindled debates about race.

The text relates the powerful and dramatic history of the Smoky Mountain Cherokees, who for 40,000 years thrived in the difficult terrain of the Great Smoky Mountains and its surrounding regions areas of what is now Kentucky, Ohio, West Virginia, North Carolina, Georgia, and Alabama.

Apple is a slur in Native communities across the country. It's for someone supposedly red on the outside, white on the inside. Eric Gansworth tells his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

US Poet Laureate Joy Harjo’s iconic poem "Remember," invites young listeners to pause and reflect on the wonder of the world around them, and to remember the importance of their place in it. In simple and direct language, Harjo, a member of the Mvskoke Nation, urges listeners to pay close attention to who they are, the world they were born into, and how all inhabitants on earth are connected. This timeless poem makes for a true celebration of life and our human role within it.

From the creators of Odyssey Honor award-winning We Are Grateful: Otsaliheliga comes this companion book of truths about the history, contemporary laws, policies and struggles, and victories of Native Americans, presented in lyrical verse by 12 children, and each with the powerful refrain: We Are Still Here.

Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

Dreams of the Golden Eagle, a novel in rhyming narrative verse, is a must-listen for lovers of high Native American adventure who will enjoy its action-packed storylines and clarity of image. Set immediately prior to the onset of the Indian Wars, this stirring Native American adventure involves a web of murder, mystery, intrigue, betrayal, love, hatred, and revenge as a far-sighted and fearless chief, in collaboration with the tribal totem, the Golden Eagle, strives to create an alliance between the warring tribes in a concerted effort to thwart the White invasion.

The poems in this collection are a testament to Csaba's resilience, humor, and a deep sense of empathy. The author's reflections on life's joys and challenges are both personal and universal, touching on themes such as love, loss, hope, and the beauty of the natural world. The poems are written in a variety of styles, from free verse to haiku, and are infused with Csaba's unique perspective on the world.